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Author: Philippe van Haute Publisher: Peeters Publishers ISBN: 9789039004036 Category : Philosophy Languages : en Pages : 164
Book Description
This book reflects on the problematic relation of ethics to politics in our 'democratic' era. If democracy implies the loss of an ultimate foundation for both ethics and political action, how can it be defended against its (ultra-nationalist, fundamentalist, ...) critics. Are there reasons for being a 'democrat' and what does it mean to be so or to act 'democratically'. Does this merely imply strict obedience to certain procedures that we call 'democratic' or does a democratic society ask for a democratic attitude or ethos. If so, how can this ethos be defined and grounded. All contributions to this volume articulate answers to these questions or to problems intrinsically related to them (i.e. what is the status of the law when it loses ultimate foundation). They do so by reflecting on the work of some important contemporary French philosophers: Lefort, Lyotard, Derrida, Levinas, Lacan, etc
Author: Philippe van Haute Publisher: Peeters Publishers ISBN: 9789039004036 Category : Philosophy Languages : en Pages : 164
Book Description
This book reflects on the problematic relation of ethics to politics in our 'democratic' era. If democracy implies the loss of an ultimate foundation for both ethics and political action, how can it be defended against its (ultra-nationalist, fundamentalist, ...) critics. Are there reasons for being a 'democrat' and what does it mean to be so or to act 'democratically'. Does this merely imply strict obedience to certain procedures that we call 'democratic' or does a democratic society ask for a democratic attitude or ethos. If so, how can this ethos be defined and grounded. All contributions to this volume articulate answers to these questions or to problems intrinsically related to them (i.e. what is the status of the law when it loses ultimate foundation). They do so by reflecting on the work of some important contemporary French philosophers: Lefort, Lyotard, Derrida, Levinas, Lacan, etc
Author: Thierry de Duve Publisher: University of Chicago Press ISBN: 022654687X Category : Art Languages : en Pages : 249
Book Description
Immanuel Kant’s Critique of Judgment, Thierry de Duve argues in the first volume of Aesthetics at Large, is as relevant to the appreciation of art today as it was to the enjoyment of beautiful nature in 1790. Going against the grain of all aesthetic theories situated in the Hegelian tradition, this provocative thesis, which already guided de Duve’s groundbreaking book Kant After Duchamp (1996), is here pursued in order to demonstrate that far from confining aesthetics to a stifling formalism isolated from all worldly concerns, Kant’s guidance urgently opens the understanding of art onto ethics and politics. Central to de Duve’s re-reading of the Critique of Judgment is Kant’s idea of sensus communis, ultimately interpreted as the mere yet necessary idea that human beings are capable of living in peace with one another. De Duve pushes Kant’s skepticism to its limits by submitting the idea of sensus communis to various tests leading to questions such as: Do artists speak on behalf of all of us? Is art the transcendental ground of democracy? Or, Was Adorno right when he claimed that no poetry could be written after Auschwitz? Loaded with de Duve’s trademark blend of wit and erudition and written without jargon, these essays radically renew current approaches to some of the most burning issues raised by modern and contemporary art. They are indispensable reading for anyone with a deep interest in art, art history, or philosophical aesthetics.
Author: Simon Critchley Publisher: Routledge ISBN: 1135199035 Category : Literary Criticism Languages : en Pages : 145
Book Description
Does humour make us human, or do the cats and dogs laugh along with us? On Humour is a fascinating, beautifully written and funny book on what humour can tell us about being human. Simon Critchley skilfully probes some of the most perennial but least understood aspects of humour, such as our tendency to laugh at animals and our bodies, why we mock death with comedy and why we think it's funny when people act like machines. He also looks at the darker side of humour, as rife in sexism and racism and argues that it is important for reminding us of people we would rather not be.
Author: Audrey McNamara Publisher: Springer Nature ISBN: 3030421139 Category : Performing Arts Languages : en Pages : 291
Book Description
This book is an anthology focused on Shaw’s efforts, literary and political, that worked toward a modernizing Ireland. Following Declan Kiberd’s Foreword and the editor’s Introduction, the contributing chapters, in their order of appearance, are from President of Ireland Michael D. Higgins, Anthony Roche, David Clare, Elizabeth Mannion, Nelson O’Ceallaigh Ritschel, Aisling Smith, Susanne Colleary, Audrey McNamara, Aileen R. Ruane, Peter Gahan, and Gustavo A. Rodriguez Martin. The essays establish that Shaw’s Irishness was inherent and manifested itself in his work, demonstrating that Ireland was a recurring feature in his considerations. Locating Shaw within the march towards modernizing Ireland furthers the recent efforts to secure Shaw’s place within the Irish spheres of literature and politics.
Author: Zarko Cvejić Publisher: Cambridge Scholars Publishing ISBN: 1443883050 Category : Art Languages : en Pages : 210
Book Description
European Theories in Former Yugoslavia shows that there is no such thing as a direct transfer or influence of theories from the centre to the margins, but only complex practices of borrowing, translating, and reinterpreting, conditioned by specific contexts; in this case those of former Yugoslavia and its contemporary cultural sphere. Here, reception is no longer simply about receiving fresh knowledge from the centre, but also about communicating feedback into broader contexts, shaped by multicultural and global connections and exchange. The book poses broader questions about contemporary theory today: what are theories today? How do specialised theories of culture, gender, media and art history relate to current philosophical turns in new materialism, neo-Marxism, and biopolitics? These questions, posed from the perspective of a European periphery, in this case former Yugoslavia, gesture toward the dialectically tense relationship between the centre and the margins, that is, between original theories and their transformed perspectives. The range of authors brought together here offers a cross-section of post-Yugoslav theory, comprising both young scholars in the early stages of their academic careers and more senior, established thinkers, educated both in the region and abroad, and coming from a variety of academic backgrounds, including art theory, gender theory, cultural studies and theory, sociology, anthropology, theatre studies, musicology, political theory, and literary theory, among others. The schools of thought they address, elaborate on, critique, and apply in their texts are similarly varied: from French post-structuralist theory and philosophy, via German critical and postmodern theory, to a number of other topics and authors in contemporary European theory and philosophy. The book will be of interest to students and scholars of art and media theory, philosophy, sociology, and cultural studies, and their reception, interpretation, application, and elaboration in the region of former Yugoslavia.
Author: Stephen H. Watson Publisher: A&C Black ISBN: 1441130454 Category : Philosophy Languages : en Pages : 208
Book Description
Maurice Merleau-Ponty is widely known for his emphasis on embodied perceptual experience. This emphasis initially relied heavily on the positive results of Gestalt psychology in addressing issues in philosophical psychology and philosophy of mind from a phenomenological standpoint. However, far less work has been done in addressing his evolving conception of how such an account influenced more general philosophical issues in epistemology, accounts of rationality, or its status of theoretical discourse. Developing the work he has already done in In the Shadow of Phenomenology to address this gap in the literature, Stephen H. Watson further examines the responses to Merleau-Ponty's contributions to these issues. This book emphasises the historical and intersubjective underpinnings of Merleau-Ponty's late accounts, in relation to rationality, institution and community, and examines its implications.
Author: Silvia Mazzini Publisher: Springer ISBN: 3319590219 Category : Philosophy Languages : en Pages : 261
Book Description
This book aims to provide fresh perspectives on Vattimo and Zabala’s groundbreaking foundational text, Hermeneutic Communism, from 2011. The contributors to this collection of essays explore various facets of Vattimo and Zabala’s “anarchic hermeneutics” and “weak communism” in order to investigate the concepts resulting from them, such as “framed democracies,” “armed capitalism” and “conservative impositions.” Vattimo and Zabala’s text is one of the most innovative contributions to the current debate on Communism, in which authors such as Badiou, Negri, and Rancière have been the protagonists so far. The unique and original contribution of Vattimo and Zabala’s position consists in letting politics evolve from one of the anarchic origins of hermeneutics: the end of truth. This triggers the essential question of how far politics is possible without truth. One of the essential, methodologically innovative characteristics of this collection is its dialogical, hermeneutical form, which is achieved by inserting Vattimo and Zabala’s personal reactions to each essay in the book. By responding to each chapter in turn, Vattimo and Zabala establish a hermeneutic dialogue with the contributors. Thus hermeneutics will not only be a central topic, but also an epistemological, concrete application of Vattimo and Zabala’s theories. An indispensable critical tool for students, researchers, professors, activists and general readers interested in the philosophical and political debate on Communism, which encompasses a wide variety of disciplines such as philosophy, political science, sociology, postcolonial studies, critical theory and Latin American studies. Offering an innovative first analysis of the new concepts of Hermeneutic Communism, this book represents a vital contribution to the understanding of the intriguing interrelation between philosophical hermeneutics and political communism. “A very much needed and refreshing perspective for all those interested in rethinking radical politics beyond both political Eurocentrism and philosophical imperialism." (Chiara Bottici, New School of Social Research, and author of Imaginal Politics) “The book offers much food for thought both for those who have given up hope and for those who have been fighting for a better world for some time...The contributions to Making Communism Hermeneutical may be seen as step in the direction of a much-needed change in thinking.” (David Block, ICREA Research Professor in Sociolinguistics, Universitat de Lleida)
Author: S. Colleary Publisher: Springer ISBN: 1137343907 Category : Performing Arts Languages : en Pages : 209
Book Description
One of the cultural phenomena to occur in Ireland in the last two decades has been the highly successful growth of stand-up comedy as a popular entertainment genre. This book examines stand-up comedy from the perspective of the narrated self, through the prism of the fabricated comedy persona, including Tommy Tiernan, Dylan Moran and Maeve Higgins.
Author: Gillian Whiteley Publisher: Bloomsbury Publishing ISBN: 085772021X Category : Art Languages : en Pages : 232
Book Description
Trash, garbage, rubbish, dross, and detritus - in this enjoyably radical exploration of 'Junk', Gillian Whiteley rethinks art's historical and present appropriation of junk within our eco-conscious and globalised culture. She does this through an illustrated exploration of particular materials, key moments and locations and the telling of a panoply of trash narratives. Found and ephemeral materials are primarily associated with assemblage - object-based practices which emerged in the mid-1950s and culminated in the seminal exhibition 'The Art of Assemblage' in New York in 1961. With its deployment of the discarded and the filthy, Whiteley argues, assemblage has been viewed as a disruptive, transgressive artform that engaged with narratives of social and political dissent, often in the face of modernist condemnation as worthless kitsch. In the Sixties, parallel techniques flourished in Western Europe, the US and Australia but the idiom of assemblage and the re-use of found materials and objects - with artist as bricoleur - is just as prevalent now. This is a timely book that uncovers the etymology of waste and the cultures of disposability within these economies of wealth.
Author: Philippe van Haute
Author: Philippe van Haute
Author: Philippe van Haute
Author: Thierry de Duve
Author: Simon Critchley
Author: Audrey McNamara
Author: Zarko Cvejić
Author: Stephen H. Watson
Author: Silvia Mazzini
Author: S. Colleary
Author: Gillian Whiteley