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Author: Stephen Watson Publisher: Stanford University Press ISBN: 0804761256 Category : Philosophy Languages : en Pages : 257
Book Description
This work reveals an evolving theoretical constellation of interpretations and their questions that address and continually renew Klee's rich legacies.
Author: Stephen Watson Publisher: Stanford University Press ISBN: 0804761256 Category : Philosophy Languages : en Pages : 257
Book Description
This work reveals an evolving theoretical constellation of interpretations and their questions that address and continually renew Klee's rich legacies.
Author: Steven Bindeman Publisher: BRILL ISBN: 9004352589 Category : Philosophy Languages : en Pages : 177
Book Description
Silence in Philosophy, Literature, and Art demonstrates how silence as a form of indirect discourse provides us with access to hitherto inaccessible aspects of human experience.
Author: Dennis J. Schmidt Publisher: Indiana University Press ISBN: 025300618X Category : Philosophy Languages : en Pages : 202
Book Description
Engagement with the image has played a decisive role in the formulation of the very idea of philosophy since Plato. Identifying pivotal moments in the history of philosophy, Dennis J. Schmidt develops the question of philosophy's regard of the image in thinking by considering painting—where the image most clearly calls attention to itself as an image. Focusing on Heidegger and the work of Paul Klee, Schmidt pursues larger issues in the relationship between word, image, and truth. As he investigates alternative ways of thinking about truth through word and image, Schmidt shows how the form of art can indeed possess the capacity to change its viewers.
Author: Michael Reisch Publisher: Routledge ISBN: 1317934016 Category : Social Science Languages : en Pages : 561
Book Description
In a world where genocide, hunger, poverty, war, and disease persist and where richer nations often fail to act to address these problems or act too late, a prerequisite to achieving even modest social justice goals is to clarify the meaning of competing discourses on the concept. Throughout history, calls for social justice have been used to rationalize the status quo, promote modest reforms, and justify revolutionary, even violent action. Ironically, as the prominence of the concept has risen, the meaning of social justice has become increasingly obscured. This authoritative volume explores different perspectives on social justice and what its attainment would involve. It addresses key issues, such as resolving fundamental questions about human nature and social relationships; the distribution of resources, power, status, rights, access, and opportunities; and the means by which decisions regarding this distribution are made. Illustrating the complexity of the topic, it presents a range of international, historical, and theoretical perspectives, and discusses the dilemmas inherent in implementing social justice concepts in policy and practice. Covering more than abstract definitions of social justice, it also includes multiple examples of how social justice might be achieved at the interpersonal, organizational, community, and societal levels. With contributions from leading scholars around the globe, Reisch has put together a magisterial and multi-faceted overview of social justice. It is an essential reference work for all scholars with an interest in social justice from a wide range of disciplines, including social work, public policy, public health, law, criminology, sociology, and education.
Author: Eran Neuman Publisher: Taylor & Francis ISBN: 1003800777 Category : Architecture Languages : en Pages : 265
Book Description
Arieh Sharon and Modern Architecture in Israel: Building Social Pragmatism offers the first comprehensive survey of the work of Arieh Sharon and analyzes and discusses his designs and plans in relation to the emergence of the State of Israel. A graduate of the Bauhaus, Sharon worked for a few years at the office of Hannes Mayer before returning to Mandatory Palestine. There, he established his office which was occupied in its first years in planning kibbutzim and residential buildings in Tel Aviv. After the establishment of the State of Israel in 1948, Arieh Sharon became the director and chief architect of the National Planning Department, where he was asked to devise the young country’s first national masterplan. Known as the Sharon Plan, it was instrumental in shaping the development of the new nation. During the 1950s and 1960s, Sharon designed many of Israel’s institutions, including hospitals and buildings on university campuses. This book presents Sharon’s exceptionally wide range of work and examines his perception of architecture in both socialist and pragmatist terms. It also explores Sharon’s modernist approach to architecture and his subsequent shift to Brutalist architecture, when he partnered with Benjamin Idelson in the 1950s and when his son, Eldar Sharon, joined the office in 1964. Thus, the book contributes a missing chapter in the historiography of Israeli architecture in particular and of modern architecture overall. This book will be of interest to researchers in architecture, modern architecture, Israel studies, Middle Eastern studies and migration of knowledge.
Author: Michal Jan Rozbicki Publisher: Lexington Books ISBN: 1498581420 Category : History Languages : en Pages : 252
Book Description
This collection examines the concept of human rights in a variety of cultural and historical contexts. The contributors analyze cognitive contexts that produce different meanings of rights, identify spaces of intercultural crossings where differences can coexist, and offer narratives and metaphors to help mediate between distinct cultures.
Author: David Michael Kleinberg-Levin Publisher: State University of New York Press ISBN: 1438491832 Category : Philosophy Languages : en Pages : 315
Book Description
In these boldly original studies, Heidegger's thought is carried critically and constructively beyond its original limitations, re-presenting his project in terms of an emerging body of understanding, making sense of this project not only in its historical, cultural significance but also in its bearing on the emergence of future possibilities. Continuing Heidegger's commitment to a way of thinking that is formed from reflectively lived experience, David Michael Kleinberg-Levin suggests what can be learned regarding the character of our typical and habitual ways of looking and seeing, hearing and listening, and touching, holding, handling, and gesturing. The body of ontological understanding consequently emerges as we learn how to take responsibility for the meaning of being in forming and developing the character of our relationship to all the beings in our world. In this original reading of Heidegger's thought, Kleinberg-Levin suggests what his project could mean for an ethical way of life.
Author: Stephen H. Watson Publisher: A&C Black ISBN: 1441186646 Category : Philosophy Languages : en Pages : 190
Book Description
Maurice Merleau-Ponty is widely known for his emphasis on embodied perceptual experience. This emphasis initially relied heavily on the positive results of Gestalt psychology in addressing issues in philosophical psychology and philosophy of mind from a phenomenological standpoint. Eventually he transformed this account in light of his investigations in linguistics, aesthetics, and the philosophy of history and institutions. Far less work has been done in addressing his evolving conception of philosophy and how this account influenced more general philosophical issues in epistemology, accounts of rationality, or its status as theoretical discourse. Merleau-Ponty's own contributions to these issues and, in particular, the theoretical status of the phenomenological account that resulted, have provoked varying responses. On the one hand, some commentators have understood his work to be a regional application of Husserl's foundational account of phenomenology. On the other hand, some commentators have questioned whether, in the final analysis, Merleau-Ponty was a phenomenologist at all. In In the Shadow of Phenomenology, Stephen H. Watson offers an in depth analysis of these responses and the complications and development of Merleau-Ponty's position.
Author: Rajiv Kaushik Publisher: A&C Black ISBN: 144110688X Category : Philosophy Languages : en Pages : 176
Book Description
Art, Language and Figure in Merleau-Ponty: Excursions in Hyper-Dialectic considers Merleau-Ponty's later ontology of language in the light of his “figured philosophy,” which places the work of art at the centre of its investigation. Kaushik argues that, since for Merleau-Ponty the work of art actualizes a sensible ontology that would otherwise be invisible to the history of dialectics, it undermines the fundamental difference between being and linguistic structures. Art, Language and Figure in Merleau-Ponty takes up the radical task of the figured philosophy to render sensible and linguistic spaces prior to the thought of their separation. Kaushik situates Merleau-Ponty's criticisms of Saussure's linguistic system, as well as a more general repudiation of the act of inscribing in favour of an abstracted textual meaning, in this context. Following the artists most important to Merleau-Ponty's own writings on art, such as Paul Klee and his fascination with hieroglyphics, and extending these analyses to more recent 21st Century artists such as Cy Twombly, Kaushik takes an excursion into the places where art and language, image and text, drawing and writing, figure and discourse, are interlaced in Merleau-Ponty's last ontology. In view of these intersections, Kaushik ultimately argues, the work of art gives us the spaces where the possibilities of philosophy, both past and future, reside. As the first sustained treatment into the relationship between art and language, this is an important contribution to Meleau-Ponty's philosophy and scholars of aesthetics.
Author: Annie Bourneuf Publisher: University of Chicago Press ISBN: 022623360X Category : Art Languages : en Pages : 266
Book Description
The fact that Paul Klee (1879–1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered—until now. In Paul Klee, Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee’s works from the 1910s and 1920s. Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written. Through his unique approach, he subverted forms of modernist painting that were generally seen to threaten slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in the early twentieth century, Bourneuf shows how Klee reconceptualized abstraction at a key moment in its development.
Author: Stephen Watson
Author: Stephen Watson
Author: Steven Bindeman
Author: Dennis J. Schmidt
Author: Michael Reisch
Author: Eran Neuman
Author: Michal Jan Rozbicki
Author: David Michael Kleinberg-Levin
Author: Stephen H. Watson
Author: Rajiv Kaushik
Author: Annie Bourneuf