Modern Humanists Reconsidered PDF Download

Author: J. Robertson
Publisher:
ISBN: 9780849006494
Category :
Languages : en
Pages :

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Author: John Mackinnon Robertson
Publisher:
ISBN:
Category : Humanists
Languages : en
Pages : 216

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Author: John Mackinnon Robertson
Publisher: New York : Haskell House Publishers
ISBN: 9780838315569
Category : Literary Criticism
Languages : en
Pages : 200

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Author: John Mackinnon Robertson
Publisher:
ISBN:
Category : Humanists
Languages : en
Pages : 216

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Author: Rebecca W. Bushnell
Publisher: Cornell University Press
ISBN: 9780801483561
Category : Education
Languages : en
Pages : 228

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In pedagogical manuals strongly reminiscent of gardening guides, the scholar was seen as both a pliant vine and a force of nature.

Author: Nicolas Walter
Publisher: Prometheus Books
ISBN: 1615928367
Category : Philosophy
Languages : en
Pages : 144

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What is a humanist? After an introduction to the earliest ideas of, and terms for, humanism in the ancient world, noted humanist Nicolas Walter explores the history of humanism and its evolving definitions from the time of the original appearance and first meanings of "humanist" in the Italian Renaissance, concluding with a manifesto of modern humanism. Drawing on personal experience and information from more than 400 sources, this is the first full-length treatment of the subject.

Author: Naorem Khagendra Singh
Publisher: APH Publishing
ISBN: 9788176482387
Category : Christianity in literature
Languages : en
Pages : 316

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Author: Daniel Chernilo
Publisher: Cambridge University Press
ISBN: 1107129338
Category : History
Languages : en
Pages : 271

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An original approach to the question 'what is a human being?', examining key ideas of leading contemporary sociologists and philosophers.

Author: Leon Surette
Publisher: McGill-Queen's Press - MQUP
ISBN: 077353363X
Category : Literary Collections
Languages : en
Pages : 430

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Leon Surette's new study of T. S. Eliot and Wallace Stevens, The Modern Dilemma, challenges the received view that Stevens' poetry expresses a Humanist world view, and - more surprisingly - documents Eliot's early Humanist phase when Eliot and his bride shared Bertrand Russell's tiny London flat, and later rented a country house together (1914-17). Eliot's poetry of that time - up to The Waste Land is seen to reflect his Humanist phase, closed by his conversion, poetically documented in Ash Wednesday. Where Eliot's poetry is dominated by cultural, religious and philosophical angst, Stevens' is bright, witty, and playful - and commonly dismissed as superficial. The Modern Dilemma challenges this view, demonstrating the seriousness of Stevens' life-long engagement with the modern dilemma of disbelief, and also that, like Eliot, he rejected the Humanist resolution, characterized by Russell in "The Free Man's Worship" as man worshiping "at the shrine that his own hands have built." The study proceeds by juxtaposing the two poets' responses in poetry and prose to the same texts and events: Marianne Moore's poetry; the Great War; Humanists and anti-Humanists; the Franco-Mexican Humanist, Ramon Fernandez; Pure Poetry; and finally the gathering war clouds in the late 'thirties. The strategy is to put the two men in juxtaposition so as to highlight the differences and similarities of their responses to the same issues or the same works. Among the issues under examination is the nature and status of poetry, religious belief or disbelief, and political engagement or the lack thereof.

Author:
Publisher: BRILL
ISBN: 9004489215
Category : Literary Criticism
Languages : en
Pages : 363

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Both John Keats and Thomas Carlyle were born in 1795, but one rarely thinks of them together. When one does, curious speculations result. It is difficult to think of Carlyle as a young Romantic or of Keats as a Victorian Sage, but had Carlyle died prematurely and had Keats lived to a ripe old age, we might now be considering a Romantic Carlyle and a Victorian Keats. Such a juxtaposition leads one to consider the use and abuse, the fusions and confusions, of period terms in literary history and in criticism. Does Carlyle represent Romanticism as typically as Keats? Does Keats's work give us any cause to believe that he might have developed into a Victorian poet? Do the terms Romanticism and Victorian have any useful literary historical and literary critical value? What are the marks of the transition from one to the other? Or is the existence of such a transition an illusion? In this volume, some essays consider aspects of Keats or of Carlyle independently, or together, or focus on contemporaries of one or other or of both and explore the effect of their literary and ideological relationships, and the often indefinable sense that we all have of different styles, manners and periods, as well as the awareness that we might all be equally deceived about such distinctive boundaries and definitions.