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Author: Lorraine York Publisher: University of Toronto Press ISBN: 1487513135 Category : Literary Criticism Languages : en Pages : 208
Book Description
In recent years, Canadian authors have enjoyed tremendous international success, writing novels that become Oscar-nominated films or achieve coveted success as selections for the Oprah Winfrey bookclub. Literary Celebrity in Canada is the first extended study of the dynamics of celebrity in the field of Canadian literature. Building on the argument that celebrity is a phenomenon firmly embraced by mainstream culture, Lorraine York examines it in relation to various tensions and conflicts within the literary community and beyond. Using as examples three contemporary literary celebrities, Margaret Atwood, Michael Ondaatje, and Carol Shields, and four earlier popular writers, Pauline Johnson, Stephen Leacock, Mazo de la Roche, and L.M. Montgomery, York demonstrates that individual authors respond differently to fame in ways that can be contradictory and complex. She casts doubt on the notion of a specifically Canadian response to fame. Depending on the public interpretation of a particular writer's life and work, different tensions arise in negotiating literary celebrity. Privacy versus publicity; swift success versus laborious apprenticeship; national versus international association, or ownership of the celebrity - no single version of celebrity applies to all. Citizenship, however, is a remarkably consistent site of tension for stars, literary or otherwise. Like citizenship, celebrity marks an uneasy space wherein the single, special individual and the group demographic both meet and separate. Literary Celebrity in Canada explores that space, drawing on current theories of celebrity and questioning their tendency to view fame as an empty phenomenon. This study is an innovative attempt to understand the psychology of literary stardom and will influence future research on contemporary literature and popular culture.
Author: Lorraine York Publisher: University of Toronto Press ISBN: 1487513135 Category : Literary Criticism Languages : en Pages : 208
Book Description
In recent years, Canadian authors have enjoyed tremendous international success, writing novels that become Oscar-nominated films or achieve coveted success as selections for the Oprah Winfrey bookclub. Literary Celebrity in Canada is the first extended study of the dynamics of celebrity in the field of Canadian literature. Building on the argument that celebrity is a phenomenon firmly embraced by mainstream culture, Lorraine York examines it in relation to various tensions and conflicts within the literary community and beyond. Using as examples three contemporary literary celebrities, Margaret Atwood, Michael Ondaatje, and Carol Shields, and four earlier popular writers, Pauline Johnson, Stephen Leacock, Mazo de la Roche, and L.M. Montgomery, York demonstrates that individual authors respond differently to fame in ways that can be contradictory and complex. She casts doubt on the notion of a specifically Canadian response to fame. Depending on the public interpretation of a particular writer's life and work, different tensions arise in negotiating literary celebrity. Privacy versus publicity; swift success versus laborious apprenticeship; national versus international association, or ownership of the celebrity - no single version of celebrity applies to all. Citizenship, however, is a remarkably consistent site of tension for stars, literary or otherwise. Like citizenship, celebrity marks an uneasy space wherein the single, special individual and the group demographic both meet and separate. Literary Celebrity in Canada explores that space, drawing on current theories of celebrity and questioning their tendency to view fame as an empty phenomenon. This study is an innovative attempt to understand the psychology of literary stardom and will influence future research on contemporary literature and popular culture.
Author: Lorraine Mary York Publisher: University of Toronto Press ISBN: 1442614234 Category : Literary Criticism Languages : en Pages : 233
Book Description
For every famous author there is a score of individuals working behind the scenes to promote and maintain her celebrity status. This timely and thoughtful book considers the particular case of internationally renowned writer Margaret Atwood and the active agents working in concert with her, including her assistants and office staff, her publicists, her literary agents, and her editors. Lorraine York explores the ways in which the careers of famous writers are managed and maintained and the extent to which literary celebrity creates a constant tension in these writers' lives between the need of solitude for creative purposes and the give-and-take of the business of being a writer of significant public stature. Making extensive use of unpublished material in the Margaret Atwood Papers at the University of Toronto, York demonstrates the extent to which celebrity writers must embrace and protect themselves from the demands of the literary world, including by participating in or even inventing new forms of technology that facilitate communication from a slight remove. This informative study calls overdue attention to the ways in which literary celebrity is the result not only of a writer's creativity and hard work, but also of an ongoing collaborative effort among professionals to help maintain the writer's place in the public eye.
Author: Lorraine York Publisher: University of Toronto Press ISBN: 1442664940 Category : Literary Criticism Languages : en Pages : 233
Book Description
For every famous author there is a score of individuals working behind the scenes to promote and maintain her celebrity status. This timely and thoughtful book considers the particular case of internationally renowned writer Margaret Atwood and the active agents working in concert with her, including her assistants and office staff, her publicists, her literary agents, and her editors. Lorraine York explores the ways in which the careers of famous writers are managed and maintained and the extent to which literary celebrity creates a constant tension in these writers’ lives between the need of solitude for creative purposes and the give-and-take of the business of being a writer of significant public stature. Making extensive use of unpublished material in the Margaret Atwood Papers at the University of Toronto, York demonstrates the extent to which celebrity writers must embrace and protect themselves from the demands of the literary world, including by participating in – or even inventing – new forms of technology that facilitate communication from a slight remove. This informative study calls overdue attention to the ways in which literary celebrity is the result not only of a writer’s creativity and hard work, but also of an ongoing collaborative effort among professionals to help maintain the writer’s place in the public eye.
Author: Cynthia Conchita Sugars Publisher: Oxford University Press ISBN: 0199941866 Category : History Languages : en Pages : 993
Book Description
The Oxford Handbook of Canadian Literature provides a broad-ranging introduction to some of the key critical fields, genres, and periods in Canadian literary studies. The essays in this volume, written by prominent theorists in the field, reflect the plurality of critical perspectives, regional and historical specializations, and theoretical positions that constitute the field of Canadian literary criticism across a range of genres and historical periods. The volume provides a dynamic introduction to current areas of critical interest, including (1) attention to the links between the literary and the public sphere, encompassing such topics as neoliberalism, trauma and memory, citizenship, material culture, literary prizes, disability studies, literature and history, digital cultures, globalization studies, and environmentalism or ecocriticism; (2) interest in Indigenous literatures and settler-Indigenous relations; (3) attention to multiple diasporic and postcolonial contexts within Canada; (4) interest in the institutionalization of Canadian literature as a discipline; (5) a turn towards book history and literary history, with a renewed interest in early Canadian literature; (6) a growing interest in articulating the affective character of the literary - including an interest in affect theory, mourning, melancholy, haunting, memory, and autobiography. The book represents a diverse array of interests -- from the revival of early Canadian writing, to the continued interest in Indigenous, regional, and diasporic traditions, to more recent discussions of globalization, market forces, and neoliberalism. It includes a distinct section dedicated to Indigenous literatures and traditions, as well as a section that reflects on the discipline of Canadian literature as a whole.
Author: Katja Lee Publisher: Wilfrid Laurier Univ. Press ISBN: 1771122242 Category : Social Science Languages : en Pages : 285
Book Description
Celebrity Cultures in Canada is an interdisciplinary collection that explores celebrity phenomena and the ways they have operated and developed in Canada over the last two centuries. The chapters address a variety of cultural venues—politics, sports, film, and literature—and examine the political, cultural, material, and affective conditions that shaped celebrity in Canada and its uses both at home and abroad. The scope of the book enables the authors to highlight the trends that characterize Canadian celebrity—such as transnationality and bureaucracy—and explore the regional, linguistic, administrative, and indigenous cultures and institutions that distinguish fame in Canada from fame elsewhere. In historicizing and theorizing Canada’s complicated cultures of celebrity, Celebrity Cultures in Canada rejects the argument that nations are irrelevant in today’s global celebrityscapes or that Canada lacks a credible or adequate system for producing, distributing, and consuming celebrity. Nation and national identities continue to matter—to celebrities, to fans, and to institutions and industries that manage and profit from celebrity systems—and Canada, this collection argues, has a vibrant, powerful, and often complicated and controversial relationship to fame.
Author: Faye Hammill Publisher: Edinburgh University Press ISBN: 0748629521 Category : Literary Criticism Languages : en Pages : 256
Book Description
An important critical study of Canadian literature, placing internationally successful anglophone Canadian authors in the context of their national literary history. While the focus of the book is on twentieth-century and contemporary writing, it also charts the historical development of Canadian literature and discusses important eighteenth- and nineteenth-century authors. The chapters focus on four central topics in Canadian culture: Ethnicity, Race, Colonisation; Wildernesses, Cities, Regions; Desire; and Histories and Stories. Each chapter combines case studies of five key texts with a broad discussion of concepts and approaches, including postcolonial and postmodern reading strategies and theories of space, place and desire. Authors chosen for close analysis include Margaret Atwood, Michael Ondaatje, Alice Munro, Leonard Cohen, Thomas King and Carol Shields.
Author: R. Nischik Publisher: Springer ISBN: 1137413905 Category : Literary Criticism Languages : en Pages : 417
Book Description
A first of its kind, The Palgrave Handbook of Comparative North American Literature provides an overview of Comparative North American Literature, a cutting-edge discipline. Contributors make important interventions into multiculturalism in North America and into U.S.-Mexico and U.S.-Canada border literatures.
Author: Robert Lecker Publisher: Wilfrid Laurier Univ. Press ISBN: 1771121106 Category : Literary Criticism Languages : en Pages : 334
Book Description
The first collection of critical essays devoted to the study of English-Canadian literary anthologies brings together the work of thirteen prominent critics to investigate anthology formation in Canada and answer these key questions: Why are there so many literary anthologies in Canada, and how can we trace their history? What role have anthologies played in the formation of Canadian literary taste? How have anthologies influenced the training of students from generation to generation? What literary values do the editors of various anthologies tend to support, and how do these values affect canon formation in Canada? How have different genres fared in the creation of literary anthologies? How do Canadian anthologies transmit ideas about gender, region, ideology, and nation? Specific essays focus on anthologies as national metaphors, the controversies surrounding early literary collections, representations of First Nations peoples in anthologies, and the ways in which various editors have understood exploration narratives. In addition, the collection examines the representation of women in Canadian anthologies, the use of anthologies as teaching tools, and the creation of some very odd Canadian anthologies along the way.
Author: David Hadar Publisher: Bloomsbury Publishing USA ISBN: 1501360930 Category : Literary Criticism Languages : en Pages : 213
Book Description
Focusing on relationships between Jewish American authors and Jewish authors elsewhere in America, Europe, and Israel, this book explores the phenomenon of authorial affiliation: the ways in which writers intentionally highlight and perform their connections with other writers. Starting with Philip Roth as an entry point and recurring example, David Hadar reveals a larger network of authors involved in formations of Jewish American literary identity, including among others Cynthia Ozick, Saul Bellow, Nicole Krauss, and Nathan Englander. He also shows how Israeli writers such as Sayed Kashua perform their own identities through connections to Jewish Americans. Whether by incorporating other writers into fictional work as characters, interviewing them, publishing critical essays about them, or invoking them in paratext or publicity, writers use a variety of methods to forge public personas, craft their own identities as artists, and infuse their art with meaningful cultural associations. Hadar's analysis deepens our understanding of Jewish American and Israeli literature, positioning them in decentered relation with one another as well as with European writing. The result is a thought-provoking challenge to the concept of homeland that recasts each of these literary traditions as diasporic and questions the oft-assumed centrality of Hebrew and Yiddish to global Jewish literature. In the process, Hadar offers an approach to studying authorial identity-building relevant beyond the field of Jewish literature.
Author: Lorraine York
Author: Lorraine York
Author: Lorraine Mary York
Author: Lorraine York
Author: Cynthia Conchita Sugars
Author: Katja Lee
Author: Faye Hammill
Author: R. Nischik
Author: Eva-Marie Kröller
Author: Robert Lecker
Author: David Hadar