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Author: Eva Wilden Publisher: Otto Harrassowitz Verlag ISBN: 9783447053358 Category : Kur̲untokai Languages : en Pages : 468
Book Description
The present study is a step towards an historical and philologicaldescription of the founding literary tradition of Southern India. This so-called Cankam literature was composed around the beginning of the common era in a language today known as "Classical Tamil". Ten anthologies of its poetry have survived. Its literary techniques and their presuppositions are presented here in detail on the basis of an analysis of one of these anthologies, the Kur-untokai, which is a collection of 401 short love poems. While the introduction and the last chapter, on poetic style, are also meant for the general student of literature, the second and third chapters will be of interest mainly to specialists. These deal with syntax (especially particle syntax) and with the poetological background of the poetry. The formal features described include the use of formulae; the organisation of a poetic universe in terms of themes, topoi and motifs; syntactic types, such as circular construction; rhetorical fi gures, such as metaphors, similes and insets; poetic ambiguity achieved through the use of a symbolic code; puns; and intertextual allusions.
Author: Eva Wilden Publisher: Otto Harrassowitz Verlag ISBN: 9783447053358 Category : Kur̲untokai Languages : en Pages : 468
Book Description
The present study is a step towards an historical and philologicaldescription of the founding literary tradition of Southern India. This so-called Cankam literature was composed around the beginning of the common era in a language today known as "Classical Tamil". Ten anthologies of its poetry have survived. Its literary techniques and their presuppositions are presented here in detail on the basis of an analysis of one of these anthologies, the Kur-untokai, which is a collection of 401 short love poems. While the introduction and the last chapter, on poetic style, are also meant for the general student of literature, the second and third chapters will be of interest mainly to specialists. These deal with syntax (especially particle syntax) and with the poetological background of the poetry. The formal features described include the use of formulae; the organisation of a poetic universe in terms of themes, topoi and motifs; syntactic types, such as circular construction; rhetorical fi gures, such as metaphors, similes and insets; poetic ambiguity achieved through the use of a symbolic code; puns; and intertextual allusions.
Author: Herman Tieken Publisher: BRILL ISBN: 9004486097 Category : History Languages : en Pages : 278
Book Description
Old Tamil Caṅkam poetry consists of eight anthologies of short poems on love and war, and a treatise on grammar and poetics. The main part of this corpus has generally been dated to the first centuries AD and is believed to be the product of a native Tamil culture. The present study argues that the poems do not describe a contemporary society but a society from the past or one not yet affected by North-Indian Sanskrit culture. Consequently the main argument for the current early dating of Caṅkam poetry is no longer valid. Furthermore, on the basis of a study of the historical setting of the heroic poems and of the role of Tamil as a literary language in the Caṅkam corpus, it is argued that the poetic tradition was developed by the Pāṇṭiyas in the ninth or tenth century. This volume deals with the identification of the various genres of Caṅkam poetry with literary types from the Sanskrit Kāvya tradition. Counterparts have been found exclusively among Prākrit and Apabhraṁśa texts, which indicate that in Caṅkam poetry Tamil has been specifically assigned the role of a Prākrit. As such, the present study reveals the processes and attitudes involved in the development of a vernacular language into a literary idiom.
Author: Eva Maria Wilden Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110352761 Category : History Languages : en Pages : 460
Book Description
The ancient Tamil poetic corpus of the Caṅam ("The Academy") is a national treasure for Tamilians and a battle-ground for linguists and historians of politics, culture and literature. Going back to oral predecessors probably dating back to the beginning of the first millennium, it has had an extremely rich and variegated history. Collected into anthologies and endowed with literary theories and voluminous commentaries, it became the centre-piece of the Tamil literary canon, associated with the royal court of the Pandya dynasty in Madurai. Its decline began in the late middle ages, and by the late 17th century it had fallen into near oblivion, before being rediscovered at the beginning of the print era. The present study traces the complex historical process of its transmission over some 2000 years, using and documenting a wide range of sources, in particular surviving manuscripts, the early prints, the commentaries of the literary and grammatical traditions and a vast range of later literature that creates a web of inter-textual references and quotations.
Author: Leah Elizabeth Comeau Publisher: Bloomsbury Publishing ISBN: 1350122904 Category : Religion Languages : en Pages : 232
Book Description
Material Devotion in a South Indian Poetic World contributes new methods for the study and interpretation of material religion found within literary landscapes. The poets of Hindu devotion are known for their intimate celebration of deities, and while verses over a thousand years old are still treasured, translated, and performed, little attention has been paid to the evocative sensorial worlds referenced by these literary compositions. This book offers a material interpretation of an understudied poem that defined an entire genre of South Asian literature -Tirukkovaiyar-the 9th-century Tamil poem dedicated to Shiva. The poetry of Tamil South India invites travel across real and imagined geography, naming royal patrons, ancient temple towns, and natural landscapes. Leah Elizabeth Comeau locates the materiality of devotion to Shiva in a world unique to the South Indian vernacular and yet captivating to audiences across time, place, and tradition.
Author: Roland Greene Publisher: Princeton University Press ISBN: 1400880637 Category : Literary Criticism Languages : en Pages : 720
Book Description
An authoritative and comprehensive guide to poetry throughout the world The Princeton Handbook of World Poetries—drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics—provides a comprehensive and authoritative survey of the history and practice of poetry in more than 100 major regional, national, and diasporic literatures and language traditions around the globe. With more than 165 entries, the book combines broad overviews and focused accounts to give extensive coverage of poetic traditions throughout the world. For students, teachers, researchers, poets, and other readers, it supplies a one-of-a-kind resource, offering in-depth treatment of Indo-European poetries (all the major Celtic, Slavic, Germanic, and Romance languages, and others); ancient Middle Eastern poetries (Hebrew, Persian, Sumerian, and Assyro-Babylonian); subcontinental Indian poetries (Bengali, Hindi, Marathi, Punjabi, Sanskrit, Tamil, Urdu, and more); Asian and Pacific poetries (Chinese, Japanese, Korean, Vietnamese, Mongolian, Nepalese, Thai, and Tibetan); Spanish American poetries (those of Mexico, Peru, Argentina, Chile, and many other Latin American countries); indigenous American poetries (Guaraní, Inuit, and Navajo); and African poetries (those of Ethiopia, Somalia, South Africa, and other countries, and including African languages, English, French, and Portuguese). Complete with an introduction by the editors, this is an essential volume for anyone interested in understanding poetry in an international context. Drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics Provides more than 165 authoritative entries on poetry in more than 100 regional, national, and diasporic literatures and language traditions throughout the world Features extensive coverage of non-Western poetic traditions Includes an introduction, bibliographies, cross-references, and a general index
Author: Roland Greene Publisher: Princeton University Press ISBN: 0691154910 Category : Literary Criticism Languages : en Pages : 1678
Book Description
Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.
Author: Maria Heim Publisher: Bloomsbury Publishing ISBN: 1350167789 Category : Philosophy Languages : en Pages : 346
Book Description
Drawing on a rich variety of premodern Indian texts across multiple traditions, genres, and languages, this collection explores how emotional experience is framed, evoked, and theorized in order to offer compelling insights into human subjectivity. Rather than approaching emotion through the prism of Western theory, a team of leading scholars of Indian traditions showcases the literary texture, philosophical reflections, and theoretical paradigms that classical Indian sources provide in their own right. The focus is on how the texts themselves approach those dimensions of the human condition we may intuitively think of as being about emotion, without pre-judging what that might be. The result is a collection that reveals the range and diversity of phenomena that benefit from being gathered under the formal term “emotion”, but which in fact open up what such theorisation, representation, and expression might contribute to a cross-cultural understanding of this term. In doing so, these chapters contribute to a cosmopolitan, comparative, and pluralistic conception of human experience. Adopting a broad phenomenological methodology, this handbook reframes debates on emotion within classical Indian thought and is an invaluable resource for researchers and students seeking to understand the field beyond the Western tradition.
Author: P. Marudanayagam Publisher: ISBN: Category : Languages : en Pages : 316
Book Description
No apology may be required for bringing out a collection of essays examining ancient Tamil poetry and poetics from diverse contemporary perspectives. Now that Tamil has been declared a classical language by the Government of India, it behoves the native scholars of Tamil to convince the world that Tamil deserves the appellation that has elevated it to the level of Greek and Latin which the West has been unanimously cherishing as classical languages for a long time. By 'classic' we mean a literary piece which has achieved a recognized position in literary history for its superior merits. Classical literature may refer to Greek and Roman literature or any literature that exhibits the qualities of classicism. When the word 'Classical' is used to describe the characteristic features of a literary work it implies objectivity in the choice and handling of the theme, simplicity of style, clarity, restraint, order and formal structure. Praiseworthy books, according to Milton, "are not absolutely dead things, but do contain a potency of life in them to be as active as that soul whose progeny they are; nay, they do preserve as in a vial, the purest efficacy and extraction of that living intellect that bred them". Great literature deals not merely with some aspects of the human mind but with the total human psyche. In Coleridge's view, its great achievement is to bring about a "whole-souled activity in man" by appealing to the senses, the heart, the intellect and the spirit of the reader. Besides possessing these attributes, Caṅkam writings have been exerting their profound impact on several succeeding generations of Tamil poets. How did the ancient Tamils conceive art? To them, art, especially poetry, is not a simple source of aesthetic delight, but as Tolstoy contends, "one of the conditions of human life", and, more importantly, "a means of union among men joining them together in the same feelings, and indispensable for the life and progress towards the wellbeing of individuals and humanity." The claim of Tamil classics to international recognition and eternal fame is, therefore, based on solid grounds. In consequence of A.K.Ramanujan's English translations of selections from a few Caṅkam anthologies, the response by Western critics in the form of articles and books is much more widespread than ever before. But not all of them can be said to be insightful or even well informed and some of them are not free from howlers. It is again the duty of the insiders to adequately project the Tamil texts, to properly explicate them and to periodically provide the corrective, wherever necessary. We now have a vast variety of ways to interpret a work of literature ranging from traditional approaches like the moralistic and the historical through the formalist, the New Critical, the psychological and the mythic and into such post-structuralist approaches as deconstruction, feminist criticism, New Historicism, Bakhtinian dialogism and cultural studies. Caṅkam writings, being great literature, deserve correspondingly rich responses that are felt and reasoned. Such responses will be extremely fruitful when the critic appreciates these works from as many perspectives as they open themselves to. Matthew Arnold rightly stresses the need to reassess even a writer who has attained the status of a classic. If he is a dubious classic, let us sift him; if he is a false classic, let us explode him. But if he is a real classic, if his work belongs to the class of the very best (for this is the true and right meaning of the word, classic, classical), then the great thing for us is to feel and enjoy his work as deeply as ever we can, and to appreciate the wide difference between it and all work which has not the same high character. This is what is salutary, this is what is formative; this is the great benefit to be got from the study of poetry. P. Marudanayagam
Author: Eva Wilden
Author: Eva Wilden
Author: Herman Tieken
Author: Eva Maria Wilden
Author: Leah Elizabeth Comeau
Author: Roland Greene
Author: Roland Greene
Author: Maria Heim
Author: Jaroslav Vacek
Author: Herman Joseph Hugo Tieken
Author: P. Marudanayagam