Author: C. Claire ThomsonPublisher: Edinburgh University Press
ISBN: 1474461158
Category : Performing Arts
Languages : en
Pages : 435
Book Description
The first English-language book to cover Danish cinema from the 1890s to the present day.
A History of Danish Cinema
Author: C. Claire ThomsonPublisher: Edinburgh University Press
ISBN: 1474461158
Category : Performing Arts
Languages : en
Pages : 435
Book Description
The first English-language book to cover Danish cinema from the 1890s to the present day.
Small Nation, Global Cinema
Author: Mette HjortPublisher: U of Minnesota Press
ISBN: 1452907498
Category :
Languages : en
Pages : 331
Book Description
Investigates the relationship between globalization and the New Danish Cinema.
A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950
Author: Publisher: BRILL
ISBN: 900438829X
Category : Art
Languages : en
Pages : 992
Book Description
A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first work to consider all the arts and to discuss the role of the avant-garde not only in aesthetic terms but in its cultural and political context.
The Danish Directors
Author: Mette HjortPublisher: Intellect (UK)
ISBN:
Category : Performing Arts
Languages : en
Pages : 294
Book Description
Profiling the canonized figures alongside recently-established filmmakers, this collection features interviews with Lars von Trier, Søren Kragh-Jacobsen, Thomas Vinterberg and Henning Carlsen among many others. It poses questions that engage with ongoing and controversial issues within film studies, which will stimulate debate in academic and filmgoing circles alike. Each interview is preceded by a photograph of the director, biographical information, and a filmography. Frame enlargements are used throughout to help clarify particular points of discussion and the book as a whole is contextualised by an informative general introduction. A valuable addition to the growing library of books on Scandinavian film, national cinema and minority cinema.
The Danish Directors 2
Author: Mette HjortPublisher: Intellect Books
ISBN: 1841503924
Category : Performing Arts
Languages : en
Pages : 314
Book Description
Over the last two decades or so, the New Danish Cinema has established itself as an important source of cinematic renewal and innovation, and as a model for how small, minor or peripheral cinemas can survive in an industry dominated by Global Hollywood. Following in the footsteps of critically-acclaimed The Danish Directors (also published by Intellect), The Danish Directors 2 provides a practitioner’s perspective on the social, cultural, and economic milieus in which Danish film-makers have been able to develop their practice, and to thrive. With insider information about the making, marketing and distribution of award-winning films, and interviews with seminal directors such as Anders Thomas Jensen, Annette K. Olesen, and Lone Scherfig, The Danish Directors 2 allows readers entry into what might seem to be a forbidding body of work. The editors are knowledgeable and sensitive interrogators, and their appreciation of the specific qualities of each director’s work elicits thoughtful replies. This volume will appeal to students, scholars, and cinephiles alike.
Historical Dictionary of Scandinavian Cinema
Author: John SundholmPublisher: Scarecrow Press
ISBN: 0810878992
Category : Performing Arts
Languages : en
Pages : 483
Book Description
Although relatively small, the northern countries of Scandinavia have made a disproportionately large contribution to world cinema. Indeed, some of their films are among the best known of all times, including The Seventh Seal, Dancer in the Dark, and The Girl with the Dragon Tattoo. And Scandinavian directors are also among the best known, just to mention Ingmar Bergman and Lars von Trier. But there is much more to the cinema of Denmark, Norway, Sweden, Finland and Iceland than that, and this book shows us what they have been accomplishing over more than a century from the beginnings of cinema until the present. The Historical Dictionary of Scandinavian Cinema shows just how long and busy this history has been in the chronology, starting in 1896. The introduction then describes the situation in each one of the component countries, all of which approached and developed the field in a similar but also slightly different manner. The dictionary section, with over 400 substantial entries, looks at the situation in greater detail, with over 400 substantial entries on major actors, directors and others, significant films, various genres and themes, and subjects such as animation, ethnicity, migration and censorship. Given its contribution to world cinema it is good to finally have an encyclopedia like this which can meet the interests of the scholar and researcher but also the movie fan.
Carl Theodor Dreyer and Ordet
Author: Jan WahlPublisher: University Press of Kentucky
ISBN: 0813140528
Category : Performing Arts
Languages : en
Pages : 189
Book Description
This illustrated memoir shares a rare inside look at the legendary director’s process and vision during the filming of his award-winning masterpiece. Danish director Carl Theodor Dreyer is considered one of the most influential filmmakers in cinematic history. His 1955 film Ordet (The World) won numerous prizes, including the Venice Film Festival’s Golden Lion. In 1954, Dreyer invited young film student Jan Wahl to accompany him during this classic work. This captivating account of Wahl's time with the director is based on Wahl's daily journal and transcriptions of his conversations with Dreyer. Offering a glimpse into the filmmaker's world, Wahl fashions a portrait of Dreyer as a man, mentor, friend, and director. Wahl's detailed account is supplemented by exquisite photos of the filming and by selections from Dreyer's papers, including his notes on film style, his introduction for the actors before the filming of Ordet, and a visionary lecture he delivered at Edinburgh.
Carl Theodor Dreyer's Gertrud
Author: James SchamusPublisher: University of Washington Press
ISBN: 0295801484
Category : Performing Arts
Languages : en
Pages : 128
Book Description
If there is one film in the canon of Carl Theodor Dreyer that can be said to be, as Jacques Lacan might put it, his most �painfully enjoyable,� it is Gertrud. The film's Paris premier in 1964 was covered by the Danish press as a national scandal; it was lambasted on its release for its lugubrious pace, wooden acting, and old-fashioned, stuffy milieu. Only later, when a younger generation of critics came to its defense, did the method in what appeared to be Dreyer's madness begin to become apparent. To make vivid just what was at stake for Dreyer, and still for us, in his final work, James Schamus focuses on a single moment in the film. He follows a trail of references and allusions back through a number of thinkers and artists (Boccaccio, Lessing, Philostratus, Charcot, and others) to reveal the richness and depth of Dreyer's work--and the excitement that can accompany cinema studies when it opens itself up to other disciplines and media. Throughout, Schamus pays particular attention to Dreyer's lifelong obsession with the �real,� developed through his practice of �textual realism,� a realism grounded not in standard codes of verisimilitude but on the force of its rhetorical appeal to its written, documentary sources. As do so many of the heroines of Dreyer's other films, such as La Passion de Jeanne d'Arc (1928), Gertrud serves as a locus for Dreyer's twin fixations; written texts, and the heroines who both embody and free themselves from them. Dreyer based Gertrud not only on Hjalmar Soderberg's play of 1906, but also on his own extensive research into the life of the �real� Gertrud, Maria van Platen, whose own words Dreyer interpolated into the film. By using his film as a kind of return to the real woman beneath the text, Dreyer rehearsed another lifelong journey, back to the poor Swedish girl who gave birth to him out of wedlock and who gave him up for adoption to a Danish family, a mother whose existence Dreyer only discovered later in life, long after she had died.
Transnational Cinema in a Global North
Author: Andrew K. NestingenPublisher: Wayne State University Press
ISBN: 9780814332436
Category : History
Languages : en
Pages : 396
Book Description
Volume of essays examining the transition from national Nordic cinemas to transnational and global Nordic cinema.
Thomas Vinterberg's Festen (The Celebration)
Author: C. Claire ThomsonPublisher: University of Washington Press
ISBN: 0295804920
Category : Performing Arts
Languages : en
Pages : 230
Book Description
Danish filmmaker Thomas Vinterberg's searing film Festen (“The Celebration”) was the first film from the Dogme 95 stable. Adhering to Dogme's cinematic purity — no artificial lighting, no superficial action, no credit for the director, and only handheld cameras for equipment — Festen was a commercial and critical success, winning the Jury Prize at Cannes in 1998 and garnering worldwide attention. The film is set at the sixtieth birthday party of Helge, the wealthy patriarch of a large Danish family. The birthday festivities take a turn when Helge’s son Christian raises a toast and denounces Helge for having raped and abused him as a child, along with his twin sister, who recently committed suicide. The film explores the escalating consequences of Christian’s announcement, from the stunned dinner party’s collective denial, to violence, to an unexpected catharsis.