Islamic Arts PDF Download

Author: Bloom
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Wendy M. K. Shaw
Publisher: Cambridge University Press
ISBN: 1108474659
Category : History
Languages : en
Pages : 387

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Book Description
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.

Author: Hena Khan
Publisher: Chronicle Books
ISBN: 1452155720
Category : Juvenile Fiction
Languages : en
Pages : 37

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Book Description
Crescent Moons and Pointed Minarets — Islamic book for kids "A beautiful picture book that simultaneously explores shapes, Islam, and the cultures of the Muslim people." — Kirkus Reviews Toddler book of shapes and Islamic traditions: From a crescent moon to a square garden to an octagonal fountain, this breathtaking picture book celebrates the shapes—and traditions—of the Muslim world. Toddler book by author Hena Khan: Sure to inspire questions and observations about world religions and cultures, Crescent Moons and Pointed Minarets is equally at home in a classroom reading circle and on a parent's lap being read to a child. If you and your child like books such as Lailah’s Lunchbox, Numbers Colors Shapes, or The Name Jar, you will love Crescent Moons and Pointed Minarets.

Author: Arthur M. Sackler Gallery (Smithsonian Institution)
Publisher: Computer Science Press, Incorporated
ISBN:
Category : Art
Languages : en
Pages : 242

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Author: Marcus Milwright
Publisher: Taylor & Francis
ISBN: 1003832768
Category : History
Languages : en
Pages : 401

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Providing an introduction to the artistic and architectural traditions of the Islamic world, A Story of Islamic Art explores fifty case studies, taken from different regions of the Islamic world and from the seventh to the twenty-first centuries. The novel aspect of these case studies is that they are presented as fictional narratives, allowing the reader to imagine art and architecture, either in their original cultural settings or at some later point in their histories. These stories are supported by a scholarly framework that allows the reader to continue their exploration of the chosen artefacts and their historical context. The fifty case studies take the form of short stories, each of which focuses on one or more object from the Islamic world. These encompass portable items in a wide variety of media, book illustrations, calligraphy, photographs, architectural decoration, buildings, and archaeological sites. The book also provides a detailed introduction, maps, timeline, glossary, and guides for further reading. This book offers accessible answers to key questions in the scholarship on Islamic art and architecture from its earliest times to the present. The issues dealt with in each of the stories include iconography, attitudes towards representation, the role of script, the elaboration of geometric decoration, the creation of sacred and secular spaces in architecture, and the socio-cultural context of art production and consumption. Artistic interactions between the Islamic world and other regions including Europe and China are also discussed in this book. A Story of Islamic Art is an engaging and informative introduction for interested readers and students of Islamic art, history, and architecture.

Author: Heather Ecker
Publisher: National Geographic Books
ISBN: 0500024790
Category : Antiques & Collectibles
Languages : en
Pages : 0

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A sumptuous exploration of the ways in which the Islamic arts have inspired the famous jewelry house Cartier, this book accompanies a major exhibition at the Musée des Arts Decoratifs, Paris, and the Dallas Museum of Art. Louis Cartier (1875–1942), the grandson of Cartier founder Louis-François, was an impassioned collector and patron of the arts. He was particularly entranced by Islamic arts, especially Persian book arts: their geometric shapes, color combinations, and motifs are apparent in Cartier jewelry to this day. Louis’s younger brother Jacques—an expert in precious stones—traveled to India and the Persian Gulf in 1911 and 1912 to experience the culture and bring home treasures of the Middle East: natural pearls. This was the pivotal moment when the dialogue between these two worlds opened up, eventually blossoming into a beautiful relationship that has lasted for decades. Published to accompany a major exhibition at the Musée des Arts Decoratifs in Paris and the Dallas Museum of Art, Cartier and Islamic Arts delves into the Cartier archives to trace the story of Louis Cartier’s love of Islamic art and the ways in which he incorporated the Islamic world’s stylized motifs into Cartier’s jewelry. Dazzling photographs are accompanied by in-depth texts from a raft of distinguished scholars of both Islam and the decorative arts.

Author: Richard Yeomans
Publisher: NYU Press
ISBN: 9780814796948
Category : Architecture
Languages : en
Pages : 240

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Book Description
Despite growing interest in Islamic architecture, introductions to the subject which go beyond the superficial are scarce. Employing a broad historical narrative, The Story of Islamic Architecture introduces the religious, social, and political influences that have shaped the Islamic architectural form, while revealing an architectural splendor unfamiliar to most Western readers. Painter and educator Richard Yeomans interweaves historical fact with precisely detailed descriptions to trace the genesis and flowering of Islamic architecture in the various Muslim regions of the world including Spain, the Maghreb, Egypt, Syria, Turkey, Persia, and Central Asia, ending at the farthest point East in India. The volume includes a brief introduction to Islam and to the theological attitudes which determine the form and function of its art and architecture. The Story of Islamic Architecture is fully illustrated with over 200 striking color photographs, and includes a comprehensive glossary of architectural terms. Yeomans' flowing, clear, and engaging narrative captures not only the shapes and colors of this architecture, but even the sounds of activities that take place in the space defined by it.

Author: Oleg Grabar
Publisher: Yale University Press
ISBN: 9780300040463
Category : Art
Languages : en
Pages : 342

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Book Description
This classic work on the nature of early Islamic art has now been brought up to date in order to take into consideration material that has recently come to light. In a new chapter, Oleg Grabar develops alternate models for the formation of Islamic art, tightens its chronology, and discusses its implications for the contemporary art of the Muslim world. Reviews of the first edition: "Grabar examines the possible ramifications of sociological, economic, historical, psychological, ecological, and archaeological influences upon the art of Islam. . . [He] explains that Islamic art is woven from the threads of an Eastern, Oriental tradition and the hardy, surviving strands of Classical style, and [he] illustrates this web by means of a variety of convincing and well-chosen examples."--Art Bulletin "A book of absorbing interest and immense erudition. . . All Islamic archaeologists and scholars will thank Professor Grabar for a profound and original study of an immense and complex field, which may provoke controversy but must impress by its mastery and charm by its modesty."--Times Literary Supplement "Oleg Grabar, in this book of exceptional subtlety and taste, surveys and extends his own important contributions to the study of early Islamic art history and works out an original and imaginative approach to the elusive and complex problems of understanding Islamic art."--American Historical Review

Author: Jonathan M. Bloom
Publisher: Routledge
ISBN: 1351942581
Category : Art
Languages : en
Pages : 469

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Book Description
This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.

Author: George N. Atiyeh
Publisher: State University of New York Press
ISBN: 079149540X
Category : History
Languages : en
Pages : 336

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Book Description
The Book in the Islamic World brings together serious studies on the book as an intellectual entity and as a vehicle of cultural development. Written by a group of distinguished scholars, it examines and reflects upon this unique tool of communication not as a physical artifact but as a manifestation of the aspirations, values, and wisdom of Arabs and Muslims in general. The Islamic system of book production differed from that of the West. This volume shows the peculiarities of book making and the intellectual principles that governed a book's inner structure, mysteries, and impact on culture. Investigated and explained are the issues involved in printing; the compilation of the Koran, the most important book in Islam; attitudes toward books; the oral versus the written tradition; metaphors of the book in literature; biographical dictionaries, an important genre of Islamic books; the grammatical tradition; women's contribution to calligraphy; scientific manuscripts; the transition from scribal to print culture; publishing in the modern Arab World; and the new electronic media, a non-book vehicle of communication, and its impact on education.