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Author: Alex E. Chávez Publisher: Duke University Press ISBN: 0822372207 Category : Social Science Languages : en Pages : 440
Book Description
In Sounds of Crossing Alex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself—from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas—Chávez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States’ often vitriolic immigration politics. Through Chávez's writing, we gain an intimate look at the experience of migration and how huapango carries the voices of those in Mexico, those undertaking the dangerous trek across the border, and those living in the United States. Illuminating how huapango arribeño’s performance refigures the sociopolitical and economic terms of migration through aesthetic means, Chávez adds fresh and compelling insights into the ways transnational music-making is at the center of everyday Mexican migrant life.
Author: Alex E. Chávez Publisher: Duke University Press ISBN: 0822372207 Category : Social Science Languages : en Pages : 440
Book Description
In Sounds of Crossing Alex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself—from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas—Chávez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States’ often vitriolic immigration politics. Through Chávez's writing, we gain an intimate look at the experience of migration and how huapango carries the voices of those in Mexico, those undertaking the dangerous trek across the border, and those living in the United States. Illuminating how huapango arribeño’s performance refigures the sociopolitical and economic terms of migration through aesthetic means, Chávez adds fresh and compelling insights into the ways transnational music-making is at the center of everyday Mexican migrant life.
Author: Babacar M'Baye Publisher: Scarecrow Press ISBN: 0810888289 Category : Music Languages : en Pages : 207
Book Description
In Crossing Traditions: American Popular Music in Local and Global Contexts, a wide range of scholarly contributions on the local and global significance of American popular music examines the connections between selected American blues, rock and roll, and hip-hop music and their equivalents from Senegal, Nigeria, England, India, and Mexico. Contributors show how American popular music promotes local and global awareness of such key issues as economic inequality and social marginalization while inspiring cross-cultural and interethnic influences among regional and transnational communities. Specifically, Crossing Traditions highlights the impact of American popular music on the spread of sounds, rhythms, styles, and ideas about freedom, justice, love, and sexuality among local and global communities, all of which share the same desires, hopes, and concerns despite geographic differences. Contributors look at the local contexts of Chicago blues, early rock and roll, white Christian rap, and Frank Zappa alongside the global influence of Mahalia Jackson on Senegalese blues, the transatlantic character of the British Invasion’s relationship to African American rock, and the impact of Latin house music, global hip-hop, and Bhangra in cross-cultural settings. Essays also draw on a broad range of disciplines in their analyses: American studies, popular culture studies, transnational studies, history, musicology, ethnic studies, literature and media studies, and critical theory. Crossing Traditions will appeal to a wide range of readers, including college and university professors, undergraduate and graduate students, and music scholars in general.
Author: Publisher: W W Norton & Company Incorporated ISBN: 9780393057379 Category : Photography Languages : en Pages : 393
Book Description
A collection of first-person narratives and anecdotes, close-up portrait photographs, and the author's personal and historical reflections capture the rich ethnic diversity of the people and landscapes of the borough of Queens in New York City, in a volume that comes complete with an audio rendition of the oral histories and music by composer Scott Johnson. Original.
Author: Wallace Stegner Publisher: Modern Library ISBN: 0307430863 Category : Fiction Languages : en Pages : 370
Book Description
Introduction by Terry Tempest Williams Afterword by T. H. Watkins Called a “magnificently crafted story . . . brimming with wisdom” by Howard Frank Mosher in The Washington Post Book World, Crossing to Safety has, since its publication in 1987, established itself as one of the greatest and most cherished American novels of the twentieth century. Tracing the lives, loves, and aspirations of two couples who move between Vermont and Wisconsin, it is a work of quiet majesty, deep compassion, and powerful insight into the alchemy of friendship and marriage.
Author: Asiel R. Lavie Publisher: Absolute Author Publishing House ISBN: 1649532644 Category : Young Adult Fiction Languages : en Pages : 416
Book Description
She can’t grow up. Literally. In the kingdom of Elpax, juveniles must walk through the mysterious Crossing Gate to become adults—and seventeen-year-old Lenora is determined that her third attempt at crossing to adulthood will be successful. Even though adulthood means facing horrible realities, such as sin-spots appearing on her body whenever she commits a sin, it also means being able to have a job. And Lenora needs to work to support her struggling family. But Lenora’s Crossing Day goes horribly wrong. Accused of trying to start a revolution, Lenora must obey the kingdom’s laws to the letter if she wants to take suspicion off herself. But following the rules isn’t as easy as it sounds. Especially when she meets a mysterious and handsome stranger who makes her feel emotions she’s never experienced before—even though juveniles in Elpax aren’t supposed to be capable of falling in love. With the long arm of the law looming over her and her family, Lenora must walk a tightrope between following the rules and investigating why she’s unable to cross. Not to mention discovering where her new adult emotions are coming from. But as Lenora uncovers more of Elpax’s terrible secrets, she realizes that fighting the system might be the only way to save her family, her country, and her first love. The first in an epic series perfect for fans of Victoria Aveyard’s Red Queen and Lauren Oliver’s Delirium, The Crossing Gate combines the tropes of classic YA dystopia with a Greek-inspired setting and fantasy elements that will whisk readers away on a journey like no other.
Author: Katrina Goldsaito Publisher: Little, Brown Books for Young Readers ISBN: 0316271292 Category : Juvenile Fiction Languages : en Pages : 40
Book Description
"Do you have a favorite sound?" little Yoshio asks. The musician answers, "The most beautiful sound is the sound of ma, of silence." But Yoshio lives in Tokyo, Japan: a giant, noisy, busy city. He hears shoes squishing through puddles, trains whooshing, cars beeping, and families laughing. Tokyo is like a symphony hall! Where is silence? Join Yoshio on his journey through the hustle and bustle of the city to find the most beautiful sound of all.
Author: Mema Publishing LTD Publisher: ISBN: 9780648268574 Category : Languages : en Pages : 12
Book Description
DITTY BIRD Music to Dance to Musical Book for Babies is the prefect book to dance-along! Includes: Waltz, Charleston, Rock n' Roll, Tango, Salsa and French Cancan
Author: Ingrid Monson Publisher: Oxford University Press ISBN: 9780198029403 Category : Social Science Languages : en Pages : 416
Book Description
An insightful examination of the impact of the Civil Rights Movement and African Independence on jazz in the 1950s and 60s, Freedom Sounds traces the complex relationships among music, politics, aesthetics, and activism through the lens of the hot button racial and economic issues of the time. Ingrid Monson illustrates how the contentious and soul-searching debates in the Civil Rights, African Independence, and Black Power movements shaped aesthetic debates and exerted a moral pressure on musicians to take action. Throughout, her arguments show how jazz musicians' quest for self-determination as artists and human beings also led to fascinating and far reaching musical explorations and a lasting ethos of social critique and transcendence. Across a broad body of issues of cultural and political relevance, Freedom Sounds considers the discursive, structural, and practical aspects of life in the jazz world in the 1950s and 1960s. In domestic politics, Monson explores the desegregation of the American Federation of Musicians, the politics of playing to segregated performance venues in the 1950s, the participation of jazz musicians in benefit concerts, and strategies of economic empowerment. Issues of transatlantic importance such as the effects of anti-colonialism and African nationalism on the politics and aesthetics of the music are also examined, from Paul Robeson's interest in Africa, to the State Department jazz tours, to the interaction of jazz musicians such Art Blakey and Randy Weston with African and African diasporic aesthetics. Monson deftly explores musicians' aesthetic agency in synthesizing influential forms of musical expression from a multiplicity of stylistic and cultural influences--African American music, popular song, classical music, African diasporic aesthetics, and other world musics--through examples from cool jazz, hard bop, modal jazz, and the avant-garde. By considering the differences between aesthetic and socio-economic mobility, she presents a fresh interpretation of debates over cultural ownership, racism, reverse racism, and authenticity. Freedom Sounds will be avidly read by students and academics in musicology, ethnomusicology, anthropology, popular music, African American Studies, and African diasporic studies, as well as fans of jazz, hip hop, and African American music.
Author: Alex E. Chávez
Author: Alex E. Chávez
Author: Babacar M'Baye
Author: 
Author: Jim Aylesworth
Author: Wallace Stegner
Author: Asiel R. Lavie
Author: Katrina Goldsaito
Author: Philip Booth
Author: Mema Publishing LTD
Author: Ingrid Monson