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Author: Alex DiBlasi Publisher: McFarland ISBN: 1476633940 Category : Music Languages : en Pages : 198
Book Description
From the rise of the American Evangelical movement to the introduction of Eastern philosophies in the West, the past century has seen major changes in the religious makeup of Western culture. As one result, musicians across the world have brought both "new" and old religious beliefs into their works. This book investigates rock music as an expression of religious inquiry and religious devotion. Contributors to this essay collection use a variety of sources, including artist biographies, record and concert reviews, videos, personal experience, rock music forums and social media in order to investigate the relationship of rock music and religion from a number of perspectives. The essays also explore public interest in religion as a platform for expression and social critique, viewing this issue through the lens of popular rock music.
Author: Alex DiBlasi Publisher: McFarland ISBN: 1476633940 Category : Music Languages : en Pages : 198
Book Description
From the rise of the American Evangelical movement to the introduction of Eastern philosophies in the West, the past century has seen major changes in the religious makeup of Western culture. As one result, musicians across the world have brought both "new" and old religious beliefs into their works. This book investigates rock music as an expression of religious inquiry and religious devotion. Contributors to this essay collection use a variety of sources, including artist biographies, record and concert reviews, videos, personal experience, rock music forums and social media in order to investigate the relationship of rock music and religion from a number of perspectives. The essays also explore public interest in religion as a platform for expression and social critique, viewing this issue through the lens of popular rock music.
Author: Alex DiBlasi Publisher: McFarland ISBN: 1476671508 Category : Music Languages : en Pages : 198
Book Description
From the rise of the American Evangelical movement to the introduction of Eastern philosophies in the West, the past century has seen major changes in the religious makeup of Western culture. As one result, musicians across the world have brought both "new" and old religious beliefs into their works. This book investigates rock music as an expression of religious inquiry and religious devotion. Contributors to this essay collection use a variety of sources, including artist biographies, record and concert reviews, videos, personal experience, rock music forums and social media in order to investigate the relationship of rock music and religion from a number of perspectives. The essays also explore public interest in religion as a platform for expression and social critique, viewing this issue through the lens of popular rock music.
Author: Gayle Wardlow Publisher: Backbeat Books ISBN: 0879305525 Category : Music Languages : en Pages : 291
Book Description
Traces the development and characteristics of the Delta blues, and describes the most influential blues musicians and recordings of the 1920s and 1930s
Author: Randall J. Stephens Publisher: Harvard University Press ISBN: 0674919726 Category : Music Languages : en Pages : 330
Book Description
When rock ’n’ roll emerged in the 1950s, ministers denounced it from their pulpits and Sunday school teachers warned of the music’s demonic origins. The big beat, said Billy Graham, was “ever working in the world for evil.” Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil’s Music tells the story of this transformation. Rock’s origins lie in part with the energetic Southern Pentecostal churches where Elvis, Little Richard, James Brown, and other pioneers of the genre worshipped as children. Randall J. Stephens shows that the music, styles, and ideas of tongue-speaking churches powerfully influenced these early performers. As rock ’n’ roll’s popularity grew, white preachers tried to distance their flock from this “blasphemous jungle music,” with little success. By the 1960s, Christian leaders feared the Beatles really were more popular than Jesus, as John Lennon claimed. Stephens argues that in the early days of rock ’n’ roll, faith served as a vehicle for whites’ racial fears. A decade later, evangelical Christians were at odds with the counterculture and the antiwar movement. By associating the music of blacks and hippies with godlessness, believers used their faith to justify racism and conservative politics. But in a reversal of strategy in the early 1970s, the same evangelicals embraced Christian rock as a way to express Jesus’s message within their own religious community and project it into a secular world. In Stephens’s compelling narrative, the result was a powerful fusion of conservatism and popular culture whose effects are still felt today.
Author: Gregory Thornbury Publisher: Convergent Books ISBN: 1101907088 Category : Biography & Autobiography Languages : en Pages : 304
Book Description
The riveting, untold story of the “Father of Christian Rock” and the conflicts that launched a billion-dollar industry at the dawn of America’s culture wars. In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like the Who, Janis Joplin, and the Doors, Norman decided that he wanted to sing about the most countercultural subject of all: Jesus. Billboard called Norman “the most important songwriter since Paul Simon,” and his music would go on to inspire members of bands as diverse as U2, The Pixies, Guns ‘N Roses, and more. To a young generation of Christians who wanted a way to be different in the American cultural scene, Larry was a godsend—spinning songs about one’s eternal soul as deftly as he did ones critiquing consumerism, middle-class values, and the Vietnam War. To the religious establishment, however, he was a thorn in the side; and to secular music fans, he was an enigma, constantly offering up Jesus to problems they didn’t think were problems. Paul McCartney himself once told Larry, “You could be famous if you’d just drop the God stuff,” a statement that would foreshadow Norman’s ultimate demise. In Why Should the Devil Have all the Good Music?, Gregory Alan Thornbury draws on unparalleled access to Norman’s personal papers and archives to narrate the conflicts that defined the singer’s life, as he crisscrossed the developing fault lines between Evangelicals and mainstream American culture—friction that continues to this day. What emerges is a twisting, engrossing story about ambition, art, friendship, betrayal, and the turns one’s life can take when you believe God is on your side.
Author: David Ware Stowe Publisher: Univ of North Carolina Press ISBN: 0807834580 Category : Religion Languages : en Pages : 305
Book Description
In this cultural history of evangelical Christianity and popular music, David Stowe demonstrates how mainstream rock of the 1960s and 1970s has influenced conservative evangelical Christianity through the development of Christian pop music. For an earlier
Author: Kate Ross Publisher: Felony & Mayhem Press ISBN: 1937384721 Category : Fiction Languages : en Pages : 421
Book Description
Julian Kestrel, gentleman sleuth and dandy, becomes fascinated with the unsolved case of the murder of a Milanese aristocrat and the disappearance of his protégé, a brilliant young English opera singer. What has become of the singer’s fiancée and the aristocrat’s notoriously surly manservant? Could the murder be tied to Italy’s tumultuous politics? Furthermore, the murdered marquis left a widow whose beauty makes Kestrel’s heart skip faster.
Author: Mark Joseph Publisher: ISBN: 9781944229184 Category : Music Languages : en Pages : 336
Book Description
Rock music, once largely the domain of hedonism and debauchery of every kind, is now populated by a surprising case of upstanding and in many cases devout citizens who create all different kinds of music and oftentimes are animated by religious ideas that would have been completely alien to rock stars of yesteryear. The religious and religiously influenced are now commonplace in rock 'n' roll (Kendrick Lamar, Chance the Rapper, Katy Perry, 21 Pilots). But is that good for either rock or the faith? In Rock Gets Religion producer and author Mark Joseph explores the tensions caused when religious youth are thrown into the world of rock 'n' roll. He weaves thoughtful commentary amidst the stories of devout and not-so-devout rockers--along with a warning about the inherent dangers of sanctifying rock. Four major trends caused this big-tent takeover: (1) Dozens of rookie artists are bypassing the Contemporary Christian Music (CCM) scene altogether going directly to mainstream labels; (2) established CCM artists are switching to mainstream recording companies; (3) Those artists who experience religious conversions are staying in mainstream music instead of leaving for the church circuit; and (4) the American Idol phenomenon resulted in pop stars being picked by the American people instead of music industry gatekeepers who selected the stars of yesteryear. As a result, while CCM sales of Christian music as a genre may have been in a steady decline, the religious influence on rock has never been greater. Rock Gets Religion lays out the case for people of faith to continue to make their music in the middle of popular culture, and updates the scene with dozens of success (and not so successful) stories of Christians who have done just that. "Mark Joseph has been a key voice in the transformation of American popular music," says former Van Halen singer Gary Cherone. "In this book, his final in a three-part series, he shows us how the transformation happened and outlines a vision for the future of the unlikely alliance of rock music and serious faith."
Author: Alex DiBlasi
Author: Alex DiBlasi
Author: Alex DiBlasi
Author: Gayle Wardlow
Author: Randall J. Stephens
Author: Gregory Thornbury
Author: David Ware Stowe
Author: Paul Baker
Author: Kate Ross
Author: Dick Eastman
Author: Mark Joseph