Broken Narratives PDF Download

Author:
Publisher: BRILL
ISBN: 9004277234
Category : History
Languages : en
Pages : 271

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Book Description
This book offers an account of the difficulties of (re-)writing European and East Asian history after the end of the Cold War. Despite the search for a new master narrative, polyphony and dissonances are produced: the year 1989 has generated broken narratives.

Author: Lars-Christer Hydén
Publisher: Psychology Press
ISBN: 0415988748
Category : Medical
Languages : en
Pages : 189

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Book Description
This collection of essays examines the interrelations between illness, disability, health, society, and culture. The contributors examine how "narratives" have emerged and been utilized within these areas to help those who have experienced d injury, disability, dementia, pain, grief, or psychological trauma to express their stories. Encompassing clinical case studies, ethnographic field studies and autobiographical case studies, Health, Illness and Culture offers a broad overview and critical analysis of the present state of "illness narratives" within the fields of health and social welfare.

Author: Marco Mazzi
Publisher: punctum books
ISBN: 1685710581
Category : Art
Languages : en
Pages : 365

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Book Description
Broken Narrative provides an extensive reflection on history, politics, and contemporary art, revolving around the cornerstones of the artistic practice of Albanian artist Armando Lulaj. The core of the book is formed by and extended interview of Lulaj by Italian artist and writer Marco Mazzi. This inquiry starts in the year 1997, a year of social and political upheaval in Albania, of anarchy, controversies and emigration, of toxic seeds of neoliberalism sprouting in an already wounded country, and continues to the present day, where politics, hidden behind art forms, has practically destroyed (again) every different and possible future of the country. This book also sketches out a connection between the recent Albanian political context and contemporary art by considering the realities of Albania as essential for an understanding of the dynamics of international power in contemporary art and architecture, and the role of politics therein. Broken Narrative comes in a bilingual English-Japanese edition, in part as homage to the subtle esthetics of Japanese poetry, which has inspired many of the Lulaj's works, while equally evoking the subversive films of the Red Army, active in Japan at the turn of the 1960s and '70s. Broken Narrative contains a double preface in English by Albanian scholar Jonida Gashi and in Japanese by photographer Osamu Kanemura. Armando Lulaj was born in Tirana in 1980. He is a writer of plays, texts on risk territories, filmmaker, and producer of conflict images. He's research is orientated towards accentuating the border between economical power, fictional democracy, and social disparity in a global context. His main topics of interest remain power, corruption and institutional critique. Lulaj has participated in many international exhibitions and film festivals. His works are part of various important private and public collections. Armando Lulaj is one of the founders of DebatikCenter of Contemporary Art. Marco Mazzi (1980) is an Italian photographer and writer living and working between Florence, Tokyo, and Tirana. Mazzi studied Contemporary Literature at the University of Florence and has also studied Japanese avant-garde art and visual poetry in Japan. In 2008, Mazzi founded the non-profit organization Relational Cinema Association within the University of Waseda in Tokyo. Mazzi was photographer-in-residence at The Department of Eagles (Tirana, Albania) during the conference Pedagogies of Disaster and for the project Lapidari, and he was the stage and still photographer for Armando Lulaj's Recapitulation (2015), commissioned by the 2015 Venice Biennale' s Albanian Pavilion.

Author: Kenneth Boa
Publisher: InterVarsity Press
ISBN: 0830894373
Category : Religion
Languages : en
Pages : 219

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Book Description
How do you fix a broken story? In this fallen world, life is often not how we thought it would be. Jobs vanish, relationships crumble, health fails. How do we find the hope to persevere? We can make sense of our broken stories by seeing them in the context of a larger and greater story. Kenneth Boa shows how God can transform our lives with an eternal perspective, when we live with the end in mind. In light of eternity, our struggles are temporary and our plot twists are not fatal. We are hard-wired by God with eternity in our hearts, and that longing gives us purpose, blesses others and helps us make a lasting mark on the world. Knowing our future is crucial to living our present. When we see our stories within his greater story, we learn to live with a heavenly perspective and follow it all the way home.

Author: Wolfgang Müller-Funk
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110555905
Category : Literary Criticism
Languages : en
Pages : 241

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Book Description
Narrative/s in Conflict presents the proceedings of an international workshop, held at the Trinity Long Room Hub Dublin in 2013, to a wider audience. This was a cross-disciplinary cooperation between the comparative research network 'Broken Narratives' (University of Vienna), the research strand 'Identities in Transformation' (Trinity College Dublin) and the Graduate Center for the Study of Culture at the University of Giessen. What has brought this informal network together is its credo that theories of narrative should be regarded as an integral part of cultural analysis. Choosing exemplary case studies from early Habsburg days up to the the wars and genocides of the 20th century and the post-9/11 'War on terror', our volume tries to analyze the relation between representation and conflict, i.e. between narrative constructions, social/historical processes, and cultural agon. Here it is crucial to state that narratives do not simply and passively 'mirror' conflicts as the conventional ‘realistic’ paradigm suggests; they rather provide a symbolic, sense-making matrix, and even a performative dimension. It even can be said that in many cases, narratives make conflicts.

Author: Lisa Jones
Publisher: Hay House, Inc
ISBN: 1848505361
Category : Body, Mind & Spirit
Languages : en
Pages : 289

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Book Description
Writer Lisa Jones went to Wyoming for a four-day magazine assignment. She was committed to a long-term relationship, building a career and searching for something she could not name. At a dusty corral on the Wind River Indian Reservation, she met Stanford Addison, a Northern Arapaho who seemed to transform everything around him. He gentled horses rather than breaking them. It was said he could heal people of everything from cancer to bipolar disorder. He did all this from a wheelchair; he had been a quadriplegic for more than twenty years. As Lisa returned to the ranch time and time again, Stanford slowly revealed his story. He’d spent his teenage years busting broncos, seducing girls and dealing drugs. At twenty, he left the house for another night of partying. By morning, a violent accident had robbed him of his physical prowess and in its place left unwelcome spiritual powers – an exchange so shocking that Stanford spent several years trying to kill himself. Eventually he surrendered to his new life and mysterious gifts. Lisa was a frequent visitor to Stanford’s place over the years, the reservation and its people worked on her, exposing and healing the places where she too was broken. This is her story, intertwined with Stanford’s, and it explores powerful spirits, material poverty, spiritual wealth, friendship, violence, confusion, death, and above all else, love.

Author: Astrid Erll
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110652307
Category : Literary Criticism
Languages : en
Pages : 600

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Book Description
The collection showcases new research in the field of cultural and historical narratology. Starting from the premise of the ‘semantisation of narrative forms’ (A. Nünning), it explores the cultural situatedness and historical transformations of narrative, with contributors developing new perspectives on key concepts of cultural and historical narratology, such as unreliable narration and multiperspectivity. The volume introduces original approaches to the study of narrative in culture, highlighting its pivotal role for attention, memory, and resilience studies, and for the imagination of crises, the Anthropocene, and the Post-Apocalypse. Addressing both fictional and non-fictional narratives, individual essays analyze the narrative-making and unmaking of Europe, Brexit, and the Postcolonial. Finally, the collection features new research on narrative in media culture, looking at the narrative logic of graphic novels, picture books, and newsmedia.

Author: Hilde Lindemann
Publisher: Cornell University Press
ISBN: 9780801487408
Category : Language Arts & Disciplines
Languages : en
Pages : 228

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Book Description
Hilde Lindemann Nelson focuses on the stories of groups of people--including Gypsies, mothers, nurses, and transsexuals--whose identities have been defined by those with the power to speak for them and to constrain the scope of their actions. By placing their stories side by side with narratives about the groups in question, Nelson arrives at some important insights regarding the nature of identity. She regards personal identity as consisting not only of how people view themselves but also of how others view them. These perceptions combine to shape the person's field of action. If a dominant group constructs the identities of certain people through socially shared narratives that mark them as morally subnormal, those who bear the damaged identity cannot exercise their moral agency freely.Nelson identifies two kinds of damage inflicted on identities by abusive group relations: one kind deprives individuals of important social goods, and the other deprives them of self-respect. To intervene in the production of either kind of damage, Nelson develops the counterstory, a strategy of resistance that allows the identity to be narratively repaired and so restores the person to full membership in the social and moral community. By attending to the power dynamics that constrict agency, Damaged Identities, Narrative Repair augments the narrative approaches of ethicists such as Alasdair MacIntyre, Martha Nussbaum, Richard Rorty, and Charles Taylor.

Author: Chalotte Glintborg
Publisher: Routledge
ISBN: 1000171620
Category : Social Science
Languages : en
Pages : 133

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Book Description
This book investigates how being diagnosed with various disabilities impacts on identity. Once diagnosed with a disability, there is a risk that this label can become the primary status both for the person diagnosed as well as for their family. This reification of the diagnosis can be oppressive because it subjugates humanity in such a way that everything a person does can be interpreted as linked to their disability. Drawing on narrative approaches to identity in psychology and social sciences, the bio-psycho-social model and a holistic approach to disabilities, the chapters in this book understand disability as constructed in discourse, as negotiated among speaking subjects in social contexts, and as emergent. By doing so, they amplify voices that may have otherwise remained silent and use storytelling as a way of communicating the participants' realities to provide a more in-depth understanding of their point of view. This book will be of interest to all scholars and students of disability studies, sociology, medical humanities, disability research methods, narrative theory, and rehabilitation studies.

Author: Mary M. McGlynn
Publisher: Syracuse University Press
ISBN: 0815655703
Category : Literary Criticism
Languages : en
Pages : 308

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Book Description
While the national narrative coming out of Ireland since the 2008 economic crisis has been relentlessly sanguine, fiction has offered a more nuanced perspective from both well-established and emerging authors. In Broken Irelands, McGlynn examines Irish fiction of the post-crash era, addressing the proliferation of writing that downplays realistic and grammatical coherence. Noting that these traits have the effect of diminishing human agency, blurring questions of responsibility, and emphasizing emotion over rationality, McGlynn argues that they reflect and respond to social and economic conditions during the global economic crisis and its aftermath of recession, austerity, and precarity. Rather than focusing on overt discussions of the crash and recession, McGlynn explores how the dominance of an economic worldview, including a pervasive climate of financialized discourse, shapes the way stories are told. In the writing of such authors as Anne Enright, Colum McCann, Mike McCormack, and Lisa McInerney, McGlynn unpacks the ways that formal departures from realism through grammatical asymmetries like unconventional verb tenses, novel syntactic choices, and reliance on sentence fragments align with a cultural moment shaped by feelings of impotence and rhetorics of personal responsibility.