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Author: Paula Findlen Publisher: ISBN: 9780911221633 Category : Renaissance Languages : en Pages : 220
Book Description
Illustrated catalogue published in conjunction with the exhibition "Leonardo's Library: The World of a Renaissance Reader," Stanford University Libraries, Green Library, May 2 - October 13, 2019.
Author: Paula Findlen Publisher: ISBN: 9780911221633 Category : Renaissance Languages : en Pages : 220
Book Description
Illustrated catalogue published in conjunction with the exhibition "Leonardo's Library: The World of a Renaissance Reader," Stanford University Libraries, Green Library, May 2 - October 13, 2019.
Author: Leonardo da Vinci Publisher: Courier Corporation ISBN: 0486140660 Category : Art Languages : en Pages : 66
Book Description
Da Vinci was able to produce remarkably accurate depictions of the "ideal" human figure. This exceptional collection reprints 59 sketches of the skeleton, skull, upper and lower extremities, embryos, and other subjects.
Author: Bülent Atalay Publisher: National Geographic Books ISBN: 9781426202858 Category : Art Languages : en Pages : 260
Book Description
"When the seeds of modern thought were planted in 15th-century Italy, no one sowed more of them than Leonardo da Vinci. For the millions of readers today who ponder the mysteries behind his sketch-filled notebooks and enigmatic paintings, National Geographic presents Leonardo's Universe. This richly visual reference reveals the spellbinding Renaissance world like no other, painting a vivid picture of the historic backdrop of this astounding period that revolutionized art, science, philosophy, and politics."--BOOK JACKET.
Author: Leonardo da Vinci Publisher: Library of Alexandria ISBN: 1465514147 Category : Fiction Languages : en Pages : 1118
Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
Author: Leonardo da Vinci Publisher: Courier Corporation ISBN: 048631927X Category : Art Languages : en Pages : 516
Book Description
Here are clear reproductions of over 1,200 anatomical drawings by one of humanity's greatest geniuses — still considered, nearly five centuries later, the finest ever rendered. 215 plates.
Author: Giuditta Cirnigliaro Publisher: BRILL ISBN: 9004527192 Category : Art Languages : en Pages : 270
Book Description
An exploration of the compositional methods and sources of Leonardo’s fables to investigate their relationship with illustrations and scientific studies.
Author: Alan Donnithorne Publisher: ISBN: 9781909741461 Category : Art Languages : en Pages : 0
Book Description
Leonardo da Vinci's drawings are among the most accomplished and technically varied ever made. Detailed study of those in the Royal Collection - the finest group in existence - reveals much about his materials and techniques and his innovative approach to drawing. This ground-breaking book explores a substantial number of Leonardo's most celebrated drawings in unprecedented detail. Using specialist microscopic photography it will open up a new understanding and appreciation of Leonardo's techniques and present new information on his materials, uncovering features invisible to the naked eye. In addition, infrared images bring to light the artist's first touches (including Leonardo's own thumbprint) and under-drawings, many of which have not been seen for 500 years --
Author: Daryl Green Publisher: ISBN: 9781851245253 Category : ART Languages : en Pages : 0
Book Description
During the Renaissance, artists and illustrators developed the representation of truthful three-dimensional forms into a highly skilled art. As reliable illustrations of three-dimensional subjects became more prevalent, they also influenced the ways in which disciplines developed: architecture could be communicated much more clearly, mathematical concepts and astronomical observations could be quickly relayed, and observations of the natural world moved towards a more realistic method of depiction. Through essays on some of the world's greatest artists and thinkers--such as Leonardo da Vinci, Luca Pacioli, Andreas Vesalius, Johann Kepler, Galileo Galilei, William Hunter, and many more--this book tells the story of how of we learned to communicate three-dimensional forms on the two-dimensional page. It features some of Leonardo da Vinci's ground-breaking drawings now in the Royal Collections and British Library as well as extraordinary anatomical illustrations, early paper engineering such as volvelles and flaps, beautiful architectural plans, and even views of the moon. With in-depth analysis of more than forty manuscripts and books, Thinking 3D also reveals the impact that developing techniques had on artists and draftsmen throughout time and across space, culminating in the latest innovations in computer software and 3D printing.
Author: Paula Findlen
Author: Paula Findlen
Author: Leonardo da Vinci
Author: Bülent Atalay
Author: Robert Wallace
Author: Leonardo da Vinci
Author: Leonardo da Vinci
Author: Giuditta Cirnigliaro
Author: Barbara O'Connor
Author: Alan Donnithorne
Author: Daryl Green