Author: Marisa Anne BassPublisher: Princeton University Press
ISBN: 0691248591
Category : Art
Languages : en
Pages : 224
Book Description
"A history of shells in early modern Europe, and their rich cultural and artistic significance"--
Conchophilia
Author: Marisa Anne BassPublisher: Princeton University Press
ISBN: 0691248591
Category : Art
Languages : en
Pages : 224
Book Description
"A history of shells in early modern Europe, and their rich cultural and artistic significance"--
Rarities of These Lands
Author: Claudia SwanPublisher: Princeton University Press
ISBN: 0691207968
Category : Art
Languages : en
Pages : 336
Book Description
"The early years of the seventeenth century saw a great flourishing of Dutch culture. In the arts, this was the era of Vermeer and Rembrandt, as well as the development of a local art market. Commerce extended around the world, with state-sponsored trading companies importing foreign goods. Politically, the Netherlands became the first nation-state in Europe, in 1648. In this book, Claudia Swan considers all these aspects together, examining the material culture of the period-the designed, manufactured, and hand-crafted materials and wares-to show how the Dutch encounter with so-called "exotic" goods played a fundamental role in the country's political formation"--
Museum, Bibliothek, Stadtraum
Author: Robert FelfePublisher: LIT Verlag Münster
ISBN: 3825813487
Category : City planning
Languages : de
Pages : 334
Book Description
Summary: Die Beiträge des Buches widmen sich historischen Wissensräumen und -ordnungen. Im Zentrum stehen die museale Sammlung, die Bibliothek und der Stadtraum. Dies sind paradigmatische Orte, an und in denen in der frühen Neuzeit Wissen geordnet, dargestellt und erzeugt wurde. Neben einzelnen Architekturmotiven wie dem Rundbau teilen sie einen enzyklopädischen Anspruch und basieren auf topischen Ordnungsverfahren. Über eine Architektur-, Institutionen- und Sammlungsgeschichte dieser Räume hinaus interessiert hier, inwiefern ihre Architektur, spezifische Raumordnung und mediale Ausstattung unmittelbaren Anteil an der Produktion und Rezeption von Wissen haben. So erscheinen die konkreten Räume von Museum, Bibliothek und Stadt nicht nur als situativer Rahmen, sondern vielmehr als konstitutiver Faktor Wissen generierender Prozesse.
PEARLS FOR THE CROWN
Author: MONICA. DOMINGUEZ TORRESPublisher: Penn State Press
ISBN: 027109723X
Category :
Languages : en
Pages : 219
Book Description
Oakland Harbor Navigation Improvement Project: Draft environmental impact statement
Author: The Moving Statues of Seventeenth-Century Amsterdam
Author: Angela VanhaelenPublisher: Penn State Press
ISBN: 0271091916
Category : Art
Languages : en
Pages : 237
Book Description
This book opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform. Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies.
Ichthyology in Context (1500–1880)
Author: Paul J. SmithPublisher: BRILL
ISBN: 9004681183
Category : Science
Languages : en
Pages : 777
Book Description
Ichthyology in Context (1500–1880) provides a broad spectre of early modern manifestations of human fascination with fish – “fish” understood in the early modern sense of the term, as aquatilia: all aquatic animals, including sea mammals and crustaceans. It addresses the period’s quickly growing knowledge about fish in its multiple, varied and rapidly changing interaction with culture. This topic is approached from various disciplines: history of science, cultural history, history of collections, historical ecology, art history, literary studies, and lexicology. Attention is given to the problematic questions of visual and textual representation of fish, and pre- and post-Linnean classification and taxonomy. This book also explores the transnational exchange of ichthyological knowledge and items in and outside Europe. Contributors: Cristina Brito, Tobias Bulang, João Paulo S. Cabral, Florike Egmond, Dorothee Fischer, Holger Funk, Dirk Geirnaert, Philippe Glardon, Justin R. Hanisch, Bernardo Jerosch Herold, Rob Lenders, Alan Moss, Doreen Mueller, Johannes Müller, Martien J.P. van Oijen, Pietro Daniel Omodeo, Anne M. Overduin-de Vries, Theodore W. Pietsch, Cynthia Pyle, Marlise Rijks, Paul J. Smith, Ronny Spaans, Robbert Striekwold, Melinda Susanto, Didi van Trijp, Sabina Tsapaeva, and Ching-Ling Wang.
Women and the Art and Science of Collecting in Eighteenth-Century Europe
Author: Arlene LeisPublisher: Taylor & Francis
ISBN: 1000175189
Category : Art
Languages : en
Pages : 221
Book Description
Through both longer essays and shorter case studies, this book examines the relationship of European women from various countries and backgrounds to collecting, in order to explore the social practices and material and visual cultures of collecting in eighteenth-century Europe. It recovers their lives and examines their interests, their methodologies, and their collections and objects—some of which have rarely been studied before. The book also considers women’s role as producers, that is, creators of objects that were collected. Detailed examination of the artefacts—both visually, and in relation to their historical contexts—exposes new ways of thinking about collecting in relation to the arts and sciences in eighteenth-century Europe. The book is interdisciplinary in its makeup and brings together scholars from a wide range of fields. It will be of interest to those working in art history, material and visual culture, history of collecting, history of science, literary studies, women’s studies, gender studies, and art conservation.
The Sublime in the Visual Culture of the Seventeenth-Century Dutch Republic
Author: Stijn BusselsPublisher: Taylor & Francis
ISBN: 1003803490
Category : Art
Languages : en
Pages : 256
Book Description
Contrary to what Kant believed about the Dutch (and their visual culture) as “being of an orderly and diligent position” and thus having no feeling for the sublime, this book argues that the sublime played an important role in seventeenth-century Dutch visual culture. By looking at different visualizations of exceptional heights, divine presence, political grandeur, extreme violence, and extraordinary artifacts, the authors demonstrate how viewers were confronted with the sublime, which evoked in them a combination of contrasting feelings of awe and fear, attraction and repulsion. In studying seventeenth-century Dutch visual culture through the lens of notions of the sublime, we can move beyond the traditional and still widespread views on Dutch art as the ultimate representation of everyday life and the expression of a prosperous society in terms of calmness, neatness, and order. The book will be of interest to scholars working in art history, visual culture, architectural history, and cultural history.
Animating the Antique
Author: Sarah BetzerPublisher: Penn State Press
ISBN: 0271091770
Category : Art
Languages : en
Pages : 485
Book Description
Framed by tensions between figural sculpture experienced in the round and its translation into two-dimensional representations, Animating the Antique explores enthralling episodes in a history of artistic and aesthetic encounters. Moving across varied locations—among them Rome, Florence, Naples, London, Dresden, and Paris—Sarah Betzer explores a history that has yet to be written: that of the Janus-faced nature of interactions with the antique by which sculptures and beholders alike were caught between the promise of animation and the threat of mortification. Examining the traces of affective and transformative sculptural encounters, the book takes off from the decades marked by the archaeological, art-historical, and art-philosophical developments of the mid-eighteenth century and culminantes in fin de siècle anthropological, psychological, and empathic frameworks. It turns on two fundamental and interconnected arguments: that an eighteenth-century ontology of ancient sculpture continued to inform encounters with the antique well into the nineteenth century, and that by attending to the enduring power of this model, we can newly appreciate the distinctively modern terms of antique sculpture’s allure. As Betzer shows, these eighteenth-century developments had far-reaching ramifications for the making and beholding of modern art, the articulations of art theory, the writing of art history, and a significantly queer Nachleben of the antique. Bold and wide-ranging, Animating the Antique sheds light upon the work of myriad artists, in addition to that of writers ranging from Goethe and Winckelmann to Hegel, Walter Pater, and Vernon Lee. It will be especially welcomed by scholars and students working in eighteenth- and nineteenth-century art history, art writing, and art historiography.