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Author: Laura L. Watts Publisher: Routledge ISBN: 1000400565 Category : Art Languages : en Pages : 332
Book Description
Italian Painting in the Age of Unification reconstructs the artistic motivations and messaging of three artists—Tommaso Minardi, Francesco Hayez, and Gioacchino Toma—from three distinct regions in Italy prior to, during, and directly following political unification in 1861. Each artist, working in Rome, Milan, and Naples, respectively, adopted the visual narratives particular to his region, using style to communicate aspects of his political, religious, or social context. By focusing on these three figures, this study will introduce readers outside of Italy to their diversity of practice, and provide a means for understanding their place within the larger field of international nineteenth-century art, albeit a place largely distinct from the better-known French tradition. The book will be of interest to scholars working in art history, nationalism, Italian history, or Italian studies.
Author: Laura L. Watts Publisher: Routledge ISBN: 1000400565 Category : Art Languages : en Pages : 332
Book Description
Italian Painting in the Age of Unification reconstructs the artistic motivations and messaging of three artists—Tommaso Minardi, Francesco Hayez, and Gioacchino Toma—from three distinct regions in Italy prior to, during, and directly following political unification in 1861. Each artist, working in Rome, Milan, and Naples, respectively, adopted the visual narratives particular to his region, using style to communicate aspects of his political, religious, or social context. By focusing on these three figures, this study will introduce readers outside of Italy to their diversity of practice, and provide a means for understanding their place within the larger field of international nineteenth-century art, albeit a place largely distinct from the better-known French tradition. The book will be of interest to scholars working in art history, nationalism, Italian history, or Italian studies.
Author: Roberta J.M. Olson Publisher: Philip Wilson Publishers ISBN: 9780812232073 Category : Art Languages : en Pages : 0
Book Description
This is the first major book to present a panorama of Italian painting from 1797 to 1900, placing it firmly in the mainstream of art history of the nineteenth century. Ottocento reveals the historical context for nineteenth-century Italian painting and presents major works by important Italian artists who are little known outside their native land.
Author: Emily C. Burns Publisher: Routledge ISBN: 1000372952 Category : Art Languages : en Pages : 318
Book Description
This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries. The contributors rethink the role of "French" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies’ concept of "constellations of mobility." Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated, and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term. This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism.
Author: Marie-Claire Beaulieu Publisher: Routledge ISBN: 1000457974 Category : Art Languages : en Pages : 243
Book Description
This volume is a groundbreaking discussion of the role of digital media in research on ancient painting, and a deep reflection on the effectiveness of digital media in opening the field to new audiences. The study of classical art always oscillates between archaeology and classics, between the study of ancient texts and archaeological material. For this reason, it is often difficult to collect all the data, to have access to both types of information on an equal basis. The increasing development of digital collections and databases dedicated to both archaeological material and ancient texts is a direct response to this problem. The book’s central theme is the role of the digital humanities, especially digital collection,s such as the Digital Milliet, in the study of ancient Greek and Roman painting. Part 1 focuses on the transition between the original print version of the Recueil Milliet and its digital incarnation. Part 2 addresses the application of digital tools to the analysis of ancient art. Part 3 focuses on ancient wall painting. The book will be of interest to scholars working in art history, classics, archaeology, and digital humanities.
Author: Albert Boime Publisher: University of Chicago Press ISBN: 9780226063300 Category : Art Languages : en Pages : 374
Book Description
During the 1860s and '70s, more than a decade before the development of French Impressionism, Italy produced a group of avant-garde artists whose fervently nationalist paintings anticipated some of Impressionism's theoretical concerns. These artists were called "Macchiaioli" because they based their technique on a quickly rendered macchia, or sketch. In the first extended sociopolitical interpretation in English of this important group, Albert Boime places the Macchiaioli in the cultural context of the Risorgimento—the political movement that unified Italy, freed from foreign rule, under a secular, constitutional government. Anglo-American art criticism has generally neglected these painters (probably because of their overt political affiliation and nationalist expression), but Boime shows that these artists, while deeply political, nevertheless created aesthetically superior work. Boime's study departs from previous research on the Macchiaioli by systematically investigating the group's writings, sources, and patronage in relation to the Risogimento. The book also examines both contemporary and later critical responses, revealing how French art criticism has obscured the achievements of Macchiaioli art. Richly illustrated, The Art of the Macchia and the Risorgimento will appeal to anyone interested in nineteenth-century European art or the history of Italy.
Author: Matthew C. Potter Publisher: Taylor & Francis ISBN: 1351004174 Category : Art Languages : en Pages : 299
Book Description
This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.
Author: Kyunghee Pyun Publisher: Routledge ISBN: 1000453553 Category : Art Languages : en Pages : 292
Book Description
This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern spaces for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea. With few books on modern art in Korea available in English, this book is an authoritative volume on the topic and provides a comparative perspective on Asian modernism including Japan, China, and India. In turn, these essays also shed a light on Asian reception of and response to the Orientalism and exoticism popular in Europe and North America in the early twentieth century. The book will be of interest to scholars working in art history, the history of Asia, Asian studies, colonialism, nationalism, and cultural identity.
Author: Jonathan P. Ribner Publisher: Routledge ISBN: 1000461890 Category : Art Languages : en Pages : 358
Book Description
An interdisciplinary examination of nineteenth-century French art pertaining to religion, exile, and the nation’s demise as a world power, this study concerns the consequences for visual culture of a series of national crises—from the assault on Catholicism and the flight of émigrés during the Revolution of 1789, to the collapse of the Empire and the dashing of hope raised by the Revolution of 1830. The central claim is that imaginative response to these politically charged experiences of loss constitutes a major shaping force in French Romantic art, and that pursuit of this theme in light of parallel developments in literature and political debate reveals a pattern of disenchantment transmuted into cultural capital. Focusing on imagery that spoke to loss through visual and verbal idioms particular to France in the aftermath of the Revolution and Empire, the book illuminates canonical works by major figures such as Eugène Delacroix, Théodore Chassériau, and Camille Corot, as well as long-forgotten images freighted with significance for nineteenth-century viewers. A study in national bereavement—an urgent theme in the present moment—the book provides a new lens through which to view the coincidence of imagination and strife at the heart of French Romanticism. The book will be of interest to scholars working in art history, French literature, French history, French politics, and religious studies.
Author: Christiane Esche-Ramshorn Publisher: Routledge ISBN: 100043463X Category : Art Languages : en Pages : 273
Book Description
This book examines the arts and artistic exchanges at the ‘Christian Oriental’ fringes of Europe, especially Armenia. It starts with the architecture, history and inhabitants of the lesser known pilgrim compounds at the Vatican in the Middle Ages and Renaissance, of Hungary, Germany, but namely those of the most ancient of Churches, the Churches of the Christian Orient Ethiopia and Armenia. Without taking an Eurocentric view, this book explores the role of missionaries, merchants, artists (for example Momik, Giotto, Minas, Domenico Veneziano, Duerer), and artefacts (such as fabrics, inscriptions and symbols) travelling into both directions along the western stretch of the Silk Road between Ayas (Cilicia), ancient Armenia and North-western Iran. This area was truly global before globalization, was a site of intense cultural exchanges and East-West cultural transmissions. This book opens a new research window into the culturally mixed landscapes in the Christian Orient, the Middle East and North-eastern Africa by taking into consideration their many indigenous and foreign artistic components and embeds Armenian arts into today’s wider art historical discourse. This book will be of interest to scholars in art history, architectural history, missions, trade, Middle Eastern arts and the arts of the Southern Caucasus.
Author: Laura L. Watts
Author: Laura L. Watts
Author: Roberta J.M. Olson
Author: Emily C. Burns
Author: Marie-Claire Beaulieu
Author: Albert Boime
Author: Matthew C. Potter
Author: Kyunghee Pyun
Author: Jonathan P. Ribner
Author: Christiane Esche-Ramshorn
Author: John Charles Van Dyke