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Author: Pascale Aebischer Publisher: Cambridge University Press ISBN: 0521193354 Category : Literary Criticism Languages : en Pages : 263
Book Description
Recent performances of early modern plays are analysed in essays by practitioners and academics, featuring critical, pedagogical and practical approaches.
Author: Pascale Aebischer Publisher: Cambridge University Press ISBN: 0521193354 Category : Literary Criticism Languages : en Pages : 263
Book Description
Recent performances of early modern plays are analysed in essays by practitioners and academics, featuring critical, pedagogical and practical approaches.
Author: Pascale Aebischer Publisher: Cambridge University Press ISBN: 1139788531 Category : Literary Criticism Languages : en Pages :
Book Description
While much attention has been devoted to performances of Shakespeare's plays today, little has been focused on modern productions of the plays of his contemporaries, such as Marlowe, Webster and Jonson. Performing Early Modern Drama Today offers an overview of early modern performance, featuring chapters by academics, teachers and practitioners, incorporating a variety of approaches. The book examines modern performances in both Britain and America and includes interviews with influential directors, close analysis of particular stage and screen adaptations and detailed appendices of professional and amateur productions. Chapters examine intellectual and practical opportunities to analyse what is at stake when the plays of Shakespeare's contemporaries are performed by ours. Whether experimenting with original performance practices or contemporary theatrical and cinematic ones, productions of early modern drama offer an inspiring, sometimes unusual, always interesting perspective on the plays they interpret for modern audiences.
Author: Pascale Aebischer Publisher: ISBN: 9781139777179 Category : English drama Languages : en Pages : 247
Book Description
"While much attention has been devoted to performances of Shakespeare's plays today, little has been focused on modern productions of the plays of his contemporaries, such as Marlowe, Webster and Jonson. Performing Early Modern Drama Today offers an overview of early modern performance, featuring chapters by academics, teachers, and practitioners, incorporating a variety of approaches. The book examines modern performances in both Britain and America and includes interviews with influential directors, close analysis of particular stage and screen adaptations and detailed appendices of professional and amateur productions. Chapters examine intellectual and practical opportunities to analyse what is at stake when the plays of Shakespeare's contemporaries are performed by ours"--Provided by publisher.
Author: Pascale Aebischer Publisher: ISBN: 9781139793070 Category : English drama Languages : en Pages : 247
Book Description
"While much attention has been devoted to performances of Shakespeare's plays today, little has been focused on modern productions of the plays of his contemporaries, such as Marlowe, Webster and Jonson. Performing Early Modern Drama Today offers an overview of early modern performance, featuring chapters by academics, teachers, and practitioners, incorporating a variety of approaches. The book examines modern performances in both Britain and America and includes interviews with influential directors, close analysis of particular stage and screen adaptations and detailed appendices of professional and amateur productions. Chapters examine intellectual and practical opportunities to analyse what is at stake when the plays of Shakespeare's contemporaries are performed by ours"--Provided by publisher.
Author: Pamela Bickley Publisher: Bloomsbury Publishing ISBN: 1472577132 Category : Literary Criticism Languages : en Pages : 353
Book Description
Where does Shakespeare fit into the drama of his day? Getting to know the work of Shakespeare's contemporaries offers an insight into Elizabethan and Jacobean preoccupations and the theatrical climate of the early modern period. This book provides an essential overview of some major dramatic works from their stage origins to today's screen productions. Each chapter includes: a detailed analysis of a play by Shakespeare considered alongside a key work by one other significant playwright of the day (including The Merchant of Venice, Volpone, The Spanish Tragedy, Titus Andronicus, Othello, The Changeling, Romeo and Juliet, The Duchess of Malfi, Measure for Measure, 'Tis Pity She's a Whore, The Taming of the Shrew, The Tragedy of Mariam, Doctor Faustus and Hamlet); close reading of the texts; a discussion of early modern theatrical practices; a focus on one ground-breaking example of early modern drama on screen; suggestions for links with other early modern texts and further reading. This is an ideal introduction for students of Shakespeare and his contemporaries, providing a route map to the very latest developments in early modern drama studies while fostering confident and independent critical thinking about a range of canonical texts. -- from back cover.
Author: Harry R. McCarthy Publisher: Cambridge University Press ISBN: 1108897754 Category : Literary Criticism Languages : en Pages : 169
Book Description
This Element provides the first in-depth study of the present-day all-boy company, Edward's Boys, who are based at King Edward VI School ('Shakespeare's School') in Stratford-upon-Avon. Since 2005, the company has produced a wide array of early modern plays, providing the most substantial repertory of early modern drama available for examination by scholars. The Element provides a comprehensive account of the company's practices, drawing on extensive rehearsal and performance observation, evidence from the company's archive, and interviews with actors and key company personnel. The Element takes account of the company's particular educational and strongly interpersonal environment, suggesting that these factors have a distinctive shaping force on their performance practice. In the hands of Edward's Boys, the Element argues, early modern drama becomes the source of company creation, ensemble practice, and virtuosic physical play, inviting us to reimagine what it means – and takes – to perform these plays today.
Author: Pascale Aebischer Publisher: Cambridge University Press ISBN: 1107024935 Category : Literary Criticism Languages : en Pages : 287
Book Description
Pascale Aebischer provides the only comprehensive analysis of early modern drama on screen, expanding the scope of Shakespearean performance studies.
Author: Mark Netzloff Publisher: Rowman & Littlefield ISBN: 161149513X Category : Literary Criticism Languages : en Pages : 202
Book Description
This collection brings together essays on the topics of Shakespeare, theater history, and early English drama in performance by scholars influenced by the pioneering work of Lois Potter.
Author: Robert Henke Publisher: University of Iowa Press ISBN: 1609383613 Category : Performing Arts Languages : en Pages : 217
Book Description
Whereas previous studies of poverty and early modern theatre have concentrated on England and the criminal rogue, Poverty and Charity in Early Modern Theatre and Performance takes a transnational approach, which reveals a greater range of attitudes and charitable practices regarding the poor than state poor laws and rogue books suggest. Close study of German and Latin beggar catalogues, popular songs performed in Italian piazzas, the Paduan actor-playwright Ruzante, the commedia dell’arte in both Italy and France, and Shakespeare demonstrate how early modern theatre and performance could reveal the gap between official policy and actual practices regarding the poor. The actor-based theatre and performance traditions examined in this study, which persistently explore felt connections between the itinerant actor and the vagabond beggar, evoke the poor through complex and variegated forms of imagination, thought, and feeling. Early modern theatre does not simply reflect the social ills of hunger, poverty, and degradation, but works them through the forms of poverty, involving displacement, condensation, exaggeration, projection, fictionalization, and marginalization. As the critical mass of medieval charity was put into question, the beggar-almsgiver encounter became more like a performance. But it was not a performance whose script was prewritten as the inevitable exposure of the dissembling beggar. Just as people’s attitudes toward the poor could rapidly change from skepticism to sympathy during famines and times of acute need, fictions of performance such as Edgar’s dazzling impersonation of a mad beggar in Shakespeare’s King Lear could prompt responses of sympathy and even radical calls for economic redistribution.
Author: Thomas Page Anderson Publisher: Ashgate Publishing, Ltd. ISBN: 9780754655640 Category : Literary Criticism Languages : en Pages : 252
Book Description
An examination of political and cultural acts of commemoration, this study addresses the connection of representation of violence in literary works to historical traumas such as royal death, secularization and regicide. Incorporating contemporary theories of trauma, Thomas Anderson here analyzes works by Shakepeare, Marlowe, Webster, Marvell and Milton. By interrogating the difficulty in representing historical crises in poetry, drama and political prose, Anderson demonstrates how early modern English identity is the fragile product of an ambivalent desire to flee history.
Author: Pascale Aebischer
Author: Pascale Aebischer
Author: Pascale Aebischer
Author: Pascale Aebischer
Author: Pascale Aebischer
Author: Pamela Bickley
Author: Harry R. McCarthy
Author: Pascale Aebischer
Author: Mark Netzloff
Author: Robert Henke
Author: Thomas Page Anderson