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Author: Barbara Deutschmann Publisher: Bloomsbury Publishing ISBN: 0567704572 Category : Bibles Languages : en Pages : 288
Book Description
What can explain the persistence of gender inequality throughout history? Do narratives such as the Eden story explain that dissymmetry or contribute to it? This book suggests that the Hebrew Bible began and has sustained a rich conversation about sex and gender throughout its life. A literary study of the Garden of Eden story reveals a focus on the human partnership as integral to the divine creation project. Texts from other Hebrew Bible genres build a picture of robust and flexible partnerships within a patriarchal framework. In popular culture, Eve still carries the stench of guilt while Adam, seemingly unscathed by Eden events, remains a positive symbol of manhood. This book helps explain why they have had such different histories. The book also charts the subversive alternate streams of interpretation of women's writings and rabbinic texts. The story of Adam and Eve demonstrates how conceptions of gender in both ancient and modern worlds reflect larger philosophical schemes. Far from existing as timeless verities, female and male relations are constructed according to cultural imperatives of the day. Understanding the different ways that Adam and Eve have been conceived gives us perspective on our own twenty-first century gender architecture.
Author: Barbara Deutschmann Publisher: Bloomsbury Publishing ISBN: 0567704572 Category : Bibles Languages : en Pages : 288
Book Description
What can explain the persistence of gender inequality throughout history? Do narratives such as the Eden story explain that dissymmetry or contribute to it? This book suggests that the Hebrew Bible began and has sustained a rich conversation about sex and gender throughout its life. A literary study of the Garden of Eden story reveals a focus on the human partnership as integral to the divine creation project. Texts from other Hebrew Bible genres build a picture of robust and flexible partnerships within a patriarchal framework. In popular culture, Eve still carries the stench of guilt while Adam, seemingly unscathed by Eden events, remains a positive symbol of manhood. This book helps explain why they have had such different histories. The book also charts the subversive alternate streams of interpretation of women's writings and rabbinic texts. The story of Adam and Eve demonstrates how conceptions of gender in both ancient and modern worlds reflect larger philosophical schemes. Far from existing as timeless verities, female and male relations are constructed according to cultural imperatives of the day. Understanding the different ways that Adam and Eve have been conceived gives us perspective on our own twenty-first century gender architecture.
Author: Jennifer Munroe Publisher: Routledge ISBN: 1351934759 Category : Literary Criticism Languages : en Pages : 146
Book Description
Radical reconfigurations in gardening practice in sixteenth- and seventeenth-century England altered the social function of the garden, offering men and women new opportunities for social mobility. While recent work has addressed how middle class men used the garden to attain this mobility, the gendering of the garden during the period has gone largely unexamined. This new study focuses on the developing gendered tension in gardening that stemmed from a shift from the garden as a means of feeding a family, to the garden as an aesthetic object imbued with status. The first part of the book focuses on how practical gardening books proposed methods for planting as they simultaneously represented gardens increasingly hierarchized by gender. The second part of the book looks at how men and women appropriated aesthetic uses of actual gardening in their poetry, and reveals a parallel gendered tension there. Munroe analyzes garden representations in the writings of such manuals writers as Gervase Markham, Thomas Hill, and William Lawson, and such poets as Edmund Spenser, Aemilia Lanyer and Lady Mary Wroth. Investigating gardens, gender and writing, Jennifer Munroe considers not only published literary representations of gardens, but also actual garden landscapes and unpublished evidence of everyday gardening practice. She de-prioritizes the text as a primary means of cultural production, showing instead the relationship between what men and women might imagine possible and represent in their writing, and everyday spatial practices and the spaces men and women occupied and made. In so doing, she also broadens our outlook on whom we can identify and value as producers of early modern social space.
Author: Victoria E. Pagán Publisher: Taylor & Francis ISBN: 1000999912 Category : Architecture Languages : en Pages : 222
Book Description
Women and the Collaborative Art of Gardens explores the garden and its agency in the history of the built and natural environments, as evidenced in landscape architecture, literature, art, archaeology, history, photography, and film. Throughout the book, each chapter centers the act of collaboration, from garden clubs of the early twentieth century as powerful models of women’s leadership, to the more intimate partnerships between family members, to the delicate relationship between artist and subject. Women emerge in every chapter, whether as gardeners, designers, owners, writers, illustrators, photographers, filmmakers, or subjects, but the contributors to this dynamic collection unseat common assumptions about the role of women in gardens to make manifest the significant ways in which women write themselves into the accounts of garden design, practice, and history. The book reveals the power of gardens to shape human existence, even as humans shape gardens and their representations in a variety of media, including brilliantly illuminated manuscripts, intricately carved architectural spaces, wall paintings, black and white photographs, and wood cuts. Ultimately, the volume reveals that gardens are best apprehended when understood as products of collaboration. The book will be of interest to scholars and students of gardens and culture, ancient Rome, art history, British literature, medieval France, film studies, women’s studies, photography, African American Studies, and landscape architecture.
Author: Caroline Blyth Publisher: Taylor & Francis ISBN: 1000929019 Category : Social Science Languages : en Pages : 702
Book Description
The Routledge Companion to Eve is a comprehensive and interdisciplinary collection which explores the history of interpretation that surrounds Eve’s character in both religious writings and cultural texts. The primary themes discussed in the volume include the religious, historical, and cultural ideologies that have influenced interpretations of Eve, as well as the cultural impact of these interpretations on gender identities and injustices. Chapters trace the evolution of Eve’s interpretive history from ancient biblical texts up to the present day. The contributors engage with both traditional modes of inquiry in text-based religious research as well as the newer fields of reception history and cultural criticism to explore the rich history of interpretation and reception surrounding Eve, as well as the cultural and historical impact these interpretations have had on women’s religious and social lives across space and time. The Routledge Companion to Eve is an original and important collection which will equip readers to begin their own explorations of Eve’s extraordinary legacy. It will be an invaluable resource for scholars of Gender Studies, Biblical Studies, Theology, Religion and Gender, Literary Studies, History of Art, and Cultural Studies.
Author: Audrey Smedley Publisher: Rowman Altamira ISBN: 9780759103184 Category : Psychology Languages : en Pages : 294
Book Description
Audrey Smedley offers a unique interpretation of the role of women in traditional patrilineal societies. Her research with the Birom people of Nigeria reveals that one reason for the dominance of patrilyny as an organizing principle in human societies is that many of its critical features were in fact invented by women. She raises new questions about the nature of patrilineal systems, and why women have protected and promoted the values and principles of patrilyny in many societies. Smedley's study of the Birom contradicts the vision of women as passive agents in the construction of social realities. She shows how relationships among men are more rigidly cast than those among women, or between women and men. Individual chapters explore the nature of gender distinctions, how they evolved historically, and how women's decision-making contributes to the successful exploitation of their environment. Smedley critiques Western feminist philosophy and beliefs as they have been applied to indigenous African peoples. This book is a contribution to new global studies that document the realities of women's lives that often contradict Western assumptions. Her book will be a valuable resource for researchers in anthropological kinship and theory, gender studies, race & ethnicity, and African studies.
Author: Mona Narain Publisher: Routledge ISBN: 1317130456 Category : Literary Criticism Languages : en Pages : 252
Book Description
Between 1660 and 1820, Great Britain experienced significant structural transformations in class, politics, economy, print, and writing that produced new and varied spaces and with them, new and reconfigured concepts of gender. In mapping the relationship between gender and space in British literature of the period, this collection defines, charts, and explores new cartographies, both geographic and figurative. The contributors take up a variety of genres and discursive frameworks from this period, including poetry, the early novel, letters, and laboratory notebooks written by authors ranging from Aphra Behn, Hortense Mancini, and Isaac Newton to Frances Burney and Germaine de Staël. Arranged in three groups, Inside, Outside, and Borderlands, the essays conduct targeted literary analysis and explore the changing relationship between gender and different kinds of spaces in the long eighteenth century. In addition, a set of essays on Charlotte Smith’s novels and a set of essays on natural philosophy offer case studies for exploring issues of gender and space within larger fields, such as an author’s oeuvre or a particular discourse. Taken together, the essays demonstrate space’s agency as a complement to historical change as they explore how literature delineates the gendered redefinition, occupation, negotiation, inscription, and creation of new spaces, crucially contributing to the construction of new cartographies in eighteenth- and early nineteenth-century England.
Author: Carlyn Ena Ferrari Publisher: University of Virginia Press ISBN: 0813948789 Category : Literary Criticism Languages : en Pages : 230
Book Description
Anne Spencer’s identity as an artist grew from her relationship to the natural world. During the New Negro Renaissance with which she is primarily associated, critics dismissed her writings on nature as apolitical and deracinated. Do Not Separate Her from Her Garden corrects that misconception, showing how Spencer used the natural world in innovative ways to express her Black womanhood, feminist politics, spirituality, and singular worldview. Employing ecopoetics as an analytical frame, Carlyn Ferrari recenters Spencer’s archive of ephemeral writings to cut to the core of her artistic ethos. Drawing primarily on unpublished, undated poetry and prose, this book represents a long overdue reassessment of an underappreciated literary figure. Not only does it resituate Spencer in the pantheon of American women of letters, but it uses her environmental credo to analyze works by Alice Walker, Zora Neale Hurston, and Dionne Brand, positioning ecocritical readings as a new site of analysis of Black women’s writings.
Author: Fabienne Moine Publisher: Routledge ISBN: 1134776608 Category : Literary Criticism Languages : en Pages : 351
Book Description
Examining the place of nature in Victorian women's poetry, Fabienne Moine explores the work of canonical and long-neglected women poets to show the myriad connections between women and nature during the period. At the same time, she challenges essentialist discourses that assume innate affinities between women and the natural world. Rather, Moine shows, Victorian women poets mobilised these alliances to defend common interests and express their engagement with social issues. While well-known poets such as Elizabeth Barrett Browning and Christina Rossetti are well-represented in Moine's study, she pays particular attention to lesser known writers such as Mary Howitt or Eliza Cook who were popular during their lifetimes or Edith Nesbit, whose verse has received scant critical attention so far. She also brings to the fore the poetry of many non-professional poets. Looking to their immediate cultural environments for inspiration, these women reconstructed the natural world in poems that raise questions about the validity and the scope of representations of nature, ultimately questioning or undermining social practices that mould and often fossilise cultural identities.
Author: Barbara Deutschmann
Author: Barbara Deutschmann
Author: Jennifer Munroe
Author: Victoria E. Pagán
Author: Caroline Blyth
Author: Audrey Smedley
Author: Aimable Twagilimana
Author: 
Author: Mona Narain
Author: Carlyn Ena Ferrari
Author: Fabienne Moine