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Author: Sean Mayes Publisher: Bloomsbury Publishing ISBN: 1350119644 Category : Performing Arts Languages : en Pages : 224
Book Description
A radically urgent intervention, An Inconvenient Black History of British Musical Theatre: 1900 - 1950 uncovers the hidden Black history of this most influential of artforms. Drawing on lost archive material and digitised newspapers from the turn of the century onwards, this exciting story has been re-traced and restored to its rightful place. A vital and significant part of British cultural history between 1900 and 1950, Black performance practice was fundamental to resisting and challenging racism in the UK. Join Mayes (a Broadway- and Toronto-based Music Director) and Whitfield (a musical theatre historian and researcher) as they take readers on a journey through a historically-inconvenient and brilliant reality that has long been overlooked. Get to know the Black theatre community in London's Roaring 20s, and hear about the secret Florence Mills memorial concert they held in 1928. Acquaint yourself with Buddy Bradley, Black tap and ballet choreographer, who reshaped dance in British musicals - often to be found at Noël Coward's apartment for late-night rehearsals, such was Bradley's importance. Meet Jack Johnson, the first African American Heavyweight Boxing Champion, who toured Britain's theatres during World War 1 and brought the sounds of Chicago to places like war-weary Dundee. Discover the most prolific Black theatre practitioner you've never heard of, William Garland, who worked for 40 years across multiple continents and championed Black British performers. Marvel at performers like cabaret star Mabel Mercer, born in Stafford in 1900, who sang and conducted theatre orchestras across the UK, as well as Black Birmingham comedian Eddie Emerson, who was Garland's partner for decades. Many of their names and works have never been included in histories of the British musical - until now.
Author: Sean Mayes Publisher: Bloomsbury Publishing ISBN: 1350119644 Category : Performing Arts Languages : en Pages : 224
Book Description
A radically urgent intervention, An Inconvenient Black History of British Musical Theatre: 1900 - 1950 uncovers the hidden Black history of this most influential of artforms. Drawing on lost archive material and digitised newspapers from the turn of the century onwards, this exciting story has been re-traced and restored to its rightful place. A vital and significant part of British cultural history between 1900 and 1950, Black performance practice was fundamental to resisting and challenging racism in the UK. Join Mayes (a Broadway- and Toronto-based Music Director) and Whitfield (a musical theatre historian and researcher) as they take readers on a journey through a historically-inconvenient and brilliant reality that has long been overlooked. Get to know the Black theatre community in London's Roaring 20s, and hear about the secret Florence Mills memorial concert they held in 1928. Acquaint yourself with Buddy Bradley, Black tap and ballet choreographer, who reshaped dance in British musicals - often to be found at Noël Coward's apartment for late-night rehearsals, such was Bradley's importance. Meet Jack Johnson, the first African American Heavyweight Boxing Champion, who toured Britain's theatres during World War 1 and brought the sounds of Chicago to places like war-weary Dundee. Discover the most prolific Black theatre practitioner you've never heard of, William Garland, who worked for 40 years across multiple continents and championed Black British performers. Marvel at performers like cabaret star Mabel Mercer, born in Stafford in 1900, who sang and conducted theatre orchestras across the UK, as well as Black Birmingham comedian Eddie Emerson, who was Garland's partner for decades. Many of their names and works have never been included in histories of the British musical - until now.
Author: Sean Mayes Publisher: Bloomsbury Publishing ISBN: 1350119652 Category : Performing Arts Languages : en Pages : 305
Book Description
A radically urgent intervention, An Inconvenient Black History of British Musical Theatre: 1900 - 1950 uncovers the hidden Black history of this most influential of artforms. Drawing on lost archive material and digitised newspapers from the turn of the century onwards, this exciting story has been re-traced and restored to its rightful place. A vital and significant part of British cultural history between 1900 and 1950, Black performance practice was fundamental to resisting and challenging racism in the UK. Join Mayes (a Broadway- and Toronto-based Music Director) and Whitfield (a musical theatre historian and researcher) as they take readers on a journey through a historically-inconvenient and brilliant reality that has long been overlooked. Get to know the Black theatre community in London's Roaring 20s, and hear about the secret Florence Mills memorial concert they held in 1928. Acquaint yourself with Buddy Bradley, Black tap and ballet choreographer, who reshaped dance in British musicals - often to be found at Noël Coward's apartment for late-night rehearsals, such was Bradley's importance. Meet Jack Johnson, the first African American Heavyweight Boxing Champion, who toured Britain's theatres during World War 1 and brought the sounds of Chicago to places like war-weary Dundee. Discover the most prolific Black theatre practitioner you've never heard of, William Garland, who worked for 40 years across multiple continents and championed Black British performers. Marvel at performers like cabaret star Mabel Mercer, born in Stafford in 1900, who sang and conducted theatre orchestras across the UK, as well as Black Birmingham comedian Eddie Emerson, who was Garland's partner for decades. Many of their names and works have never been included in histories of the British musical - until now.
Author: Arianne Johnson Quinn Publisher: Springer Nature ISBN: 3031146638 Category : Performing Arts Languages : en Pages : 293
Book Description
This monograph centres on the history of musical theatre in a space of cultural significance for British identity, namely the Theatre Royal, Drury Lane, which housed many prominent American productions from 1924-1970. It argues that during this period Drury Lane was the site of cultural exchanges between Britain and the United States that were a direct result of global engagement in two world wars and the evolution of both countries as imperial powers. The critical and public response to works of musical theatre during this period, particularly the American musical, demonstrates the shifting response by the public to global conflict, the rise of an American Empire in the eyes of the British government, and the ongoing cultural debates about the role of Americans in British public life. By considering the status of Drury Lane as a key site of cultural and political exchanges between the United States and Britain, this study allows us to gain a more complete portrait of the musical’s cultural significance in Britain.
Author: Sarah K. Whitfield Publisher: Bloomsbury Publishing ISBN: 1352004402 Category : Performing Arts Languages : en Pages : 241
Book Description
This critical and inclusive edited collection offers an overview of the musical in relation to issues of race, culture and identity. Bringing together contributions from cultural, American and theatre studies for the first time, the chapters offer fresh perspectives on musical theatre history, calling for a radical and inclusive new approach. By questioning ideas about what the musical is about and who it for, this groundbreaking book retells the story of the musical, prioritising previously neglected voices to reshape our understanding of the form. Timely and engaging, this is required reading for undergraduate and postgraduate students of musical theatre. It offers an intersectional approach which will also be invaluable for theatre practitioners.
Author: Clare Chandler Publisher: Bloomsbury Publishing ISBN: 1350268070 Category : Performing Arts Languages : en Pages : 183
Book Description
The shortest runs can have the longest legacies: for too long, scholarship surrounding British musical theatre has coalesced around the biggest names, ignoring important works that have not had the critical engagement they deserve. Through academic interrogation and industry insight, this unique collection of essays recognizes these works, shining a light on their creative achievements and legacies. With each chapter focusing on a different significant musical, a selection of shows spanning 2010s are analysed and the development and evolution of the genre is explored. Touching on key, hit shows such as SIX, Matilda, Everybody's Talking About Jamie, The Grinning Man and Bend it Like Beckham, each chapter discusses different theatrical elements, from dramaturgy and musicology to reception, and also includes an interview with a practitioner related to each musical, providing in-depth understanding and invaluable practical and industry knowledge. Identifying the intersectionality between industry insight and academic analysis, Contemporary British Musicals: 'Out of the Darkness' challenges the narrative that the British musical is dead : creating a new historiography of the British musical that celebrates the work being created, while providing a manifesto for the future.
Author: Sean Mayes Publisher: Bloomsbury Publishing ISBN: 135024211X Category : Performing Arts Languages : en Pages : 167
Book Description
Step into a world where the brightest creative minds of contemporary musical theatre share their insights and inspirations. Conversations in Color unveils the untold stories and perspectives of remarkable artists of color shaping the stage today. Delve into captivating interviews with visionaries like André De Shields, Alex Lacamoire, Baayork Lee, and many more, as they discuss the intricate artistry behind crafting unforgettable musical experiences. Unlike any other, this groundbreaking book offers an indispensable resource for the theatre industry. Explore the multifaceted process of musical creation through conversations with directors, choreographers, music directors, orchestrators, stage managers, writers, librettists, artistic directors, and fight directors. Discover the secrets of their craft, from project preparation to rehearsal techniques, career insights, and personal anecdotes. Drawing from Broadway and regional productions across North America, these exclusive interviews provide invaluable firsthand knowledge that transcends boundaries. Conversations in Color fills a vital void in musical theatre studies, shedding light on the absence of diverse perspectives. Immerse yourself in the minds of leading creative practitioners, gaining practical steps and inspiration for your own artistic endeavors. Whether you're a professional or aspiring performer, director, or designer, this book serves as a compass, guiding you towards excellence. Unlock the secrets of musical theatre's most extraordinary talents: a vibrant world of creativity awaits, where voices that have been under-acknowledged are finally heard, and where passion and innovation reign supreme.
Author: Robert Gordon Publisher: Bloomsbury Publishing ISBN: 1472584392 Category : Performing Arts Languages : en Pages : 288
Book Description
This critical introduction to British musical theatre since 1950 is the first book to discuss its post-war developments from the perspective of British – as opposed to American – popular culture. The genre is situated within the historical context of post-war British society in order to explore the range of forms through which significant sociocultural moments are represented. Introductory chapters analyse the way British musicals have responded to social change, the forms of popular theatre and music from which they have developed and their originality in elaborating new narrative strategies since the seventies. A key feature of the book is its close readings of twelve key works, from Salad Days (1954) and Oliver! (1960) to global smash hits such as Les Misérables (1985) and The Phantom of the Opera (1986) and beyond, including the latest critical and box-office success Matilda (2011). Also analysed are British favourites (Blood Brothers, 1983), cult shows (The Rocky Horror Show, 1975) and musicals with a pre-existing fan-base, such as Mamma Mia! (1999).
Author: M. Lundskaer-Nielsen Publisher: Springer ISBN: 0230611249 Category : Music Languages : en Pages : 231
Book Description
This is one of the first books to offer a rigorous analysis of the enormous changes in the musical theatre during the 1980s and 90s. In addition, it focuses on the contribution of well-known, serious theatre directors to the mainstream Musical Theatre and it is the first book to offer a dual Anglo-American perspective on this subject.
Author: Nathan Hurwitz Publisher: Routledge ISBN: 1317912047 Category : History Languages : en Pages : 278
Book Description
From the diverse proto-theatres of the mid-1800s, though the revues of the ‘20s, the ‘true musicals’ of the ‘40s, the politicisation of the ‘60s and the ‘mega-musicals’ of the ‘80s, every era in American musical theatre reflected a unique set of socio-cultural factors. Nathan Hurwitz uses these factors to explain the output of each decade in turn, showing how the most popular productions spoke directly to the audiences of the time. He explores the function of musical theatre as commerce, tying each big success to the social and economic realities in which it flourished. This study spans from the earliest spectacles and minstrel shows to contemporary musicals such as Avenue Q and Spiderman. It traces the trends of this most commercial of art forms from the perspective of its audiences, explaining how staying in touch with writers and producers strove to stay in touch with these changing moods. Each chapter deals with a specific decade, introducing the main players, the key productions and the major developments in musical theatre during that period.
Author: Sean Mayes
Author: Sean Mayes
Author: Sean Mayes
Author: Arianne Johnson Quinn
Author: Sarah K. Whitfield
Author: Clare Chandler
Author: Sean Mayes
Author: Robert Gordon
Author: M. Lundskaer-Nielsen
Author: John Kenrick
Author: Nathan Hurwitz