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Author: Daniel Becker Publisher: transcript Verlag ISBN: 3839437628 Category : Social Science Languages : en Pages : 249
Book Description
Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.
Author: Daniel Becker Publisher: transcript Verlag ISBN: 3839437628 Category : Social Science Languages : en Pages : 249
Book Description
Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.
Author: Daniel Becker Publisher: Transcript Verlag, Roswitha Gost, Sigrid Nokel u. Dr. Karin Werner ISBN: 9783837637625 Category : Aesthetic Practice Languages : en Pages : 245
Book Description
"Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices – creative acts in themselves – rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation"--Back cover.
Author: Suzanne Bell Publisher: Simon and Schuster ISBN: 162636477X Category : True Crime Languages : en Pages : 128
Book Description
Fakes and counterfeits have existed since ancient times; and while the methods of forgery have surely advanced, so has the science necessary to identify them. Currency, art, and historical artifacts are only a few of the objects commonly forged; and scientists in forensic laboratories throughout the world work alongside artists, museums, linguists, and historians to authenticate these items. How to Identify a Forgery investigates how modern computers, printers, and scanners have presented new challenges for scientists and how objects suspected of being faked, forged, or fraudulent are examined forensically. How to Identify a Forgery contains information on: • Counterfeiting currency • Electronic and digital signatures • Dating ink • Dyes and pigments • Forging art • Handwriting analysis • Scientific methodology • Visual examination and microscopy How to Identify a Forgery contains illustrations, a glossary, and a detailed list of print and web resources. Sidebars on notable cases and pressing forensics issues throughout reinforce the text. Essential for students, teachers, collectors, and investigators who require information on proper forensic science practices, Dr. Bell’s book is as fascinating as it is useful.
Author: Mark Osteen Publisher: University of Virginia Press ISBN: 081394628X Category : Literary Criticism Languages : en Pages : 431
Book Description
How many layers of artifice can one artwork contain? How does forgery unsettle our notions of originality and creativity? Looking at both the literary and art worlds, Fake It investigates a set of fictional forgeries and hoaxes alongside their real-life inspirations and parallels. Mark Osteen shows how any forgery or hoax is only as good as its authenticating story—and demonstrates how forgeries foster fresh authorial identities while being deeply intertextual and frequently quite original. From fakes of the late eighteenth century, such as Thomas Chatterton’s Rowley poems and the notorious "Shakespearean" documents fabricated by William-Henry Ireland, to hoaxes of the modern period, such as Clifford Irving’s fake autobiography of Howard Hughes, the infamous Ern Malley forgeries, and the audacious authorial masquerades of Percival Everett, Osteen lays bare provocative truths about the conflicts between aesthetic and economic value. In doing so he illuminates the process of artistic creation, which emerges as collaborative and imitative rather than individual and inspired, revealing that authorship is, to some degree, always forged.
Author: Jonathon Keats Publisher: Oxford University Press ISBN: 0199928355 Category : Art Languages : en Pages : 206
Book Description
According to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality. Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han van Meegeren who duped the avaricious Hermann Göring, to the frustrated British artist Eric Hebborn, who began forging to expose the ignorance of experts, art forgers have challenged "legitimate" art in their own time, breaching accepted practices and upsetting the status quo. They have also provocatively confronted many of the present-day cultural anxieties that are major themes in the arts. Keats uncovers what forgeries—and our reactions to them—reveal about changing conceptions of creativity, identity, authorship, integrity, authenticity, success, and how we assign value to works of art. The book concludes by looking at how artists today have appropriated many aspects of forgery through such practices as street-art stenciling and share-and-share-alike licensing, and how these open-source "copyleft" strategies have the potential to make legitimate art meaningful again. Forgery has been much discussed—and decried—as a crime. Forged is the first book to assess great forgeries as high art in their own right.
Author: Mark Jones Publisher: Univ of California Press ISBN: 9780520070875 Category : Art Languages : en Pages : 316
Book Description
Describes the methods used to make artistic, literary, documentary, and political forgeries and the recent scientific advances in their detection. Includes over 600 objects from the British Museum and many other major collections, from ancient Babylonia to the present day.
Author: Dominic Smith Publisher: Sarah Crichton Books ISBN: 0374714045 Category : Fiction Languages : en Pages : 304
Book Description
“Written in prose so clear that we absorb its images as if by mind meld, “The Last Painting” is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it’s fiction that keeps you up at night — first because you’re barreling through the book, then because you’ve slowed your pace to a crawl, savoring the suspense.” —Boston Globe A New York Times Bestseller A New York Times Book Review Editor's Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city’s Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer’s marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.
Author: Jason Kersten Publisher: Penguin ISBN: 1101060166 Category : True Crime Languages : en Pages : 312
Book Description
Read Jason Kersten's posts on the Penguin Blog. The true story of a brilliant counterfeiter who "made" millions, outwitted the Secret Service, and was finally undone when he went in search of the one thing his forged money couldn't buy him: family. Art Williams spent his boyhood in a comfortable middle-class existence in 1970s Chicago, but his idyll was shattered when, in short order, his father abandoned the family, his bipolar mother lost her wits, and Williams found himself living in one of Chicago's worst housing projects. He took to crime almost immediately, starting with petty theft before graduating to robbing drug dealers. Eventually a man nicknamed "DaVinci" taught him the centuries-old art of counterfeiting. After a stint in jail, Williams emerged to discover that the Treasury Department had issued the most secure hundred-dollar bill ever created: the 1996 New Note. Williams spent months trying to defeat various security features before arriving at a bill so perfect that even law enforcement had difficulty distinguishing it from the real thing. Williams went on to print millions in counterfeit bills, selling them to criminal organizations and using them to fund cross-country spending sprees. Still unsatisfied, he went off in search of his long-lost father, setting in motion a chain of betrayals that would be his undoing. In The Art of Making Money, journalist Jason Kersten details how Williams painstakingly defeated the anti-forging features of the New Note, how Williams and his partner-in-crime wife converted fake bills into legitimate tender at shopping malls all over America, and how they stayed one step ahead of the Secret Service until trusting the wrong person brought them all down. A compulsively readable story of how having it all is never enough, The Art of Making Money is a stirring portrait of the rise and inevitable fall of a modern-day criminal mastermind. Watch a Video
Author: Jason Kersten Publisher: Diversion Books ISBN: 1635768497 Category : True Crime Languages : en Pages : 336
Book Description
The true story of the mastermind counterfeiter who forged millions, replicated the impossible 1996 note, dodged the Secret Service, but couldn't escape the pain of his broken family. When Art Williams Jr.’s father abandoned the family and his bipolar mother lost her mind, a life of crime in Chicago quickly claimed him. Parking meter theft led to robbing drug dealers before Art fatefully met a man nicknamed DaVinci who taught him the skill of counterfeiting money. After just a few years, Art would print millions of counterfeit bills, selling them to criminal organizations, all while trying to raise a family on the side. Art’s greatest challenge arose when the Treasury Department released the 1996 note, the most intricate and secure bill ever created. Between painstakingly perfecting a new hundred-dollar bill to bypass the naked eye and security measures alike, Art was slipping by the Secret Service hunting him, and searching for his long-lost father, a path that ultimately led to his undoing. Prison may have been the end, especially as Art Jr. found himself behind bars sharing a cell with his own son, but with the same creativity and ambition that locked him up, Art reinvented himself as a professional artist. Art’s unbelievable journey extends beyond a life of crime to one of second chances, healing family wounds, and ultimately, triumph. Fans of Catch Me If You Can and The Art Thief won't want to miss this unforgettable caper story.
Author: Daniel Becker
Author: Daniel Becker
Author: Daniel Becker
Author: Suzanne Bell
Author: Mark Osteen
Author: Jonathon Keats
Author: Mark Jones
Author: Dominic Smith
Author: Kenneth W. Rendell
Author: Jason Kersten
Author: Jason Kersten