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Author: R. J. Cardullo Publisher: Springer ISBN: 9463008780 Category : Education Languages : en Pages : 338
Book Description
"André Bazin (1918–58) is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Among those who came under his tutelage were four who would go on to become the most renowned directors of the postwar French cinema: François Truffaut, Jean-Luc Godard, Jacques Rivette, and Claude Chabrol. Bazin can also be considered the principal instigator of the equally influential auteur theory: the idea that, since film is an art form, the director of a movie must be perceived as the chief creator of its unique cinematic style.André Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s contains, for the first time in English in one volume, much if not all of Bazin’s writings on American cinema: on directors such as Orson Welles, Charles Chaplin, Preston Sturges, Alfred Hitchcock, Howard Hawks, John Huston, Nicholas Ray, Erich von Stroheim, and Elia Kazan; and on films such as High Noon, Citizen Kane, Rear Window, Limelight, Scarface, Niagara, The Red Badge of Courage, Greed, and Sullivan’s Travels.André Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s also features a sizable scholarly apparatus, including a contextual introduction to Bazin’s life and work, a complete bibliography of Bazin’s writings on American cinema, and credits of the films discussed. This volume thus represents a major contribution to the still growing academic discipline of cinema studies, as well as a testament to the continuing influence of one of the world’s pre-eminent critical thinkers."
Author: R. J. Cardullo Publisher: Springer ISBN: 9463008780 Category : Education Languages : en Pages : 338
Book Description
"André Bazin (1918–58) is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Among those who came under his tutelage were four who would go on to become the most renowned directors of the postwar French cinema: François Truffaut, Jean-Luc Godard, Jacques Rivette, and Claude Chabrol. Bazin can also be considered the principal instigator of the equally influential auteur theory: the idea that, since film is an art form, the director of a movie must be perceived as the chief creator of its unique cinematic style.André Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s contains, for the first time in English in one volume, much if not all of Bazin’s writings on American cinema: on directors such as Orson Welles, Charles Chaplin, Preston Sturges, Alfred Hitchcock, Howard Hawks, John Huston, Nicholas Ray, Erich von Stroheim, and Elia Kazan; and on films such as High Noon, Citizen Kane, Rear Window, Limelight, Scarface, Niagara, The Red Badge of Courage, Greed, and Sullivan’s Travels.André Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s also features a sizable scholarly apparatus, including a contextual introduction to Bazin’s life and work, a complete bibliography of Bazin’s writings on American cinema, and credits of the films discussed. This volume thus represents a major contribution to the still growing academic discipline of cinema studies, as well as a testament to the continuing influence of one of the world’s pre-eminent critical thinkers."
Author: R. J. Cardullo Publisher: ISBN: 9789463008761 Category : Education Languages : en Pages : 358
Book Description
AndrE Bazin (1918-58) is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Among those who came under his tutelage were four who would go on to become the most renowned directors of the postwar French cinema: FranCois Truffaut, Jean-Luc Godard, Jacques Rivette, and Claude Chabrol. Bazin can also be considered the principal instigator of the equally influential auteur theory: the idea that, since film is an art form, the director of a movie must be perceived as the chief creator of its unique cinematic style. AndrE Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s contains, for the first time in English in one volume, much if not all of Bazin's writings on American cinema: on directors such as Orson Welles, Charles Chaplin, Preston Sturges, Alfred Hitchcock, Howard Hawks, John Huston, Nicholas Ray, Erich von Stroheim, and Elia Kazan; and on films such as High Noon, Citizen Kane, Rear Window, Limelight, Scarface, Niagara, The Red Badge of Courage, Greed, and Sullivan's Travels. AndrE Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s also features a sizable scholarly apparatus, including a contextual introduction to Bazin's life and work, a complete bibliography of Bazin's writings on American cinema, and credits of the films discussed. This volume thus represents a major contribution to the still growing academic discipline of cinema studies, as well as a testament to the continuing influence of one of the world's pre-eminent critical thinkers.
Author: Andre Bazin Publisher: ISBN: 9788193947548 Category : Languages : en Pages : 308
Book Description
André Bazin (1918-58) is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit. Bazin can also be considered the principal instigator of the equally influential auteur theory: the idea that, since film is an art form, the director of a movie must be perceived as the chief creator of its unique cinematic style.Volume 1 of The Catholic Critic: André Bazin on Hollywood Movies, 1945-1958 contains, for the first time in English, much of Bazin's penetrating writing on American cinema: on directors such as Billy Wilder, Frank Capra, Edward Dmytryk, Nicholas Ray, John Huston, and George Stevens; and on films such as The Great Dictator, On the Waterfront, Blackboard Jungle, The Man in the Gray Flannel Suit, and Touch of Evil.Volume 1 of André Bazin on Hollywood Movies, 1945-1958 also features a sizable scholarly apparatus, including a Bazin bibliography, credits of the films discussed as well as filmographies of their directors, and an extensive index. This collection thus represents a major contribution to the still growing academic discipline of cinema studies, as well as a testament to the continuing influence of one of the world's pre-eminent critical thinkers.
Author: Aitken Ian Aitken Publisher: Edinburgh University Press ISBN: 1474402224 Category : Performing Arts Languages : en Pages : 240
Book Description
From the 1910s to the emergence of structuralism and post-structuralism in the 1960s, the writings of John Grierson, Siegfried Kracauer, Andre Bazin and Georg Lukacs dominated realist film theory. In this critical anthology, the first collection to address their work in one volume, a wide range of international scholars explore the interconnections between their ideas and help generate new understandings of this important, if neglected, field. Challenging preconceptions about 'classical' theory and the nature of realist representation, and in the process demonstrating how this body of work can be seen as a cohesive theoretical model, this invaluable collection will help return the realist paradigm of film theory to the forefront of academic enquiry.
Author: André Bazin Publisher: Univ of California Press ISBN: 0520375807 Category : Art Languages : en Pages : 435
Book Description
"Adaptation was central to André Bazin's lifelong query: What is cinema? Placing films alongside literature let him identify the aesthetic and sociological distinctiveness of each. More importantly, it helped him wage his campaign for a modern conception of cinema, one that owed a great deal to developments in the novel. His critical genius is on full display in this collection, where readers are introduced to the foundational concepts of the relationship between film and literary adaptation as put forth by one of the greatest film and cultural critics of the 20th century. Expertly curated and with an introduction by celebrated film scholar Dudley Andrew, the book begins with a selection of essays that show Bazin's film theory in action, followed by reviews of films adapted from renowned novelists of the day (Conrad, Hemingway, Steinbeck; Colette, Sagan, Duras; and more) as well as classic novels of the 19th century (Bronte, Melville, Tolstoy; Balzac, Hugo, Zola; Stendhal and more). Taken together, this volume will be an indispensable resource for anyone interested in literary adaptation, authorship, classical film theory, French film history, and André Bazin's criticism alike. As a bonus, 250 years of French fiction is put in play as Bazin assesses adaptation after adaptation to determine what is at stake for culture, for literature and especially for cinema"--
Author: André Bazin Publisher: Univ of California Press ISBN: 9780520242272 Category : Performing Arts Languages : en Pages : 212
Book Description
These two volumes have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism.
Author: J. Hoberman Publisher: Verso Books ISBN: 1781681430 Category : Performing Arts Languages : en Pages : 305
Book Description
One of the world’s most erudite and entertaining film critics on the state of cinema in the post-digital—and post-9/11—age. This witty and allusive book, in the style of classic film theorists/critics like André Bazin and Siegfried Kracauer, includes considerations of global cinema’s most important figures and films, from Lars von Trier and Zia Jiangke to WALL-E, Avatar and Inception.
Author: Bill Krohn Publisher: State University of New York Press ISBN: 1438477651 Category : Performing Arts Languages : en Pages : 324
Book Description
Journalist and filmmaker Bill Krohn has been the Los Angeles correspondent for the French magazine Cahiers du cinéma for over forty years. Letters from Hollywood brings together thirty-four of his essays, many of them appearing in English for the first time. Focusing most pieces on a particular director and film, Krohn uses his inside knowledge of the studio system to illuminate an art that is also a multibillion-dollar business. He connects currents in French film criticism and theory with an unfolding account of American cinema past and present, offering penetrating insights into directors and their work. Beginning with Allan Dwan, who learned how to make movies before Hollywood was born by watching D. W. Griffith, Krohn presents a panorama that encompasses Alfred Hitchcock and Woody Allen, Stanley Kubrick and Sergio Leone, Star Wars and I Love Lucy. He covers everything from gangsters to gremlins, from blockbusters to no-budget cult films like Moon Over Harlem and Plan 9 from Outer Space, in a style that is accessible to anyone who loves movies, or has a passion for writing about them.
Author: Vinzenz Hediger Publisher: ISBN: 9789089643360 Category : Languages : en Pages : 0
Book Description
Critic and theorist André Bazin (1918-1958) has long enjoyed canonical status in film studies. As his unpublished and published work has become more accessible to scholars, and as new digital technologies call into question established notions of what cinema is, a new generation of film theorists has delved into Bazin's writings on cinema and technology. However, one critical aspect of Bazin's thinking has received little attention in this recent renaissance: his unorthodox Catholicism. The Miracle of Realism fills in this gap. Exploring the philosophical content and the theological underpinnings of Bazin's contribution to film and media theory, Vinzenz Hediger sheds new light on Bazin's ontological analysis of the photographic image and explores the implications of Bazin's "cosmology of film" for our understanding of contemporary media culture.
Author: R. J. Cardullo
Author: R. J. Cardullo
Author: R. J. Cardullo
Author: R. J. Cardullo
Author: Andre Bazin
Author: Aitken Ian Aitken
Author: André Bazin
Author: André Bazin
Author: J. Hoberman
Author: Bill Krohn
Author: Vinzenz Hediger