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Author: Rudolf Frieling Publisher: Univ of California Press ISBN: 0520290569 Category : Art Languages : en Pages : 384
Book Description
"This book is published by the San Francisco Museum of Modern Art on the occasion of the exhibition Bruce Conner: It's All True, co-curated by Stuart Comer, Rudolf Frieling, Gary Garrels, and Laura Hoptman, with Rachel Federman"--Colophon.
Author: Rudolf Frieling Publisher: Univ of California Press ISBN: 0520290569 Category : Art Languages : en Pages : 384
Book Description
"This book is published by the San Francisco Museum of Modern Art on the occasion of the exhibition Bruce Conner: It's All True, co-curated by Stuart Comer, Rudolf Frieling, Gary Garrels, and Laura Hoptman, with Rachel Federman"--Colophon.
Author: Kevin Hatch Publisher: MIT Press ISBN: 0262528894 Category : Art Languages : en Pages : 355
Book Description
A new perspective on the enormously influential but insufficiently understood work of San Francisco-based artist Bruce Conner (1933–2008). In a career that spanned five decades, most of them spent in San Francisco, Bruce Conner (1933–2008) produced a unique body of work that refused to be contained by medium or style. Whether making found-footage films, hallucinatory ink-blot graphics, enigmatic collages, or assemblages from castoffs, Conner took up genres as quickly as he abandoned them. In this first book-length study of Conner's enormously influential but insufficiently understood career, Kevin Hatch explores Conner's work as well as his position on the geographical, cultural, and critical margins. Generously illustrated with many color images of Conner's works, Looking for Bruce Conner proceeds in roughly chronological fashion, from Conner's notorious assemblages (BLACK DAHLIA and RATBASTARD among them) through his experimental films (populated by images from what Conner called “the tremendous, fantastic movies going in my head from all the scenes I'd seen”), his little-known graphic work, and his collage and inkblot drawings.
Author: Bruce Conner Publisher: ISBN: Category : Art, American Languages : en Pages : 292
Book Description
Bruce Conner (1933-2008) first came to prominence in the late 1950s as a leader of the assemblage movement in California. Conner had close ties with poets of the San Francisco Renaissance (particularly Michael McClure) as well as with artists such as Wallace Berman, George Herms, Jess and Jay DeFeo. Conner's use of nylon stockings in his assemblages quickly won him notoriety, and saw his work included in Peter Selz's classic 1961 Art of Assemblage show at MoMA. Around this time, Conner also turned to film-making, and produced in swift succession a number of short films that helped to pioneer the rapid edit and the use of pop music among independent film-makers. Conner's innovative editing techniques and decidedly dark vision of American culture laid the foundation for later Hollywood directors such as Dennis Hopper (a friend and collaborator of Conner's, who frequently acknowledged his influence) and David Lynch. A long overdue and significant addition to the understanding of twentieth-century American art and cinema, 2000 BC: The Bruce Conner Story Part II represents the most comprehensive book to date on Conner's work from the 1950s to the present. The authors elucidate Conner's work in film, assemblage, drawing, printmaking, collage, and photograms, as well as his more ephemeral gestures, actions, protests and "escapes" from the art world. This beautifully designed clothbound monograph is a landmark publication for anyone interested in contemporary art, film, culture and the Beat era.
Author: Anastasia Aukeman Publisher: Univ of California Press ISBN: 0520289455 Category : Art Languages : en Pages : 350
Book Description
The Rat Bastard ProtectiveÊAssociation was an inflammatory, close-knit community of artists who livedÊand worked in aÊbuilding they dubbed Painterland in the Fillmore neighborhood of midcentury San Francisco. The artists who counted themselves among the RatÊBastardsÑwhich included Joan Brown, Bruce Conner, Jay DeFeo,ÊWallyÊHedrick, Michael McClure, and Manuel NeriÑexhibited a unique fusion of radicalism,Êprovocation, and community. Geographically isolated from a viable art market and refusingÊto conform to institutional expectations, theyÊanimated broader social andÊartistic discussions through their work and became aÊtransformative part of American culture over time. Anastasia Aukeman presents new and little-known archival material in this authorized account of these artists and their circle, a colorful cultural milieu that intersected with the broader Beat scene.
Author: V. Vale Publisher: Re/Search Publications ISBN: 9781889307213 Category : Art Languages : en Pages : 0
Book Description
From the late '70s to 2005, V. Vale interviewed Bruce Conner by telephone and in person mostly in the afternoons. Spontaneous yet insightful in his conversation, Conner is revealed as an innovative improvisatory artist whose goal in life seemed to be freedom and the transcendence of hidebound careerist conformity in all its bureaucratic manifestations. Therefore he created art that annihilated boundaries, categories and predictability. These interviews have never been transcribed and made public, until now. Bruce Conner: The Afternoon Interviews includes a revelatory introduction by art curator, writer and philosopher Natasha Boas. Boas positions Conner as a key artist of the late 20th- to early 21st-century, profiling Conner as a surprising role model for today's emergent and future artists.
Author: Publisher: J & L Books ISBN: 9780989531184 Category : Art Languages : en Pages : 0
Book Description
Artist and filmmaker Bruce Conner's (1933-2008) mobility was severely limited for the last five years of his life, when he rarely left the San Francisco home he shared with his wife, Jean. To aid in his physical navigation of its spaces, he worked with assistants to install a succession of solid brass handles in each and every room--surrounding the stove, down the boat-like stairwell, inside the recesses of the bedroom closet. At last count, the handles, a labyrinth of critical support, numbered 163. Still in situ after his death in 2008, the handles are arguably Conner's last great work--at once physical and metaphysical, fragmentary and elusive, elegant and anonymous. Together, they draft the ghost architecture of Conner's final years, transforming the pedestrian into something altogether different. Will Brownis a collaborative project founded by Lindsey White, Jordan Stein and David Kasprzak. Formerly based in a San Francisco storefront, Will Brown's main objective is to manipulate the structures of exhibition-making as a critical practice. Will Brown recently mounted a solo exhibition at the Berkeley Art Museum/Pacific Film Archive.
Author: Constance Lewallen Publisher: University of California Press ISBN: 0520296052 Category : Art Languages : en Pages : 168
Book Description
The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell. Designed for viewer participation, Bruce Nauman’s architectural installations often confound expectations and induce physical and psychological unease. The essays in this book consider these works, which begin in 1969 and continue into the 1970s and beyond, in terms of the physical, perceptual, and psychological pressures they exert on the participant. Three interlocking perspectives on the topic—Constance M. Lewallen’s historical overview, Dore Bowen’s case study of Nauman’s 1970 Corridor Installation with Mirror—San Jose Installation (Double Wedge Corridor with Mirror), and a supplementary essay by Ted Mann on Nauman’s drawings—provide a comprehensive and in-depth approach. The book coincides with the major retrospective exhibition Bruce Nauman: Disappearing Acts at the Schaulager Museum, Basel, Switzerland (March 17–August 26, 2018) and the Museum of Modern Art and MoMA PS1, New York (October 21, 2018–March 17, 2019).
Author: Frederic Colier Publisher: Books We Live by ISBN: 1628480130 Category : Performing Arts Languages : en Pages : 80
Book Description
Someday, Bruce Conner will be considered as a pioneer of the post-modern aesthetic trend, along with the likes of Lawrence Stern or Marcel Duchamp. Strange claim you may think since none of them really created during the post-modern era. This claim is made clear in this book, which covers the filmic work of Bruce Conner, the pioneer of found footage filmmaking, so well-known nowadays for having influenced a generation of main-road filmmakers and TV producers, something often referred to as the MTV generation. But beyond the social recuperation of art trends, Bruce Conner's revolutionary films seriously question the nature of representation and, to a larger extent, the narration of history and its usefulness in a media-saturated society. Analyzed through a post-modern lens, this book contains a mixture of film theory and literary criticism. It investigates the role of Irony in relation to our history of violence (a tone Conner excelled at depicting), and explores its limitations. What can irony really teach us in our commercially and technologically driven society? Is violence really the becoming and inevitable outcome of Man? Or is its repeated spectacle just another form of dogma: a historical chimera portending dubious philosophical notions, such as supporting the constant belief of historical and human progress? The book finally raises a larger question as to whether Conner's socio-political statements, through an oeuvre being widely imitated and falling into main artistic network, did not anticipate, participate and precipitate the fall of the post-modern aesthetic.
Author: Rudolf Frieling
Author: Rudolf Frieling
Author: Kevin Hatch
Author: Bruce Conner
Author: Rachel Federman
Author: Anastasia Aukeman
Author: Jack Rasmussen
Author: V. Vale
Author: 
Author: Constance Lewallen
Author: Frederic Colier