Art Reviews and Commentaries by Robert L. Pincus, Art Critic, Snipped from the San Diego Union: 1985-1987 PDF Download

Author: Robert L. Pincus
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 464

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Author: Robert L. Pincus
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 758

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Author: Robert L. Pincus
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 674

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Author: Nancy Dustin Wall Moure
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 568

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Author: Robert Pincus-Witten
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 256

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Author: James Elkins
Publisher: Routledge
ISBN: 1135867593
Category : Art
Languages : en
Pages : 364

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Book Description
Art criticism is spurned by universities, but widely produced and read. It is seldom theorized and its history has hardly been investigated. The State of Art Criticism presents an international conversation among art historians and critics that considers the relation between criticism and art history and poses the question of whether criticism may become a university subject. Contributors include Dave Hickey, James Panero, Stephen Melville, Lynne Cook, Michael Newman, Whitney Davis, Irit Rogoff, Guy Brett and Boris Groys.

Author: Lawrence Alloway
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 336

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Author: Clement Greenberg
Publisher: University of Chicago Press
ISBN: 9780226306186
Category : Art
Languages : en
Pages : 374

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Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.

Author: Donald Burton Kuspit
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 240

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Clement Greenberg, the father of modern American art criticism, has always been a controversial figure among art critics and historians. Although the American artists of the 1940s that he singled out for attention have since achieved international recognition as the first generation of abstract expressionists, the "modernist" theory of criticism by which Greenberg justified his taste and specified the significance of such artists has often provoked hostile comment. Donald Kuspit's book is the first to examine the totality of Greenberg's position, showing both its value and its incompleteness.--Book jacket.

Author: Suzanne Lacy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 300

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"In this wonderfully bold and speculative anthology of writings, artists and critics offer a highly persuasive set of argument and pleas for imaginative, socially responsible, and socially responsive public art.... "--Amazon.