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Author: Publisher: Stanford University Press ISBN: 9780804778855 Category : Philosophy Languages : en Pages : 326
Book Description
I am. We are. That is enough. Now we have to start. These are the opening words of Ernst Bloch's first major work, The Spirit of Utopia, written mostly in 1915-16, published in its first version just after the First World War, republished five years later, 1923, in the version here presented for the first time in English translation. The Spirit of Utopia is one of the great historic books from the beginning of the century, but it is not an obsolete one. In its style of thinking, a peculiar amalgam of biblical, Marxist, and Expressionist turns, in its analytical skills deeply informed by Simmel, taking its information from both Hegel and Schopenhauer for the groundwork of its metaphysics of music but consistently interpreting the cultural legacy in the light of a certain Marxism, Bloch's Spirit of Utopia is a unique attempt to rethink the history of Western civilizations as a process of revolutionary disruptions and to reread the artworks, religions, and philosophies of this tradition as incentives to continue disrupting. The alliance between messianism and Marxism, which was proclaimed in this book for the first time with epic breadth, has met with more critique than acclaim. The expressive and baroque diction of the book was considered as offensive as its stubborn disregard for the limits of "disciplines." Yet there is hardly a "discipline" that didn't adopt, however unknowingly, some of Bloch's insights, and his provocative associations often proved more productive than the statistical account of social shifts. The first part of this philosophical meditation--which is also a narrative, an analysis, a rhapsody, and a manifesto--concerns a mode of "self-encounter" that presents itself in the history of music from Mozart through Mahler as an encounter with the problem of a community to come. This "we-problem" is worked out by Bloch in terms of a philosophy of the history of music. The "self-encounter," however, has to be conceived as "self-invention," as the active, affirmative fight for freedom and social justice, under the sign of Marx. The second part of the book is entitled "Karl Marx, Death and the Apocalypse." I am. We are. That's hardly anything. But enough to start.
Author: Mark Grimshaw-Aagaard Publisher: Oxford University Press ISBN: 0190460253 Category : Music Languages : en Pages : 752
Book Description
Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.
Author: Publisher: BRILL ISBN: 9004308571 Category : Political Science Languages : en Pages : 331
Book Description
This volume offers a critical re-assessment of the thought of Ernst Bloch, best known for his groundbreaking study The Principle of Hope and one of the most significant European thinkers and public intellectuals of the twentieth century. It explores Bloch’s life, work and reception; his debt to Marx and Hegel; his central concepts of hope and utopia; his affinities with philosophers such as Gramsci and Žižek; and his radical reframing of our understanding of history, society and culture. Above all, this volume examines the relevance of Bloch’s ideas today, in a world still shot through with economic inequality and social injustice. Contributors are: Agata Bielik-Robson, Ivan Boldyrev, Henk de Berg, Sam Dolbear, Vincent Geoghegan, Holger Glinka, Loren Goldman, Douglas Kellner, Cat Moir, Jan Rehmann, Nina Rismal, Johan Siebers and Peter Thompson
Author: David P. Rando Publisher: Springer ISBN: 3319340158 Category : Music Languages : en Pages : 191
Book Description
This book proposes that new music technologies attract unconscious desires for socialism and collectivity, enabling millions of people living under capitalism to dream of repressed social alternatives. Grounded in the philosophical writings of Ernst Bloch and Walter Benjamin, the book examines file sharing technologies, streaming services, and media players, as well as their historical antecedents, such as the player piano, cassette tape, radio and compact disc, alongside interpretations of fiction, memoir, and albums. Through the concept of wish images—the unconscious hopes and desires for social alternatives that gather around new technologies—the book identifies the repressed pre- and post-capitalist urges that attend our music technologies. While these desires typically remain unconscious and tend to pass away not only unmet but also unrecognized, Hope and Wish Image in Music Technology attempts to bring wishes for social alternatives to the surface at an auspicious moment of technological transition.
Author: Nicolas de Warren Publisher: Cambridge University Press ISBN: 1108530362 Category : Philosophy Languages : en Pages : 435
Book Description
How did the First World War, the so-called 'Great War' - widely seen on all sides as 'the war to end all wars' - impact the development of German philosophy? Combining history and biography with astute philosophical and textual analysis, Nicolas de Warren addresses here the intellectual trajectories of ten significant wartime philosophers: Ernst Bloch, Martin Buber, Ernst Cassirer, Hermann Cohen, György Lukács, Martin Heidegger, Edmund Husserl, Franz Rosenzweig, Max Scheler and Georg Simmel. In exploring their individual works written during and after the War, the author reveals how philosophical concepts and new forms of thinking were forged in response to this unprecedented catastrophe. In reassessing standardized narratives of German thought, the book deepens and enhances our understanding of the intimate and complex relationship between philosophy and violence by demonstrating how the 1914-18 conflict was a crucible for ways of thinking that still define us today.
Author: Publisher: BRILL ISBN: 9004263144 Category : Social Science Languages : en Pages : 297
Book Description
In The Dialectics of the Religious and the Secular, fifteen international scholars address the question of the relevancy, meaning, and future of religion within the increasing antagonisms between the religious and secular realms of modern civil society and its globalization.
Author: Craig A. Hammond Publisher: Bloomsbury Publishing ISBN: 1474261663 Category : Education Languages : en Pages : 224
Book Description
Reappraising ideas associated with Ernst Bloch, Roland Barthes and Gaston Bachelard within the context of a utopian pedagogy, Hope, Utopia and Creativity in Higher Education reframes the transformative, creative and collaborative potential of education offering new concepts, tactics and pedagogical possibilities. Craig A. Hammond explores ways of analysing and democratising not only pedagogical conception, knowledge and delivery, but also the learning experience, and processes of negotiation and peer-assessment. Hammond shows how the incorporation of already existent learner hopes, daydreams, and creative possibilities can open up new opportunities for thinking about popular culture and memory, learning and knowledge, and collaborative communities of support. Drawing together theoretical and cultural material in a teaching and learning environment of empowerment, Hammond illustrates that formative articulations of alternative, utopian futures, across sociological, humanities, and education studies subjects and curricula, becomes possible.
Author: Martin Scherzinger Publisher: Routledge ISBN: 1317643968 Category : Music Languages : en Pages : 290
Book Description
This book examines the functional place of music in contemporary European philosophy of the 20th and 21st centuries. The chapters explore the musical dimensions of lesser known figures as well as well-known philosophical figures in relation to their lesser-known musical dimensions. Edmund Husserl, Martin Heidegger, Jean-François Lyotard, Jacques Rancière and Alain Badiou, for example, are central figures in debates concerning phenomenology, postmodernism and political philosophy. Their musical writings, however, have been largely overlooked. Of those discussed here whose musical writings have gained some currency – Ernst Bloch, Theodor W. Adorno, Jean-Luc Nancy, Edward Said, and Slavoj Žižek – music mostly constitutes but a partial aspect of their overall philosophical output. These chapters attempt to supplement the gap, raising more prominently than hitherto the question concerning music in this philosophical milieu. The collection represents some of the distinctive recent work of an emerging generation of American-based music scholars tackling the relationship between philosophy and music in a qualitatively new way. While this intellectual output cannot be easily summarized, one detects certain features. If what was once called "New Musicology" in the 1990s can be characterized by a turn to literary theory and philosophy – treated as sources of (mostly nonjudgmental) inspiration – we find here, instead, a new body of work that turns the tables on the relation between music and philosophy. Instead of bringing philosophy to musicology, this work critically analyzes how music inhabits philosophy itself, and then assesses the ethical and political dimensions of these philosophical positions and their relation to lived history. This book was originally published as a special issue of Contemporary Music Review.
Author: Benjamin M. Korstvedt
Author: Benjamin M. Korstvedt
Author: Ernst Bloch
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Author: Mark Grimshaw-Aagaard
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Author: David P. Rando
Author: Nicolas de Warren
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Author: Craig A. Hammond
Author: Martin Scherzinger