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Author: Laurent Guido Publisher: JOHN LIBBEY PUBLISHING ISBN: 9780861967070 Category : Performing Arts Languages : en Pages : 400
Book Description
"Addresses the relationship between cinema and photography during the 20th century. It comes out of a dialogue between historians from both fields, equally represented in the table of contents. It opens the field of study beyond the domains of art and cinephilia to take into account the social uses of images, of popular media, and of a diversity of discursive fields, from medicine to pedagogy. It aims to move beyond general aesthetic considerations to deal with specific historical objects, including discourses"--Back cover.
Author: Laurent Guido Publisher: JOHN LIBBEY PUBLISHING ISBN: 9780861967070 Category : Performing Arts Languages : en Pages : 400
Book Description
"Addresses the relationship between cinema and photography during the 20th century. It comes out of a dialogue between historians from both fields, equally represented in the table of contents. It opens the field of study beyond the domains of art and cinephilia to take into account the social uses of images, of popular media, and of a diversity of discursive fields, from medicine to pedagogy. It aims to move beyond general aesthetic considerations to deal with specific historical objects, including discourses"--Back cover.
Author: Karen Redrobe Publisher: Duke University Press ISBN: 0822391430 Category : Performing Arts Languages : en Pages : 325
Book Description
In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another. Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. Still Moving suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become. Contributors: George Baker, Rebecca Baron, Karen Beckman, Raymond Bellour, Zoe Beloff,Timothy Corrigan, Nancy Davenport, Atom Egoyan, Rita Gonzalez, Tom Gunning, Louis Kaplan, Jean Ma, Janet Sarbanes, Juan A. Suárez
Author: Danny Clinch Publisher: Abrams ISBN: 1683355369 Category : Photography Languages : en Pages : 296
Book Description
Danny Clinch has established himself as a premier photographer of the popular music scene, photographing a wide range of artists from Johnny Cash and Tupac Shakur to Björk and Dave Matthews. His photos have appeared on hundreds of album covers, as well as in publications such as Vanity Fair, Spin, Rolling Stone, and the New Yorker, and his ad campaigns for John Varvatos have adorned city streets and billboards. This lavish monograph chronicles Danny Clinch’s illustrious career with more than 200 photographs of the most important musicians of all time, along with his personal anecdotes and a written contribution by Bruce Springsteen. With images ranging from backstage shots at the Grammys to intimate candids, Still Moving is the ultimate gift for music lovers.
Author: Michael Wood Publisher: Oxford University Press ISBN: 0192803530 Category : Art Languages : en Pages : 153
Book Description
Offers a wealth of insight into the paradoxical nature of film, considering its role and impact on society in the 20th century as well as its future in the digital age. Original.
Author: Chul Stride Publisher: GRIN Verlag ISBN: 3668542171 Category : Art Languages : en Pages : 7
Book Description
Essay from the year 2016 in the subject Art - Photography and Film, grade: 1:1, , language: English, abstract: Photography and film are closely intertwined; yet a significant void remains between the two mediums. This essay explores the relationship between still and moving images, and draws upon a number of pieces of evidence in order to illuminate the dialogue between the two. The essay argues that the relationship between still and moving images has changed considerably over the last 200 years, and that the narrative continues to evolve. The literature about the relationship between still and moving images does not give a direct answer to the question of the relationship between still and moving images. As words, "still" and "moving" seem to be different concepts that are a dichotomy, which means they are opposite. One of the main questions to ask is why these two concepts are polarised. This essay tackles one of the most difficult questions in contemporary art. Since it began, people working in photography have tried to understand how to capture movement. The essay uses post-structuralist theory to try to explain how maybe people are actually right when they feel that there is something wrong about stillness and movement having to be different things. The theory can help to show that often the things that we take for granted aren't right at all, and that actually we invent a lot of the things that we think are basic truths.
Author: David Green Publisher: ISBN: Category : Photography Languages : en Pages : 196
Book Description
"This collection of essays by leading photographic and film theorists considers the changing relationship between the still and moving image in contemporary culture. The photograph has traditionally been seen as a quintessentially still image. Its ability to freeze and hold a moment in time has been the source of its peculiar fascination and the foundation of much of the theoretical discussion about it. New technological developments in digital media, however, have fundamentally altered the ways in which we think about photography, in particular forcing us to reconsider our assumptions about the still and the moving image and their relationships to differing conceptions of time. Amongst the topics addressed in these essays are: the work of artists who extend the still image in time through the use of video or narrative sequencing; the aesthetic and philosophical analyses of stasis; the place of the pose and tableau in contemporary photography and film; the iconography of photography in cinema; and the notion of the cinematic fragment and cultural memory."--BOOK JACKET.
Author: Carrie Collenberg-González Publisher: Berghahn Books ISBN: 1800733771 Category : Performing Arts Languages : en Pages : 257
Book Description
As the building blocks of moving pictures, photographs have played an integral role in cinema since the dawn of the medium—a relationship that has grown more complexly connected even as the underlying technologies continue to evolve. Moving Frames explores the use of photographs in German films from Expressionism to the Berlin School, addressing the formal and narrative roles that photographs play as well as the cultural and historical contexts out of which these films emerged. Looking beyond and within the canon, the editors gather stimulating new insights into the politics of surveillance, resistance, representation, and collective memory functioning through photographic rupture and affect in German cinema.
Author: Eivind Røssaak Publisher: Amsterdam University Press ISBN: 9089642137 Category : Performing Arts Languages : en Pages : 245
Book Description
Summary: Het in de jaren zeventig opkomende debat binnen de filmwetenschappen over stilstaand ('still') tegenover bewegend beeld ('moving') werd gevoed door de 'apparatus theory' en het idee van verstilde beweging door belichting. Filmische beweging was een illusie, luidde het axioma; beweging een 'ideologische invloed van het filmische apparaat'. Stilstaand beeld gold als de verborgen, zelfs verdrongen, basis voor de industriële illusie van filmische beweging. De auteurs stellen voor om af te stappen van dit verstokte 'still/moving'-debat binnen de filmstudies en zich te richten op een positievere kritiek en een meer affectieve vorm van mediaarcheologie.
Author: William A. Ewing Publisher: ISBN: 9780500518038 Category : Dance in art Languages : en Pages : 0
Book Description
Lois Greenfield's unique approach to photographing the human form in motion has redefined the genre of dance photography and transcended its limitations. Rather than shooting literal moments from a dance, Greenfield captures split-second movements created specifically for her camera. Her astonishing images of dancers in mid-flight appear to defy all laws of physics, with her performers seeming to levitate and assume incredible sculptural forms. Moving Still charts Greenfield's shift to colour photography and from shooting with a film camera to a digital camera. It also illustrates the evolution of her individual style pioneered in her previous books, Breaking Bounds and Airborne. These radical changes over the last fifteen years or so have influenced the way she conceives her pictures and have seen Greenfield move from capturing high-energy moments to exploring more ambiguous and enigmatic scenarios - without any digital manipulation. The book showcases more than 150 of these breathtaking new images featuring leading contemporary dancers and well-known dance companies. Divided into four picture sections, the free-flowing, rhythmic design of the book reflects the dynamism and grace of Greenfield's photographs. William A. Ewing, the eminent photography writer and curator, contributes an interview with the photographer about her work, as well as an introduction. Greenfield herself, through commentaries on the photographs, offers fascinating insights into her creative process behind the camera and the challenges she faces in shooting these images. The result is an absorbing journey through Greenfield's work that celebrates not only contemporary dance, but also the transformative power of photography.
Author: Michael Lawrence Publisher: Bloomsbury Publishing ISBN: 1838714383 Category : Social Science Languages : en Pages : 320
Book Description
From the proto-cinematic sequencing of animal motion in the nineteenth century to the ubiquity of animal videos online, the histories of animal life and the moving image are enigmatically interlocked. Animal Life and the Moving Image is the first collection of essays to offer a sustained focus on the relations between screen cultures and non-human animals. The volume brings together some of the most important and influential writers working on the non-human animal's significance for cultures and theories of the moving image. It offers innovative analyses of the representation of animals across a wide range of documentary, fiction, mainstream and avant-garde practices, from early cinema to contemporary user-generated media. Individual chapters consider King Kong, The Birds, The Misfits, The Cove, Grizzly Man and Microcosmos, the work of Sergei Eisenstein, Robert Bresson, Malcolm Le Grice, Peter Greenaway, Carolee Schneemann and Isabella Rossellini, and YouTube stars Christian the lion and Maru the cat.
Author: Laurent Guido
Author: Laurent Guido
Author: Karen Redrobe
Author: Danny Clinch
Author: Michael Wood
Author: Chul Stride
Author: David Green
Author: Carrie Collenberg-González
Author: Eivind Røssaak
Author: William A. Ewing
Author: Michael Lawrence