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Author: Steven Cohan Publisher: Oxford University Press, USA ISBN: 0190865784 Category : Hollywood (Los Angeles, Calif.) Languages : en Pages : 285
Book Description
The backstudio picture, or the movie about movie-making, is a staple of Hollywood film production harking back to the silent era and extending to the present day. What gives backstudios their coherence as a distinctive genre, Steven Cohan argues in Hollywood by Hollywood, is their fascination with the mystique of Hollywood as a geographic place, a self-contained industry, and a fantasy of fame, leisure, sexual freedom, and modernity. Yet by the same token, if backstudio pictures have rarely achieved blockbuster box-office success, what accounts for the film industry's interest in continuing to produce them? The backstudio picture has been an enduring genre because, aside from offering a director or writer a chance to settle old scores, in branding filmmaking with the Hollywood mystique, the genre solicits consumers' strong investment in the movies. Whether inspiring the "movie crazy" fan girls of the early teens and twenties or the wannabe filmmakers of this century heading to the West Coast after their college graduations, backstudios have given emotional weight and cultural heft to filmmaking as the quintessential American success story. But more than that, a backstudio picture is concerned with shaping perceptions of how the film industry works, with masking how its product depends upon an industrial labor force, including stardom, and with determining how that work's value accrues from the Hollywood brand stamped onto the product. Cohan supports his well theorized and well researched claims with nuanced discussions of over fifty backstudios, some canonical and well-known, and others obscure and rarely seen. Covering the hundred-year timespan of feature length film production, Hollywood by Hollywood offers an illuminating perspective for considering anew the history of American movies.
Author: Steven Cohan Publisher: Oxford University Press, USA ISBN: 0190865784 Category : Hollywood (Los Angeles, Calif.) Languages : en Pages : 285
Book Description
The backstudio picture, or the movie about movie-making, is a staple of Hollywood film production harking back to the silent era and extending to the present day. What gives backstudios their coherence as a distinctive genre, Steven Cohan argues in Hollywood by Hollywood, is their fascination with the mystique of Hollywood as a geographic place, a self-contained industry, and a fantasy of fame, leisure, sexual freedom, and modernity. Yet by the same token, if backstudio pictures have rarely achieved blockbuster box-office success, what accounts for the film industry's interest in continuing to produce them? The backstudio picture has been an enduring genre because, aside from offering a director or writer a chance to settle old scores, in branding filmmaking with the Hollywood mystique, the genre solicits consumers' strong investment in the movies. Whether inspiring the "movie crazy" fan girls of the early teens and twenties or the wannabe filmmakers of this century heading to the West Coast after their college graduations, backstudios have given emotional weight and cultural heft to filmmaking as the quintessential American success story. But more than that, a backstudio picture is concerned with shaping perceptions of how the film industry works, with masking how its product depends upon an industrial labor force, including stardom, and with determining how that work's value accrues from the Hollywood brand stamped onto the product. Cohan supports his well theorized and well researched claims with nuanced discussions of over fifty backstudios, some canonical and well-known, and others obscure and rarely seen. Covering the hundred-year timespan of feature length film production, Hollywood by Hollywood offers an illuminating perspective for considering anew the history of American movies.
Author: Ronny Regev Publisher: UNC Press Books ISBN: 1469637065 Category : History Languages : en Pages : 289
Book Description
A history of the Hollywood film industry as a modern system of labor, this book reveals an important untold story of an influential twentieth-century workplace. Ronny Regev argues that the Hollywood studio system institutionalized creative labor by systemizing and standardizing the work of actors, directors, writers, and cinematographers, meshing artistic sensibilities with the efficiency-minded rationale of industrial capitalism. The employees of the studios emerged as a new class: they were wage laborers with enormous salaries, artists subjected to budgets and supervision, stars bound by contracts. As such, these workers--people like Clark Gable, Katharine Hepburn, and Anita Loos--were the outliers in the American workforce, an extraordinary working class. Through extensive use of oral histories, personal correspondence, studio archives, and the papers of leading Hollywood luminaries as well as their less-known contemporaries, Regev demonstrates that, as part of their contribution to popular culture, Hollywood studios such as Paramount, Warner Bros., and MGM cultivated a new form of labor, one that made work seem like fantasy.
Author: Charles Bukowski Publisher: Canongate Books ISBN: 1847676286 Category : Fiction Languages : en Pages : 289
Book Description
‘What will you do?’ ‘Oh, hell, I'll write a novel about writing the screenplay and making the movie.’ ‘What are you going to call it?’ ‘Hollywood.’ Henry Chinaski has a penchant for booze, women and horse-racing. On his precarious journey from poet to screenwriter he encounters a host of well-known stars and lays bare the absurdity and egotism of the film industry. Poetic, sharp and dangerous, Hollywood – Bukowski’s fictionalisation of his experiences making the film Barfly – explores the many dark shadows to be found in the neon-soaked glare of Hollywood’s limelight.
Author: Antoine de Baecque Publisher: Flammarion-Pere Castor ISBN: 9782080201270 Category : Motion pictures Languages : en Pages : 0
Book Description
This comprehensive volume examines Tinseltown's fascination with the City of Light, from silent movies through to modern blockbusters. Romantic, elegant, and enticing, Paris has fascinated American filmmakers for over a century. As habile in accommodating a romantic comedy or mystery as it is in hosting an action-packed thriller, it is by far the foreign city that appears most frequently in Hollywood movies. In Paris by Hollywood, essays by eminent film experts and commentators uncover Hollywood's role in the cultivation of now timeless Parisian clichés, examining seminal films such as An American in Paris, The Hunchback of Notre Dame, and Sabrina. Chapters on Audrey Hepburn's Parisian persona; Disney's and Woody Allen's personifications of Paris; Hollywood's depictions of the French Revolution; and the American fascination with the enigmatic, glamorous "Parisienne" explore a cultural relationship that owes as much to the allure of Paris itself as to Hollywood's desire to paint a picture of European exoticism. Interviews with eminent filmmakers and actors including Martin Scorsese, Julie Delpy, and Leslie Caron bring us behind the scenes and provide intimate insider's perspective. Insightful analysis explores the reasons why Hollywood has invested and continues to invest so much in depicting the French capital; an often mutually-beneficial economic and cultural relationship. Covering over 100 years of movie-making, from silent films to the animated world of Disney, via Cancan films and action-packed blockbusters, Paris by Hollywood is the perfect companion for lovers of American cinema and those captivated by the magic of the French capital.
Author: Rocky Lang Publisher: Abrams ISBN: 1683356667 Category : Performing Arts Languages : en Pages : 364
Book Description
Rare correspondence from Humphrey Bogart, Audrey Hepburn, Frank Sinatra, Jane Fonda, and other Hollywood luminaries from the silent film era to the 1970s. Letters from Hollywood reproduces in full color scores of entertaining and insightful pieces of correspondence from some of the most notable and talented film industry names of all time—from the silent era to the golden age, and up through the pre-email days of the 1970s. Culled from libraries, archives, and personal collections, the 135 letters, memos, and telegrams are organized chronologically and are annotated by the authors to provide backstories and further context. While each piece reveals a specific moment in time, taken together, the letters convey a bigger picture of Hollywood history. Contributors include celebrities like Greta Garbo, Alfred Hitchcock, Humphrey Bogart, Frank Sinatra, Katharine Hepburn, Marlon Brando, Elia Kazan, Cary Grant, Francis Ford Coppola, Tom Hanks, and Jane Fonda. This is the gift book of the season for fans of classic Hollywood. With a foreword by Peter Bogdanovitch. “This is, quite simply, one of the finest books I’ve ever read about Hollywood.” —Leonard Maltin
Author: John S. Schuchman Publisher: University of Illinois Press ISBN: 9780252068508 Category : Art Languages : en Pages : 204
Book Description
Absorbing, scholarly study of the portrayal in nearly 200 movies and TV episodes of the least visible disabled group in American society. Includes the first filmography (annotated) of films designed for general audiences that deal with deafness or include a deaf character in a mator or pivotal role. For all film study collections. Annotation copyrighted by Book News, Inc., Portland, OR
Author: William D. Romanowski Publisher: Oxford University Press ISBN: 0199942587 Category : History Languages : en Pages : 336
Book Description
Religious Communication Association's Book of the Year Hollywood and Christianity often seem to be at war. Indeed, there is a long list of movies that have attracted religious condemnation, from Gone with the Wind with its notorious "damn," to The Life of Brian and The Last Temptation of Christ. But the reality, writes William Romanowski, has been far more complicated--and remarkable. In Reforming Hollywood, Romanowski, a leading historian of popular culture, explores the long and varied efforts of Protestants to influence the film industry. He shows how a broad spectrum of religious forces have played a role in Hollywood, from Presbyterians and Episcopalians to fundamentalists and evangelicals. Drawing on personal interviews and previously untouched sources, he describes how mainline church leaders lobbied filmmakers to promote the nation's moral health and, perhaps surprisingly, how they have by and large opposed government censorship, preferring instead self-regulation by both the industry and individual conscience. "It is this human choice," noted one Protestant leader, "that is the basis of our religion." Tensions with Catholics, too, have loomed large--many Protestant clergy feared the influence of the Legion of Decency more than Hollywood's corrupting power. Romanowski shows that the rise of the evangelical movement in the 1970s radically altered the picture, in contradictory ways. Even as born-again clergy denounced "Hollywood elites," major studios noted the emergence of a lucrative evangelical market. 20th Century-Fox formed FoxFaith to go after the "Passion dollar," and Disney took on evangelical Philip Anschutz as a partner to bring The Chronicles of Narnia to the big screen. William Romanowski is an award-winning commentator on the intersection of religion and popular culture. Reforming Hollywood is his most revealing, provocative, and groundbreaking work on this vital area of American society.
Author: Peter C. Rollins Publisher: University Press of Kentucky ISBN: 0813160308 Category : Performing Arts Languages : en Pages : 459
Book Description
“A commendably comprehensive analysis of the issue of Hollywood’s ability to shape our minds . . . invigorating reading.” ?Booklist Film has exerted a pervasive influence on the American mind, and in eras of economic instability and international conflict, the industry has not hesitated to use motion pictures for propaganda purposes. During less troubled times, citizens’ ability to deal with political and social issues may be enhanced or thwarted by images absorbed in theaters. Tracking the interaction of Americans with important movie productions, this book considers such topics as racial and sexual stereotyping; censorship of films; comedy as a tool for social criticism; the influence of “great men” and their screen images; and the use of film to interpret history. Hollywood As Historian benefits from a variety of approaches. Literary and historical influences are carefully related to The Birth of a Nation and Apocalypse Now, two highly tendentious epics of war and cultural change. How political beliefs of filmmakers affected cinematic styles is illuminated in a short survey of documentary films made during the Great Depression. Historical distance has helped analysts decode messages unintended by filmmakers in the study of The Snake Pit and Dr. Strangelove. Hollywood As Historian offers a versatile, thought-provoking text for students of popular culture, American studies, film history, or film as history. Films considered include: The Birth of a Nation (1915), The Plow that Broke the Plains (1936), The River (1937), March of Time (1935-1953), City Lights (1931), Modern Times (1936), The Great Dictator (1940), The Grapes of Wrath (1940), Native Land (1942), Wilson (1944), The Negro Soldier (1944), The Snake Pit (1948), On the Waterfront (1954), Dr. Strangelove (1964), Who’s Afraid of Virginia Woolf? (1966), and Apocalypse Now (1979). “Recommended reading for anyone concerned with the influence of popular culture on the public perception of history.” ?American Journalism
Author: Steven Cohan
Author: Steven Cohan
Author: David Wills
Author: Ronny Regev
Author: Charles Bukowski
Author: Antoine de Baecque
Author: Ronald Haver
Author: Rocky Lang
Author: John S. Schuchman
Author: William D. Romanowski
Author: Peter C. Rollins