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Author: Katherine Schaap Williams Publisher: Cornell University Press ISBN: 1501753525 Category : Literary Criticism Languages : en Pages : 326
Book Description
Unfixable Forms explores how theatrical form remakes—and is in turn remade by—early modern disability. Figures described as "deformed," "lame," "crippled," "ugly," "sick," and "monstrous" crowd the stage in English drama of the sixteenth and seventeenth centuries. In each case, such a description distills cultural expectations about how a body should look and what a body should do—yet, crucially, demands the actor's embodied performance. In the early modern theater, concepts of disability collide with the deforming, vulnerable body of the actor. Reading dramatic texts alongside a diverse array of sources, ranging from physic manuals to philosophical essays to monster pamphlets, Katherine Schaap Williams excavates an archive of formal innovation to argue that disability is at the heart of the early modern theater's exploration of what it means to put the body of an actor on the stage. Offering new interpretations of canonical works by William Shakespeare, Ben Jonson, Thomas Dekker, Thomas Middleton, and William Rowley, and close readings of little-known plays such as The Fair Maid of the Exchange and A Larum For London, Williams demonstrates how disability cuts across foundational distinctions between nature and art, form and matter, and being and seeming. Situated at the intersections of early modern drama, disability studies, and performance theory, Unfixable Forms locates disability on the early modern stage as both a product of cultural constraints and a spark for performance's unsettling demands and electrifying eventfulness.
Author: Katherine Schaap Williams Publisher: Cornell University Press ISBN: 1501753525 Category : Literary Criticism Languages : en Pages : 326
Book Description
Unfixable Forms explores how theatrical form remakes—and is in turn remade by—early modern disability. Figures described as "deformed," "lame," "crippled," "ugly," "sick," and "monstrous" crowd the stage in English drama of the sixteenth and seventeenth centuries. In each case, such a description distills cultural expectations about how a body should look and what a body should do—yet, crucially, demands the actor's embodied performance. In the early modern theater, concepts of disability collide with the deforming, vulnerable body of the actor. Reading dramatic texts alongside a diverse array of sources, ranging from physic manuals to philosophical essays to monster pamphlets, Katherine Schaap Williams excavates an archive of formal innovation to argue that disability is at the heart of the early modern theater's exploration of what it means to put the body of an actor on the stage. Offering new interpretations of canonical works by William Shakespeare, Ben Jonson, Thomas Dekker, Thomas Middleton, and William Rowley, and close readings of little-known plays such as The Fair Maid of the Exchange and A Larum For London, Williams demonstrates how disability cuts across foundational distinctions between nature and art, form and matter, and being and seeming. Situated at the intersections of early modern drama, disability studies, and performance theory, Unfixable Forms locates disability on the early modern stage as both a product of cultural constraints and a spark for performance's unsettling demands and electrifying eventfulness.
Author: A. Mossin Publisher: Springer ISBN: 0230106803 Category : Literary Criticism Languages : en Pages : 235
Book Description
Focusing in particular on pairings of writers within the larger grouping of poets, this book suggests how literary partnerships became pivotal to American poets in the wake of Donald Allen's 'New American Poetry' anthology.
Author: Alice Dailey Publisher: Cornell University Press ISBN: 1501763679 Category : Literary Criticism Languages : en Pages : 265
Book Description
How to Do Things with Dead People studies human contrivances for representing and relating to the dead. Alice Dailey takes as her principal objects of inquiry Shakespeare's English history plays, describing them as reproductive mechanisms by which living replicas of dead historical figures are regenerated in the present and re-killed. Considering the plays in these terms exposes their affinity with a transhistorical array of technologies for producing, reproducing, and interacting with dead things—technologies such as literary doppelgängers, photography, ventriloquist puppetry, X-ray imaging, glitch art, capital punishment machines, and cloning. By situating Shakespeare's historical drama in this intermedial conversation, Dailey challenges conventional assumptions about what constitutes the context of a work of art and contests foundational models of linear temporality that inform long-standing conceptions of historical periodization and teleological order. Working from an eclectic body of theories, pictures, and machines that transcend time and media, Dailey composes a searching exploration of how the living use the dead to think back and look forward, to rule, to love, to wish and create.
Author: Alexa Alice Joubin Publisher: Taylor & Francis ISBN: 1040014275 Category : Literary Criticism Languages : en Pages : 222
Book Description
The Shakespearean International Yearbook surveys the present state of Shakespeare studies in global contexts, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time. Contributions are solicited from scholars across the field and from both hemispheres of the globe who represent diverse career stages and linguistic traditions. Both new and ongoing trends are examined in comparative contexts, and emerging voices in different cultural contexts are featured alongside established scholarship. Each volume features a collection of articles that focus on a theme curated by a specialist Guest Editor, along with coverage of the current state of the field in other aspects. An essential reference tool for scholars of early modern literature and culture, this annual publication captures, from year to year, current and developing thought in global Shakespeare scholarship and performance practice worldwide.
Author: Robert Stagg Publisher: Oxford University Press ISBN: 0192863274 Category : Blank verse, English Languages : en Pages : 241
Book Description
Shakespeare's Blank Verse: An Alternative History is a study both of Shakespeare's versification and of its place in the history of early modern blank verse (unrhymed iambic pentameter). It ranges from the continental precursors of English blank verse in the early sixteenth century through thedrama and poetry of Shakespeare's contemporaries to the editing of blank verse in the eighteenth century and beyond.Alternative in its argumentation as well as its arguments, Shakespeare's Blank Verse tries out fresh ways of thinking about meter--by shunning doctrinaire methods of apprehending a writer's versification, and by reconnecting meter to the fundamental literary, dramatic, historical, and socialquestions that animate Shakespeare's drama.
Author: Christian Wiman Publisher: Copper Canyon Press ISBN: 1619320932 Category : Literary Criticism Languages : en Pages : 280
Book Description
"That calling, at once religious, ethical, and aesthetic, is one that only a genuine poet can hear—and very few poets can explain it as compellingly as Mr. Wiman does. That gift is what makes Ambition and Survival, not just one of the best books of poetry criticism in a generation, but a spiritual memoir of the first order." —New York Sun "This weighty first prose collection should inspire wide attention, partly because of Wiman's current job, partly because of his astute insights and partly because he mixes poetry criticism with sometimes shocking memoir ... The collection's greatest strength comes in general ruminations on the writing, reading and judging poetry." —Publishers Weekly "[Wiman is] a terrific personal essayist, as this new collection illustrates, with the command and instincts of the popular memoirist ... This is a brave and bracing book." —Booklist “Blazing high style” is how The New York Times describes the prose of Christian Wiman, the young editor transforming Poetry, the country’s oldest literary magazine. Ambition and Survival is a collection of stirring personal essays and critical prose on a wide range of subjects: reading Milton in Guatemala, recalling violent episodes of his youth, and traveling in Africa with his eccentric father, as well as a series of penetrating essays on writers as diverse as Thomas Hardy and Janet Lewis. The book concludes with a portrait of Wiman’s diagnosis of a rare form of incurable and lethal cancer, and how mortality reignited his religious passions. When I was twenty years old I set out to be a poet. That sounds like I was a sort of frigate raising anchor, and in a way I guess I was, though susceptible to the lightest of winds. . . . When I read Samuel Johnson’s comment that any young man could compensate for his poor education by reading five hours a day for five years, that’s exactly what I tried to do, practically setting a timer every afternoon to let me know when the little egg of my brain was boiled. It’s a small miracle that I didn’t take to wearing a cape. Christian Wiman is the editor of Poetry magazine. His poems and essays appear regularly in The New Yorker, The Atlantic Monthly, Harper’s, and The New York Times Book Review.
Author: William Bateson Publisher: Courier Corporation ISBN: 0486148378 Category : Science Languages : en Pages : 472
Book Description
Six years after Charles Darwin announced his theory of evolution to the world, Gregor Mendel began studying the inheritance of traits in pea plants. Mendel's research led to his discovery of dominant and recessive traits and other facts of evolution, which he reported in his groundbreaking 1865 paper, Experiments in Plant Hybridization. His findings languished until 1902, when William Bateson revived interest in the subject with this book, a succinct account of Mendel's heredity-related discoveries. Bateson coined the term "genetics" to refer to heredity and inherited traits, and his rediscovery of Mendel's work forms the foundation of today's field of genetics. Suitable for biology and general science students at the undergraduate and graduate levels, this volume is essential reading for anyone with an interest in science and genetics. In addition to Bateson's commentary, it features two of Mendel's papers—including the original Experiments—plus a biography of Mendel, a detailed bibliography, and indexes of subjects and authors. Numerous figures complement the text, along with eight pages of color illustrations.
Author: Theo Hobson Publisher: Wm. B. Eerdmans Publishing ISBN: 0802868401 Category : Religion Languages : en Pages : 340
Book Description
In past years liberal Christianity challenged centuries of authoritarian tradition and had great political influence. Today it is widely dismissed as a watering-down of the faith, and more conservative forms of Christianity are increasingly dominant. Can the liberal Christian tradition recover its influence? Hobson argues that a simple revival is not possible, because liberal Christianity consists of two traditions. He aims to transform liberal Christianity through the rediscovery of faith and ritual.
Author: Aarnoud Rommens Publisher: Routledge ISBN: 1315527553 Category : Art Languages : en Pages : 192
Book Description
Intertwining art history, aesthetic theory, and Latin American studies, Aarnoud Rommens challenges contemporary Eurocentric revisions of the history of abstraction through this study of the Uruguayan artist Joaquín Torres-García. After studying and painting (for decades) in Europe, Torres-García returned in 1934 to his native home, Montevideo, with the dream of reawakening and revitalizing what he considered the true indigenous essence of Latin American art: "Abstract Spirit." Rommens rigorously analyses the paradoxes of the painter's aesthetic-philosophical doctrine of Constructive Universalism as it sought to adapt European geometric abstraction to the Americas. Whereas previous scholarship has dismissed Torres-García's theories as self-contradictory, Rommens seeks to recover their creative potential as well as their role in tracing the transatlantic routes of the avant-garde. Through the highly original method of reading Torres-García's artworks as a critique on the artist's own writings, Rommens reveals how Torres-García appropriates the colonial language of primitivism to construct the artificial image of "pure" pre-Columbian abstraction. Torres-García thereby inverts the history of art: this book teases out the important lessons of this gesture and the implications for our understanding of abstraction today.
Author: Katherine Schaap Williams
Author: Katherine Schaap Williams
Author: A. Mossin
Author: Alice Dailey
Author: Alexa Alice Joubin
Author: Robert Stagg
Author: Christian Wiman
Author: William Bateson
Author: William Bateson
Author: Theo Hobson
Author: Aarnoud Rommens