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Author: David Kerekes Publisher: SCB Distributors ISBN: 1909394963 Category : Performing Arts Languages : en Pages : 543
Book Description
A social history of the ‘video nasty’. In the early 1980s, video technology forever changed the face of home entertainment. The videocassette – a handy-sized cartridge of magnetic tape inside a plastic shell – domesticated cinema as families across Britain began to consume films in an entirely new way. Demand was high and the result was a video gold rush, with video rental outlets appearing on every high street almost overnight. Without moderation their shelves filled with all manner of films depicting unbridled sex and violence. A backlash was inevitable. Video was soon perceived as a threat to society, a view neatly summed up in the term ‘video nasties’. CANNIBAL ERROR chronicles the phenomenal rise of video culture through a tumultuous decade, its impact and its aftermath. Based on extensive research and interviews, the authors provide a first-hand account of Britain in the 1980s, when video became a scapegoat for a variety of social ills. It examines the confusion spawned by the Video Recordings Act 1984, the subsequent witch hunt that culminated in police raids and arrests, and offers insightful commentary on many contentious and ‘banned’ films that were cited by the media as influential factors in several murder cases. It also investigates the cottage industry in illicit films that developed as a direct result of the ‘video nasty’ clampdown. CANNIBAL ERROR, a revised and reworked edition of SEE NO EVIL (2000), is an exhaustive and startling overview of Britain’s ‘video nasty’ panic, the ramifications of which are still felt today.
Author: David Kerekes Publisher: SCB Distributors ISBN: 1909394963 Category : Performing Arts Languages : en Pages : 543
Book Description
A social history of the ‘video nasty’. In the early 1980s, video technology forever changed the face of home entertainment. The videocassette – a handy-sized cartridge of magnetic tape inside a plastic shell – domesticated cinema as families across Britain began to consume films in an entirely new way. Demand was high and the result was a video gold rush, with video rental outlets appearing on every high street almost overnight. Without moderation their shelves filled with all manner of films depicting unbridled sex and violence. A backlash was inevitable. Video was soon perceived as a threat to society, a view neatly summed up in the term ‘video nasties’. CANNIBAL ERROR chronicles the phenomenal rise of video culture through a tumultuous decade, its impact and its aftermath. Based on extensive research and interviews, the authors provide a first-hand account of Britain in the 1980s, when video became a scapegoat for a variety of social ills. It examines the confusion spawned by the Video Recordings Act 1984, the subsequent witch hunt that culminated in police raids and arrests, and offers insightful commentary on many contentious and ‘banned’ films that were cited by the media as influential factors in several murder cases. It also investigates the cottage industry in illicit films that developed as a direct result of the ‘video nasty’ clampdown. CANNIBAL ERROR, a revised and reworked edition of SEE NO EVIL (2000), is an exhaustive and startling overview of Britain’s ‘video nasty’ panic, the ramifications of which are still felt today.
Author: Catherine Mavrikakis Publisher: Coach House Books ISBN: 9781552451403 Category : Fiction Languages : en Pages : 168
Book Description
Hervé, the friend with AIDS; his lover, Hervé, also afflicted; Hervé the hairdresser; Hervé next door who has defenestrated himself: in A Cannibal and Melancholy Mourning the narrator confronts the deaths of so many friends, all named Hervé. But the dead cannot be buried so easily; they live on, spectres haunting her, as the cumulative effect of all her Hervés becomes a multifaced Death that simultaneously angers, saddens, cheers and confuses her. In this unfolding series of encounters between the living and the dead, Mavrikakis draws on Deleuze, Freud, Foucault and novelist Hervé Guibert to make of herself and of this visceral, compelling novel a kind of living mausoleu where those unable to speak may still be heard.
Author: Dean MacCannell Publisher: Routledge ISBN: 1134933983 Category : Social Science Languages : en Pages : 240
Book Description
Empty Meeting Grounds continues Dean MacCannell's search for the cultural subject that is about to emerge from the encounter of the ex-primitive and the post-modern. It contains fascinating chapters on `Cannibal Tours', `The Desire to be Postmodern', the Vietnam Memorial in Washington D.C., the Statue of Liberty Restoration Project and the urbanization of Yosemite Park.
Author: Danny Weyns Publisher: Springer Science & Business Media ISBN: 3540245758 Category : Computers Languages : en Pages : 288
Book Description
This modern field of multi-agent systems has developed from two main lines of earlier research: its practitioners generally regard it as a form of distributed artificial intelligence, whereas some researchers have persistently advocated ideas from the field of artificial life. AI agents (and their designers) usually take the environment for agent interaction as granted. From the ALife perspective and for ALife agents, the environment for interaction is an active participant in agent dynamics, a first class member of the overall systems. This book originates from the First International Workshop on Environments for Multi-Agent Systems, E4MAS 2004, held in New York, NY, USA in July 2004 as a satellite workshop of AAMAS 2004. The 13 carefully selected reviewed and revised papers presented together with an introductory survey article of close to 50 pages are organized in topical sections on conceptual models, language for design and specification, simulation and environments, mediated coordination, and applications.
Author: Jack Copeland Publisher: John Wiley & Sons ISBN: 1119189845 Category : Philosophy Languages : en Pages : 331
Book Description
Presupposing no familiarity with the technical concepts of either philosophy or computing, this clear introduction reviews the progress made in AI since the inception of the field in 1956. Copeland goes on to analyze what those working in AI must achieve before they can claim to have built a thinking machine and appraises their prospects of succeeding. There are clear introductions to connectionism and to the language of thought hypothesis which weave together material from philosophy, artificial intelligence and neuroscience. John Searle's attacks on AI and cognitive science are countered and close attention is given to foundational issues, including the nature of computation, Turing Machines, the Church-Turing Thesis and the difference between classical symbol processing and parallel distributed processing. The book also explores the possibility of machines having free will and consciousness and concludes with a discussion of in what sense the human brain may be a computer.
Author: Lewis F. Petrinovich Publisher: Transaction Publishers ISBN: 9780202369501 Category : Social Science Languages : en Pages : 248
Book Description
The Cannibal Within offers an evolutionary account of the propensity of human beings, in extreme circumstances to eat other human beings, despite the strong Western taboo against such practices. What sets this volume apart from the large body of literature on cannibalism, both popular and anthropological, is the underlying premise: cannibalism as an alternative to starvation is tacitly condoned by the same biological morality that would condemn cannibalism of other sorts in non-threatening situations. Deep as the taboos may be, the survival instinct runs even deeper. The title of the book reflects the author's belief that cannibalism is not a pathology that erupts in psychotic individuals, but is a universal adaptive strategy that is evolutionarily sound. The cannibal is within all of us, and cannibals are within all cultures, should the circumstances demand cannibalism's appearance and usage. Petrinovich's work is rich in historical detail, and rises to a level of theoretical sophistication in addressing a subject too often dealt with in sensationalist terms. The major instances in which survival cannibalism has occurred convinced the author that there is a consistent pattern and a uniform regularity of order in which different kinds of individuals are consumed. In considering who eats whom, when, and under what circumstances, this regularity appears, and it is consistent with what would be expected on the basis of evolutionary or Darwinian theory. In short, he concludes that starvation cannibalism is not a manifestation of the chaotic, psychotic behavior of individuals who are driven to madness, but reveals underlying characteristics of evolved human beings. Lewis Petrinovich is professor emeritus in the Department of Psychology of the University of California, Riverside and is currently a resident of Berkeley, California.
Author: Safiya Sinclair Publisher: U of Nebraska Press ISBN: 0803295367 Category : Poetry Languages : en Pages : 126
Book Description
Colliding with and confronting The Tempest and postcolonial identity, the poems in Safiya Sinclair's Cannibal explore Jamaican childhood and history, race relations in America, womanhood, otherness, and exile. She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic, and intricately woven. Here the female body is a dark landscape; the female body is cannibal. Sinclair shocks and delights her readers with her willingness to disorient and provoke, creating a multitextured collage of beautiful and explosive poems.
Author: Felisa Vergara Reynolds Publisher: U of Nebraska Press ISBN: 1496230035 Category : Literary Criticism Languages : en Pages : 306
Book Description
In the first decades after the end of French rule, Francophone authors engaged in an exercise of rewriting narratives from the colonial literary canon. In The Author as Cannibal, Felisa Vergara Reynolds presents these textual revisions as figurative acts of cannibalism and examines how these literary cannibalizations critique colonialism and its legacy in each author’s homeland. Reynolds focuses on four representative texts: Une tempête (1969) by Aimé Césaire, Le temps de Tamango (1981) by Boubacar Boris Diop, L’amour, la fantasia (1985) by Assia Djebar, and La migration des coeurs (1995) by Maryse Condé. Though written independently in Africa and the Caribbean, these texts all combine critical adaptation with creative destruction in an attempt to eradicate the social, political, cultural, and linguistic remnants of colonization long after independence. The Author as Cannibal situates these works within Francophone studies, showing that the extent of their postcolonial critique is better understood when they are considered collectively. Crucial to the book are two interviews with Maryse Condé, which provide great insight on literary cannibalism. By foregrounding thematic concerns and writing strategies in these texts, Reynolds shows how these rewritings are an underappreciated collective form of protest and resistance for Francophone authors.
Author: David Kerekes
Author: David Kerekes
Author: Catherine Mavrikakis
Author: Charles Abram Ellwood
Author: Dean MacCannell
Author: Danny Weyns
Author: Jack Copeland
Author: Lewis F. Petrinovich
Author: Crisis and national co-operative trades' union gazette
Author: Safiya Sinclair
Author: Felisa Vergara Reynolds