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Author: AGNES. DENES Publisher: Shed ISBN: 9781732494701 Category : Art Languages : en Pages : 384
Book Description
"Agnes Denes, the queen of land art, made one of New York's greatest public art projects ever in 1982. Now, the world might be catching up with her." -Karrie Jacobs, New York Times Agnes Denes: Absolutes and Intermediates accompanies the largest exhibition of the artist's work in New York to date, held at The Shed in fall 2019 as part of the arts space's opening season. Presenting more than 130 works, this comprehensive publication, presented in an embossed slipcase, spans the 50-year career of the path-breaking artist dubbed "the queen of land art" by the New York Times, famed for her iconic Wheatfield--A Confrontation (1982), for which she planted a two-acre wheatfield in Lower Manhattan on the Battery Park Landfill, in the shadow of the then recently erected Twin Towers. A major undertaking, this superb catalog includes a comprehensive text by the exhibition's curator, Emma Enderby, an interview with Denes by Hans Ulrich Obrist, essays by prominent scholars and curators including Caroline A. Jones, Lucy R. Lippard and Timothy Morton that examine Denes' multifaceted practice in new ways, writings by the artist and reflections by curators who have worked with Denes over the course of her career. New works by Denes commissioned by The Shed for the exhibition are presented in a special insert. Budapest-born, New York-based artist Agnes Denes (born 1931) rose to international attention in the 1960s and 1970s as a leading figure in conceptual, environmental and ecological art. A pioneer of several art genres, she has created work in many mediums, utilizing various disciplines--such as science, philosophy, linguistics, ecology and psychology--to analyze, document and ultimately aid humanity.
Author: AGNES. DENES Publisher: Shed ISBN: 9781732494701 Category : Art Languages : en Pages : 384
Book Description
"Agnes Denes, the queen of land art, made one of New York's greatest public art projects ever in 1982. Now, the world might be catching up with her." -Karrie Jacobs, New York Times Agnes Denes: Absolutes and Intermediates accompanies the largest exhibition of the artist's work in New York to date, held at The Shed in fall 2019 as part of the arts space's opening season. Presenting more than 130 works, this comprehensive publication, presented in an embossed slipcase, spans the 50-year career of the path-breaking artist dubbed "the queen of land art" by the New York Times, famed for her iconic Wheatfield--A Confrontation (1982), for which she planted a two-acre wheatfield in Lower Manhattan on the Battery Park Landfill, in the shadow of the then recently erected Twin Towers. A major undertaking, this superb catalog includes a comprehensive text by the exhibition's curator, Emma Enderby, an interview with Denes by Hans Ulrich Obrist, essays by prominent scholars and curators including Caroline A. Jones, Lucy R. Lippard and Timothy Morton that examine Denes' multifaceted practice in new ways, writings by the artist and reflections by curators who have worked with Denes over the course of her career. New works by Denes commissioned by The Shed for the exhibition are presented in a special insert. Budapest-born, New York-based artist Agnes Denes (born 1931) rose to international attention in the 1960s and 1970s as a leading figure in conceptual, environmental and ecological art. A pioneer of several art genres, she has created work in many mediums, utilizing various disciplines--such as science, philosophy, linguistics, ecology and psychology--to analyze, document and ultimately aid humanity.
Author: Agnes Denes Publisher: Spring Publications ISBN: 9780882145693 Category : Art Languages : en Pages : 0
Book Description
The Human Argument is the first publication of Agnes Denes's collected writings. Denes-an early pioneer of both the environmental art movement and Conceptual art-has investigated the physical and social sciences, philosophy, linguistics, psychology, art history, poetry and music and transformed her explorations into unique works of visual art. Her work involves ecological, cultural, and social issues, and are often monumental in scale. She is perhaps best known for Wheatfield - A Confrontation (1982), a two-acre wheat field she planted and harvested in downtown Manhattan, a work that addresses human values and misplaced priorities.
Author: Agnes Denes Publisher: Distributed Art Publishers (DAP) ISBN: Category : Science Languages : en Pages : 128
Book Description
Denes began her compilation of data for this major work in 1972. Using dust as a metaphor and a connecting thread to facts and phenomena, she studies the human mind, our ethical values, standards of living, and survival, presenting haunting images of dust particles from outer space, such as the death of a star, distant and large objects in the universe, as well as earthly dust, including human dust, hallucinogens, poisons, chemicals, and nuclear waste. Book of Dust is a glance at the history and the future of the universe, from its violent birth to the formation of stars, the silent demise of galaxies, and the death of matter. From cosmic dust to human dust, from molecules to intelligence, this work is a cross-section of existence.
Author: Brian Blomerth Publisher: ISBN: 9781944860417 Category : Languages : en Pages : 192
Book Description
An illustrated account R. Gordon and Valentina Wasson, the pioneering scientist couple responsible for popularizing the use of psychedelic mushrooms.
Author: Philipp Kaiser Publisher: Prestel ISBN: Category : ART Languages : en Pages : 272
Book Description
"This catalogue to accompany the museum exhibition traces the emergence of the artistic impulses to use the earth as material, land as medium, and to locate works in remote sites, beyond familiar art contexts. Significantly, "Ends of the Earth" challenges many myths about Land art--that it was primarily a North American phenomenon, that it was foremost a sculptural practice, and that it exceeds the confines of the art system. Featuring over 100 artists hailing from countries including Great Britain, Germany, Iceland, Israel, Japan, the Netherlands, and the United States, the exhibition constitutes the most comprehensive survey of Land art to date"--Provided by publisher.
Author: Kevin Barry Publisher: Anchor ISBN: 0385540329 Category : Fiction Languages : en Pages : 228
Book Description
ONE OF THE NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “A darkly incantatory tragicomedy of love and betrayal ... Beautifully paced, emotionally wise.” —The Boston Globe In the dark waiting room of the ferry terminal in the sketchy Spanish port of Algeciras, two aging Irishmen—Maurice Hearne and Charlie Redmond, longtime partners in the lucrative and dangerous enterprise of smuggling drugs—sit at night, none too patiently. The pair are trying to locate Maurice’s estranged daughter, Dilly, whom they’ve heard is either arriving on a boat coming from Tangier or departing on one heading there. This nocturnal vigil will initiate an extraordinary journey back in time to excavate their shared history of violence, romance, mutual betrayals, and serial exiles. Rendered with the dark humor and the hardboiled Hibernian lyricism that have made Kevin Barry one of the most striking and admired fiction writers at work today, Night Boat to Tangier is a superbly melancholic melody of a novel, full of beautiful phrases and terrible men.
Author: Massimiliano Gioni Publisher: Phaidon Press ISBN: 9780714879765 Category : Art Languages : en Pages : 0
Book Description
A monograph surveying the storied career of German artist Hans Haacke, on the occasion of a major retrospective exhibition Born in Germany in 1936, Hans Haacke is known for his intellectual and politically engaged art that has long shed light on systems of power. A pioneer of institutional critique, conceptual art, and environmental art, Haacke creates incisive, often site-specific works that call upon the viewer to engage or participate and thereby question invisible structural dynamics at play in society. This book offers an opportunity to revisit the artist's thought-provoking career in light of contemporary culture.
Author: Catherine Morris Publisher: MIT Press ISBN: Category : Art Languages : en Pages : 312
Book Description
Lucy R. Lippard's famous book, itself resembling an exhibition, is now brought full circle in an exhibition (and catalog) resembling her book. “Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or 'dematerialized.'” —Lucy R. Lippard, Six Years In 1973 the critic and curator Lucy R. Lippard published Six Years, a book with possibly the longest subtitle in the bibliography of art: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones) edited and annotated by Lucy R. Lippard. Six Years, sometimes referred to as a conceptual art object itself, not only described and embodied the new type of art-making that Lippard was intent on identifying and cataloging, it also exemplified a new way of criticizing and curating art. Nearly forty years later, the Brooklyn Museum takes Lippard's celebrated experiment in curated concatenation as a template, turning a book that resembled an exhibition into an exhibition materializing the ideas in her book. The artworks and essays featured in this publication recall the thrill that was tangible in Lippard's original documentation, reminding us that during the late sixties and early seventies all possible social and material parameters of art (making) were played with, worked over, inverted, reduced, expanded, and rejected. By tracing Lippard's own activities in those years, the book also documents the early blurring of boundaries among critical, curatorial, and artistic practices. With more than 200 images of work by dozens of artists (printed in color throughout), this book brings Lippard's curatorial experiment full circle.
Author: AGNES. DENES
Author: AGNES. DENES
Author: Adeze Wilford
Author: Agnes Denes
Author: Agnes Denes
Author: Brian Blomerth
Author: Philipp Kaiser
Author: Kevin Barry
Author: Massimiliano Gioni
Author: Catherine Morris
Author: Ernesto Neto