Author: British Museum. Department of ManuscriptsPublisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 576
Book Description
Catalogue of Manuscript Music in the British Museum
Author: British Museum. Department of ManuscriptsPublisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 576
Book Description
Catalogue of manuscript music in the British Museum. 3. Instrumental music, treatises, etc.
Author: Augustus Hughes-HughesPublisher:
ISBN:
Category :
Languages : en
Pages : 543
Book Description
Catalogue
Author: Bernard Quaritch (Firm)Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 772
Book Description
A Catalogue of ... [books] ...
![A Catalogue of ... [books] ... PDF](https://books.google.com/books/content/images/frontcover/ab3eDMJbKMEC?fife=w80-h100)
Author: Bernard Quaritch (Firm)Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 2634
Book Description
Catalogue of Manuscript Music in the British Museum: Secular vocal music
Author: British Museum. Dept. of ManuscriptsPublisher:
ISBN:
Category : Manuscripts
Languages : en
Pages :
Book Description
Catalogue of Manuscript Music in the British Museum
Author: British Museum. Department of ManuscriptsPublisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 615
Book Description
Catalogue of Manuscript Music in the British Museum
Author: British Museum. Department of ManuscriptsPublisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 996
Book Description
Catalogue of the Manuscript Music in the British Museum
Author: British Museum. Dept. of ManuscriptsPublisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 128
Book Description
Women Writing Music in Late Eighteenth-Century England
Author: Leslie RitchiePublisher: Routledge
ISBN: 1351536613
Category : Literary Criticism
Languages : en
Pages : 436
Book Description
Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth?mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
Author: