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Author: Ellen M. Bernhard Publisher: Rowman & Littlefield ISBN: 1498599680 Category : Social Science Languages : en Pages : 190
Book Description
Using interviews and personal experience, Ellen M. Bernhard argues that contemporary punk scenes are more than just music and mohawks—they operate as sites of autonomous practice and networked communities governed by their commitment to inclusiveness and diversity.
Author: Ellen M. Bernhard Publisher: Rowman & Littlefield ISBN: 1498599680 Category : Social Science Languages : en Pages : 190
Book Description
Using interviews and personal experience, Ellen M. Bernhard argues that contemporary punk scenes are more than just music and mohawks—they operate as sites of autonomous practice and networked communities governed by their commitment to inclusiveness and diversity.
Author: Eric James Abbey Publisher: Lexington Books ISBN: 0739176064 Category : Music Languages : en Pages : 230
Book Description
Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music, edited by Eric James Abbey and Colin Helb,is a collection of writings on music that is considered aggressive throughout the world. From local underground bands in Detroit, Michigan to bands in Puerto Rico or across Europe, this book demonstrates the importance of aggressive music in our society. While other volumes seek to denigrate or put down this type of music, Hardcore, Punk, and Other Junk forces the audience to re-read and re-listen to it. This category of music includes all forms that could be considered offensive and/or move the audience to become aggressive in some way. The politics and values of punk are discussed alongside the emerging popularity of metal and extreme hardcore music. Hardcore, Punk, and Other Junk is an important contribution to the newest discussions on aggressive music throughout the world.
Author: Schweser Himelstein Publisher: Garrett County Press ISBN: 1891053213 Category : Fiction Languages : en Pages : 169
Book Description
The classic underground novel about a Jewish kid from Tennessee, who moves to D.C. and hangs out with militant vegetarians, manifesto-writing shoplifters, and strippers who write feminist theory. The story is told through journals, letters and zines. It's got everything you could want out of a novel: a chase scene, a sex scene, plus angst-ridden critiques of American society.
Author: Jeff Hayton Publisher: Oxford University Press ISBN: 0198866186 Category : History Languages : en Pages : 383
Book Description
Culture from the Slums explores the history of punk rock in East and West Germany during the 1970s and 1980s. These decades witnessed an explosion of alternative culture across divided Germany, and punk was a critical constituent of this movement. For young Germans at the time, punk appealed to those gravitating towards cultural experimentation rooted in notions of authenticity-endeavors considered to be more 'real' and 'genuine.' Adopting musical subculture from abroad and rearticulating the genre locally, punk gave individuals uncomfortable with their societies the opportunity to create alternative worlds. Examining how youths mobilized music to build alternative communities and identities during the Cold War, Culture from the Slums details how punk became the site of historical change during this era: in the West, concerning national identity, commercialism, and politicization; while in the East, over repression, resistance, and collaboration. But on either side of the Iron Curtain, punks' struggles for individuality and independence forced their societies to come to terms with their political, social, and aesthetic challenges, confrontations which pluralized both states, a surprising similarity connecting democratic, capitalist West Germany with socialist, authoritarian East Germany. In this manner, Culture from the Slums suggests that the ideas, practices, and communities which youths called into being transformed both German societies along more diverse and ultimately democratic lines. Using a wealth of previously untapped archival documentation, this study reorients German and European history during this period by integrating alternative culture and music subculture into broader narratives of postwar inquiry and explains how punk rock shaped divided Germany in the 1970s and 1980s.
Author: Michael H. Carriere Publisher: University of Chicago Press ISBN: 022672722X Category : Architecture Languages : en Pages : 336
Book Description
Introduction : a brief history of the recent past -- The (near) death and life of postwar American cities : the roots of contemporary placemaking -- The roaring '90s -- Into the twenty-first century -- Growing place : toward a counterhistory of contemporary placemaking -- Producing place -- Creating place -- Conclusion : Placemaking is for people.
Author: Russell Bestley Publisher: ISBN: 9781789381313 Category : MUSIC Languages : en Pages : 0
Book Description
Forty years after its inception, punk has gone global. The founding scenes in the United Kingdom and United States now have counterparts all around the world. Most, if not all, cities on the planet now have some variation of punk existing in their respective undergrounds, and long-standing scenes can be found in China, Japan, India, Africa, Southeast Asia, and the Middle East. Each scene, rather than adopting traditional interpretations of the punk filter, reflects national, regional, and local identities. The first offering in Intellect's new Global Punk series, The Punk Reader: Research Transmissions from the Local and the Global is the first edited volume to explore and critically interrogate punk culture in relation to contemporary, radicalized globalization. Documenting disparate international punk scenes, including Mexico, China, Malaysia, and Iran, The Punk Reader is a long-overdue addition to punk studies and a valuable resource for readers seeking to know more about the global influence of punk beyond the 1970s.
Author: Konstantin Butz Publisher: transcript Verlag ISBN: 3839464064 Category : Social Science Languages : en Pages : 279
Book Description
For more than 40 years, hardcore and punk have promised to offer an alternative to what is perceived as the norm and the mainstream. Hardcore Research: Punk, Practice, Politics provides a comprehensive insight into some of the most active, outspoken, and widely received scholarly positions in the academic discourses on hardcore and punk and combines them with a variety of new and emerging voices. The book brings together scholars with personal ties to past and present hardcore and punk scenes, who present both insightful and critical examinations of the rich and varied histories of this subcultural phenomenon and its current reverberations at the intersection of cultural practice and academic research.
Author: Matt Diehl Publisher: St. Martin's Griffin ISBN: 1466853069 Category : Music Languages : en Pages : 278
Book Description
When it began, punk was an underground revolution that raged against the mainstream; now punk is the mainstream. Tracing the origins of Grammy-winning icons Green Day and the triumphant resurgence of neo-punk legends Bad Religion through MTV's embrace of pop-punk bands like Yellowcard, music journalist Matt Diehl explores the history of new punk, exposing how this once cult sound became a blockbuster commercial phenomenon. Diehl follows the history and controversy behind neo-punk—from the Offspring's move from a respected indie label to a major, to multi-platinum bands Good Charlotte and Simple Plan's unrepentant commercial success, through the survival of genre iconoclasts the Distillers and the rise of "emo" superstars like Fall Out Boy. My So-Called Punk picks up where bestselling authors Legs McNeil and Jon Savage left off, conveying how punk went from the Sex Pistol's "Anarchy in the U.K." to anarchy in the O.C. via the Warped Tour. Defining the sound of today's punk, telling the stories behind the bands that have brought it to the masses and discussing the volatile tension between the culture's old and new factions, My So-Called Punk is the go-to book for a new generation of punk rock fans.
Author: David Wilkinson Publisher: Springer ISBN: 1137497807 Category : History Languages : en Pages : 228
Book Description
As the Sex Pistols were breaking up, Britain was entering a new era. Punk’s filth and fury had burned brightly and briefly; soon a new underground offered a more sustained and constructive challenge. As future-focused, independently released singles appeared in the wake of the Sex Pistols, there were high hopes in magazines like NME and the DIY fanzine media spawned by punk. Post-Punk, Politics and Pleasure in Britain explores how post-punk’s politics developed into the 1980s. Illustrating that the movement’s monochrome gloom was illuminated by residual flickers of countercultural utopianism, it situates post-punk in the ideological crossfire of a key political struggle of the era: a battle over pleasure and freedom between emerging Thatcherism and libertarian, feminist and countercultural movements dating back to the post-war New Left. Case studies on bands including Gang of Four, The Fall and the Slits and labels like Rough Trade move sensitively between close reading, historical context and analysis of who made post-punk and how it was produced and mediated. The book examines, too, how the struggles of post-punk resonate down to the present.
Author: Marc Spitz Publisher: Crown ISBN: 0609807749 Category : Music Languages : en Pages : 322
Book Description
Taking us back to late ’70s and early ’80s Hollywood—pre-crack, pre-AIDS, pre-Reagan—We Got the Neutron Bomb re-creates word for word the rage, intensity, and anarchic glory of the Los Angeles punk scene, straight from the mouths of the scenesters, zinesters, groupies, filmmakers, and musicians who were there. “California was wide-open sex—no condoms, no birth control, no morality, no guilt.” —Kim Fowley “The Runaways were rebels, all of us were. And a lot of people looked up to us. It helped a lot of kids who had very mediocre, uneventful, unhappy lives. It gave them something to hold on to.” —Cherie Currie “The objective was to create something for our own personal satisfaction, because everything in our youthful and limited opinion sucked, and we knew better.” —John Doe “The Masque was like Heaven and Hell all rolled into one. It was a bomb shelter, a basement. It was so amazing, such a dive ... but it was our dive.” —Hellin Killer “At least fifty punks were living at the Canterbury. You’d walk into the courtyard and there’d be a dozen different punk songs all playing at the same time. It was an incredible environment.” —Belinda Carlisle Assembled from exhaustive interviews, We Got the Neutron Bomb tells the authentically gritty stories of bands like the Runaways, the Germs, X, the Screamers, Black Flag, and the Circle Jerks—their rise, their fall, and their undeniable influence on the rock ’n’ roll of today.
Author: Ellen M. Bernhard
Author: Ellen M. Bernhard
Author: Eric James Abbey
Author: Schweser Himelstein
Author: Jeff Hayton
Author: Michael H. Carriere
Author: Russell Bestley
Author: Konstantin Butz
Author: Matt Diehl
Author: David Wilkinson
Author: Marc Spitz