Exhibiting Cultures PDF Download

Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Exhibiting Cultures PDF full book. Access full book title Exhibiting Cultures by Ivan Karp. Download full books in PDF and EPUB format.

Exhibiting Cultures

Exhibiting Cultures PDF Author: Ivan Karp
Publisher: Smithsonian Institution
ISBN: 1588343693
Category : Art
Languages : en
Pages : 481

Book Description
Debating the practices of museums, galleries, and festivals, Exhibiting Cultures probes the often politically charged relationships among aesthetics, contexts, and implicit assumptions that govern how art and artifacts are displayed and understood. The contributors—museum directors, curators, and scholars in art history, folklore, history, and anthropology—represent a variety of stances on the role of museums and their function as intermediaries between the makers of art or artifacts and the eventual viewers.

Exhibiting Cultures

Exhibiting Cultures PDF Author: Ivan Karp
Publisher: Smithsonian Institution
ISBN: 1588343693
Category : Art
Languages : en
Pages : 481

Book Description
Debating the practices of museums, galleries, and festivals, Exhibiting Cultures probes the often politically charged relationships among aesthetics, contexts, and implicit assumptions that govern how art and artifacts are displayed and understood. The contributors—museum directors, curators, and scholars in art history, folklore, history, and anthropology—represent a variety of stances on the role of museums and their function as intermediaries between the makers of art or artifacts and the eventual viewers.

Exhibiting Cultures

Exhibiting Cultures PDF Author: Rockefeller Foundation
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 488

Book Description
Bringing together museum directors, curators, and scholars in art history, folklore, history, and anthropology, Exhibiting Cultures engages in debate over meaning and representation that have accompanied and driven museums' efforts regarding multiculturalism. The contributors represent a variety of stances on the role of museums and their function as intermediaries between the makers of art or artifacts and the eventual viewers.

Museum Frictions

Museum Frictions PDF Author: Ivan Karp
Publisher: Duke University Press
ISBN: 9780822338949
Category : Art
Languages : en
Pages : 642

Book Description
This third volume in a bestselling series on culture, society, and museums examines the effects of globalization on contemporary museum, heritage, and exhibition practices.

EXHIBITING CULTURES PB

EXHIBITING CULTURES PB PDF Author: Karp I
Publisher: Smithsonian
ISBN: 9781560980216
Category :
Languages : en
Pages :

Book Description


Museums and Communities

Museums and Communities PDF Author: Ivan Karp
Publisher: Smithsonian Institution
ISBN: 1588343456
Category : Art
Languages : en
Pages : 625

Book Description
Contributors to this volume examine and illustrate struggles and collaborations among museums, festivals, tourism, and historic preservation projects and the communities they represent and serve. Essays include the role of museums in civil society, the history of African-American collections, and experiments with museum-community dialogue about the design of a multicultural society.

Destination Culture

Destination Culture PDF Author: Barbara Kirshenblatt-Gimblett
Publisher: Univ of California Press
ISBN: 9780520209664
Category : Art
Languages : en
Pages : 352

Book Description
With the question, "What does it mean to show?", the author explores the agency of display in museums and tourist attractions. She looks at how objects are made to perform their meaning by being collected and how techniques of display, not just the things shown, convey a powerful message.

Exhibiting Cultures

Exhibiting Cultures PDF Author: Ivan Karp
Publisher: Smithsonian Books
ISBN: 9781560980216
Category : Art
Languages : en
Pages : 480

Book Description
Debating the practices of museums, galleries, and festivals, Exhibiting Cultures probes the often politically charged relationships among aesthetics, contexts, and implicit assumptions that govern how art and artifacts are displayed and understood. The contributors—museum directors, curators, and scholars in art history, folklore, history, and anthropology—represent a variety of stances on the role of museums and their function as intermediaries between the makers of art or artifacts and the eventual viewers.

Exhibiting Maori

Exhibiting Maori PDF Author: Conal McCarthy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 268

Book Description
'Exhibiting Māori' presents an assessment of the display of Māori culture from the 19th century. In doing so, it traces the long journey from curio, to specimen, artifact, art and taonga (treasure). Also, it reveals the story of Māori resistance to, involvement in, and eventual capture of the display of their culture.

Science Museums in Transition

Science Museums in Transition PDF Author: Carin Berkowitz
Publisher: University of Pittsburgh Press
ISBN: 0822982757
Category : Science
Languages : en
Pages : 349

Book Description
The nineteenth century witnessed a dramatic shift in the display and dissemination of natural knowledge across Britain and America, from private collections of miscellaneous artifacts and objects to public exhibitions and state-sponsored museums. The science museum as we know it—an institution of expert knowledge built to inform a lay public—was still very much in formation during this dynamic period. Science Museums in Transition provides a nuanced, comparative study of the diverse places and spaces in which science was displayed at a time when science and spectacle were still deeply intertwined; when leading naturalists, curators, and popular showmen were debating both how to display their knowledge and how and whether they should profit from scientific work; and when ideals of nationalism, class politics, and democracy were permeating the museum's walls. Contributors examine a constellation of people, spaces, display practices, experiences, and politics that worked not only to define the museum, but to shape public science and scientific knowledge. Taken together, the chapters in this volume span the Atlantic, exploring private and public museums, short and long-term exhibitions, and museums built for entertainment, education, and research, and in turn raise a host of important questions, about expertise, and about who speaks for nature and for history.

Exhibiting the Past

Exhibiting the Past PDF Author: Kirk A. Denton
Publisher: University of Hawaii Press
ISBN: 0824840062
Category : History
Languages : en
Pages : 362

Book Description
During the Mao era, China’s museums served an explicit and uniform propaganda function, underlining official Party history, eulogizing revolutionary heroes, and contributing to nation building and socialist construction. With the implementation of the post-Mao modernization program in the late 1970s and 1980s and the advent of globalization and market reforms in the 1990s, China underwent a radical social and economic transformation that has led to a vastly more heterogeneous culture and polity. Yet China is dominated by a single Leninist party that continues to rely heavily on its revolutionary heritage to generate political legitimacy. With its messages of collectivism, self-sacrifice, and class struggle, that heritage is increasingly at odds with Chinese society and with the state’s own neoliberal ideology of rapid-paced development, glorification of the market, and entrepreneurship. In this ambiguous political environment, museums and their curators must negotiate between revolutionary ideology and new kinds of historical narratives that reflect and highlight a neoliberal present. In Exhibiting the Past, Kirk Denton analyzes types of museums and exhibitionary spaces, from revolutionary history museums, military museums, and memorials to martyrs to museums dedicated to literature, ethnic minorities, and local history. He discusses red tourism—a state sponsored program developed in 2003 as a new form of patriotic education designed to make revolutionary history come alive—and urban planning exhibition halls, which project utopian visions of China’s future that are rooted in new conceptions of the past. Denton’s method is narratological in the sense that he analyzes the stories museums tell about the past and the political and ideological implications of those stories. Focusing on “official” exhibitionary culture rather than alternative or counter memory, Denton reinserts the state back into the discussion of postsocialist culture because of its centrality to that culture and to show that state discourse in China is neither monolithic nor unchanging. The book considers the variety of ways state museums are responding to the dramatic social, technological, and cultural changes China has experienced over the past three decades.