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Author: Kristen Deiter Publisher: Routledge ISBN: 113589406X Category : History Languages : en Pages : 274
Book Description
The Tower of London in English Renaissance Drama historicizes the Tower of London's evolving meanings in English culture alongside its representations in twenty-four English history plays, 1579-c.1634, by William Shakespeare, Christopher Marlowe and others. While Elizabeth I, James I, and Charles I fashioned the Tower as a showplace of royal authority, magnificence, and entertainment, many playwrights of the time revealed the Tower's instability as a royal symbol and represented it, instead, as an emblem of opposition to the crown and as a bodily and spiritual icon of non-royal English identity.
Author: Kristen Deiter Publisher: Routledge ISBN: 113589406X Category : History Languages : en Pages : 274
Book Description
The Tower of London in English Renaissance Drama historicizes the Tower of London's evolving meanings in English culture alongside its representations in twenty-four English history plays, 1579-c.1634, by William Shakespeare, Christopher Marlowe and others. While Elizabeth I, James I, and Charles I fashioned the Tower as a showplace of royal authority, magnificence, and entertainment, many playwrights of the time revealed the Tower's instability as a royal symbol and represented it, instead, as an emblem of opposition to the crown and as a bodily and spiritual icon of non-royal English identity.
Author: Peter Womack Publisher: John Wiley & Sons ISBN: 0470779845 Category : Literary Criticism Languages : en Pages : 336
Book Description
The book considers the London theatrical culture which took shape in the 1570s and came to an end in 1642. Places emphasis on those plays that are readily available in modern editions and can sometimes to be seen in modern productions, including Shakespeare. Provides students with the historical, literary and theatrical contexts they need to make sense of Renaissance drama. Includes a series of short biographies of playwrights during this period. Features close analyses of more than 20 plays, each of which draws attention to what makes a particular play interesting and identifies relevant critical questions. Examines early modern drama in terms of its characteristic actions, such as cuckolding, flattering, swaggering, going mad, and rising from the dead.
Author: Sarah Dustagheer Publisher: Bloomsbury Publishing ISBN: 1350006815 Category : Literary Criticism Languages : en Pages : 145
Book Description
Shakespeare and London: A Dictionary is a topographical reference book of all the London locations, allusions and colloquial terms mentioned in Shakespeare's complete works. For many years critics have argued that Shakespeare did not engage with the city in which he lived, however London's topography and life is present in all his work, in its language, its locations and its characters. This dictionary offers a concise and fascinating insight into the city's impact on the Shakespearean imagination and provides readers with a wide-ranging guide to early modern London, its contemporary meanings and the ways in which Shakespeare employs these throughout the canon.
Author: John R. Decker Publisher: Routledge ISBN: 1000435490 Category : History Languages : en Pages : 301
Book Description
Early modern audiences, readerships, and viewerships were not homogenous. Differences in status, education, language, wealth, and experience (to name only a few variables) could influence how a group of people, or a particular person, received and made sense of sermons, public proclamations, dramatic and musical performances, images, objects, and spaces. The ways in which each of these were framed and executed could have a serious impact on their relevance and effectiveness. The chapters in this volume explore the ways in which authors, poets, artists, preachers, theologians, playwrights, and performers took account of and encoded pluriform potential audiences, readers, and viewers in their works, and how these varied parties encountered and responded to these works. The contributors here investigate these complex interactions through a variety of critical and methodological lenses.
Author: Marissa Greenberg Publisher: University of Toronto Press ISBN: 1442617721 Category : Drama Languages : en Pages : 248
Book Description
Breaking new ground in the study of tragedy, early modern theatre, and literary London, Metropolitan Tragedy demonstrates that early modern tragedy emerged from the juncture of radical changes in London’s urban fabric and the city’s judicial procedures. Marissa Greenberg argues that plays by Shakespeare, Milton, Massinger, and others rework classical conventions to represent the city as a locus of suffering and loss while they reflect on actual sources of injustice in sixteenth- and seventeenth-century London: structural upheaval, imperial ambition, and political tyranny. Drawing on a rich archive of printed and manuscript sources, including numerous images of England’s capital, Greenberg reveals the competing ideas about the metropolis that mediated responses to theatrical tragedy. The first study of early modern tragedy as an urban genre, Metropolitan Tragedy advances our understanding of the intersections between genre and history.
Author: C W R D Moseley Publisher: Humanities-Ebooks ISBN: 1847601839 Category : Literary Criticism Languages : en Pages : 183
Book Description
Introduces the conclusions of recent scholarship and research into theatrical conditions, conventions and concepts in the time of Shakespeare. The book begins with a discussion of the origins of early modern English drama and of the theatres that were built for it. Attitudes to theatre and to players, and what audiences expected of both, are explored in the contexts of the constraints of the acting space and the political culture. The book then looks at the structure and dynamics of the theatrical companies before concluding with a discussion of the genres of plays and the expectations of them that people (including writers) held. Appendices list brief details of the major dramatists of the time, and summarise the main historical and dramatic events.
Author: Curtis Perry Publisher: McFarland ISBN: 0786431652 Category : Literary Criticism Languages : en Pages : 557
Book Description
This book features five plays from the English Renaissance that explore political questions and developments by telling stories about the erotic impulses of a ruler. The volume contains fully annotated and modernized versions of Marlowe's Edward II, Shakespeare's Measure for Measure, Massinger's The Duke of Milan, Davenant's The Cruel Brother, and Ford's Love's Sacrifice. The editor provides an introduction, initial discussion, and selected illustration(s) for each play, along with an introduction to erotic politics and the Renaissance-era political mentality. A bibliography includes suggestions for further reading and a list of useful websites for students.
Author: A. J. Hoenselaars Publisher: University of Delaware Press ISBN: 9780874136388 Category : Drama Languages : en Pages : 388
Book Description
It is widely accepted that English Renaissance drama owes its extraordinary richness and variety to the blending of elements originating from the medieval heritage and classical and Italian dramatic traditions. This grafting of the "Italian world" onto the English Renaissance goes far beyond the conventional research of the literary sources. The articles in this collection explore English Renaissance drama through new and challenging aspects of influence and through investigations into classical and Italian theater. The volume moves from early Elizabethan to late Jacobean drama. The area of research ranges from New Classical Comedy to commedia erudita, from the Renaissance theory of tragedy and tragicomedy to the birth of pastoral drama and beyond.
Author: Helen Hackett Publisher: Bloomsbury Publishing ISBN: 0857723367 Category : Literary Criticism Languages : en Pages : 256
Book Description
Shakespeare is a towering presence in English and indeed global culture. Yet considered alongside his contemporaries he was not an isolated phenomenon, but the product of a period of astonishing creative fertility. This was an age when new media - popular drama and print - were seized upon avidly and inventively by a generation of exceptionally talented writers. In her sparkling new book, Helen Hackett explores the historical contexts of English Renaissance drama by situating it in the wider history of ideas. She traces the origins of Renaissance theatre in communal religious drama, civic pageantry and court entertainment and vividly describes the playing conditions of Elizabethan and Jacobean playhouses. Examining Marlowe, Shakespeare and Jonson in turn, the author assesses the distinctive contribution made by each playwright to the creation of English drama. She then turns to revenge tragedy, with its gothic poetry of sex and death; city comedy, domestic tragedy and tragicomedy; and gender and drama, with female roles played by boy actors in commercial playhouses while women participated in drama at court and elsewhere. The book places Renaissance drama in the exciting and vibrant cosmopolitanism of sixteenth-century London.
Author: Kristen Deiter
Author: Kristen Deiter
Author: Stephen Porter
Author: Peter Womack
Author: Sarah Dustagheer
Author: John R. Decker
Author: Marissa Greenberg
Author: C W R D Moseley
Author: Curtis Perry
Author: A. J. Hoenselaars
Author: Helen Hackett