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Author: Richard Ambrosini Publisher: Cambridge University Press ISBN: 9780521403498 Category : Literary Criticism Languages : en Pages : 274
Book Description
Joseph Conrad's comments about his works have commonly been dismissed as theoretically unsophisticated, while the critical notions of James, Woolf and Joyce have come to shape our understanding of the modern novel. Richard Ambrosini's study of Conrad's Fiction as Critical Discourse makes an original claim for the importance of his theoretical ideas as they are formed, tested, and eventually redefined in Heart of Darkness and Lord Jim. Setting the narrator's discourse in these tales in the context of the dynamic interplay of Conrad's fictional with his non-fictional writings, and of the transformations in his narrative forms, Ambrosini defines Conrad's view of fiction and the artistic ideal underlying his commitment as a writer in a new and challenging way. Conrad's innovatory techniques as a novelist are shown in the continuity of his theoretical enterprise, from the early search for an artistic prose and a personal novel form, to the later dislocations of perspective achieved by manipulation of conventions drawn from popular fiction. This reassessment of Conrad's critical thought offers a new perspective on the transition from the Victorian novel to contemporary fiction.
Author: Richard Ambrosini Publisher: Cambridge University Press ISBN: 9780521403498 Category : Literary Criticism Languages : en Pages : 274
Book Description
Joseph Conrad's comments about his works have commonly been dismissed as theoretically unsophisticated, while the critical notions of James, Woolf and Joyce have come to shape our understanding of the modern novel. Richard Ambrosini's study of Conrad's Fiction as Critical Discourse makes an original claim for the importance of his theoretical ideas as they are formed, tested, and eventually redefined in Heart of Darkness and Lord Jim. Setting the narrator's discourse in these tales in the context of the dynamic interplay of Conrad's fictional with his non-fictional writings, and of the transformations in his narrative forms, Ambrosini defines Conrad's view of fiction and the artistic ideal underlying his commitment as a writer in a new and challenging way. Conrad's innovatory techniques as a novelist are shown in the continuity of his theoretical enterprise, from the early search for an artistic prose and a personal novel form, to the later dislocations of perspective achieved by manipulation of conventions drawn from popular fiction. This reassessment of Conrad's critical thought offers a new perspective on the transition from the Victorian novel to contemporary fiction.
Author: Andrew Glazzard Publisher: Springer ISBN: 1137559179 Category : Literary Criticism Languages : en Pages : 142
Book Description
Detectives, police informers, spies and spymasters, anarchists and terrorists, swindlers: these are the character types explored in Conrad's Popular Fictions. This book shows how Joseph Conrad experimented creatively with genres such as crime and espionage fiction, and sheds new light on the sources and contexts of his work.
Author: Mark Wollaeger Publisher: Stanford University Press ISBN: 0804766819 Category : Literary Criticism Languages : en Pages : 288
Book Description
"You want more scepticism at the very foundation of your work. Scepticism, the tonic of minds, the tonic of life, the agent of truth - the way of art and salvation." Joseph Conrad wrote these words to John Galsworthy in 1901, and this study argues that Conrad's skepticism forms the basis of his most important works, participating in a tradition of philosophical skepticism that extends from Descartes to the present. Conrad's epistemological and moral skepticism - expressed, forestalled, mitigated, and suppressed - provides the terms for the author's rethinking of the peculiar relation between philosophy and literary form in Conrad's writing and, more broadly, for reconsidering what it means to call any novel 'philosophical'. Among the issues freshly argued are Conrad's thematics of coercion, isolation, and betrayal; the complicated relations among author, narrator, and character; and the logic of Conradian romance, comedy, and tragedy. The author also offers a new way of conceptualizing the shape of Conrad's career, especially the 'decline' evidenced in the later fiction. The uniqueness of Conrad's multifarious literary and cultural inheritance makes it difficult to locate him securely in the dominant tradition of the British novel. A philosophical approach to Conrad, however, reveals links to other novelists - notably Hardy, Forster, and Woolf - all of whom share in the increasing philosophical burden of the modern novel by enacting the very philosophical issues that are discussed within their pages. Conrad's interest as a skeptic is heightened by the degree to which he resists the insights proffered by his own skepticism. The first chapter introduces the idea of the Conradian 'shelter', and the next two use Schopenhauer to show how the language of metaphysical speculation in Tales of Unrest and 'Heart of Darkness' spills over into a religious impulse that resists the disintegrating effect of Conrad's skepticism. The author then turns to Hume to model the authorial skepticism that in Lord Jim contests the continuing visionary strain of the earlier fiction and Descartes to analyze the ways in which Romantic vision is more stringently chastened by irony in Nostromo and The Secret Agent. The concluding chapter touches on several late novels before examining how competing models of political agency in Conrad's last great fiction of skepticism, Under Western Eyes, situate it somewhere between ideology critique and a mystified account of the exigencies of individual consciousness.
Author: Edward W. Said Publisher: Columbia University Press ISBN: 023151154X Category : Literary Criticism Languages : en Pages : 246
Book Description
Edward W. Said locates Joseph Conrad's fear of personal disintegration in his constant re-narration of the past. Using the author's personal letters as a guide to understanding his fiction, Said draws an important parallel between Conrad's view of his own life and the manner and form of his stories. The critic also argues that the author, who set his fiction in exotic locations like East Asia and Africa, projects political dimensions in his work that mirror a colonialist preoccupation with "civilizing" native peoples. Said then suggests that this dimension should be considered when reading all of Western literature. First published in 1966, Said's critique of the Western self's struggle with modernity signaled the beginnings of his groundbreaking work, Orientalism, and remains a cornerstone of postcolonial studies today.
Author: Andrew Glazzard Publisher: Palgrave Macmillan ISBN: 9781349556939 Category : Literary Criticism Languages : en Pages : 0
Book Description
Detectives, police informers, spies and spymasters, anarchists and terrorists, swindlers these are the character types explored in Conrad's Popular Fictions . This book shows how Joseph Conrad experimented creatively with genres such as crime and espionage fiction, and sheds new light on the sources and contexts of his work.
Author: Johan Adam Warodell Publisher: Cambridge University Press ISBN: 1316512193 Category : Literary Criticism Languages : en Pages : 237
Book Description
Brings the vibrant details of Conrad's writing to the forefront for study and analyzes newly-discovered artworks, maps, and manuscript pages.
Author: Nidesh Lawtoo Publisher: MSU Press ISBN: 1628952768 Category : Literary Criticism Languages : en Pages : 480
Book Description
Western thought has often dismissed shadows as fictional, but what if fictions reveal original truths? Drawing on an anti-Platonic tradition in critical theory, Lawtoo adopts ethical, anthropological, and philosophical lenses to offer new readings of Joseph Conrad’s novels and the postcolonial and cinematic works that respond to his oeuvre. He argues that Conrad’s fascination with doubles urges readers to reflect on the two sides of mimesis: one side is dark and pathological, and involves the escalation of violence, contagious epidemics, and catastrophic storms; the other side is luminous and therapeutic, and promotes communal survival, postcolonial reconciliation, and plastic adaptations to changing environments. Once joined, the two sides reveal Conrad as an author whose Janus-faced fictions are powerfully relevant to our contemporary world of global violence and environmental crisis.
Author: Lawrence Graver Publisher: Univ of California Press ISBN: 0520338081 Category : Fiction Languages : en Pages : 252
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.
Author: R. Hampson Publisher: Springer ISBN: 0230598005 Category : Literary Criticism Languages : en Pages : 248
Book Description
This is the first major study to bring together for examination all of Conrad's Malay fiction: the early novels, Almayer's Folly , An Outcast of the Islands , and Lord Jim ; the two later novels, Victory and The Rescue ; and various short stories, such as The Lagoon and Karain . The volume focuses on cross-cultural encounters, cultural identity and cultural dislocation, paying particular attention to issues of race and gender. He also situates Conrad's fiction in relation to earlier English accounts of South-East Asia.
Author: Phoebe Stone Publisher: Scholastic Inc. ISBN: 0545517133 Category : Juvenile Fiction Languages : en Pages : 290
Book Description
In the tradition of Because of Winn-Dixie comes a charming story of a tomboy in love with the most popular boy in school. 6th-grader Jessie Lou is deeply, madly, passionately in love with Conrad Parker Smith. Too bad she's a tomboy with only one on-again, off-again friend, and hair so short you can't spit on it. Too bad he's the most popular boy in their small-town school. But then Conrad hurts his leg and suddenly can't keep up with his old pursuits anymore. Jessie Lou and Conrad start spending a lot more time together, but she can't help wonder -- is she just a substitute friend? And will Conrad forget her when his leg brace comes off and he's king of the school once again?
Author: Richard Ambrosini
Author: Richard Ambrosini
Author: Andrew Glazzard
Author: Mark Wollaeger
Author: Edward W. Said
Author: Andrew Glazzard
Author: Johan Adam Warodell
Author: Nidesh Lawtoo
Author: Lawrence Graver
Author: R. Hampson
Author: Phoebe Stone