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Author: James Gunn Publisher: McFarland ISBN: 1476673195 Category : Literary Criticism Languages : en Pages : 214
Book Description
James Gunn--one of the founding figures of science fiction scholarship and teaching--wrote in 1951 what is likely the first master's thesis on modern science fiction. Portions were in the short-lived pulp magazine Dynamic but it has otherwise remained unavailable. Here in its first full publication, the thesis explores many of the classic Golden Age stories of the 1940s and the critical perspective that informed Gunn's essential genre history Alternate Worlds and his anthology series The Road to Science Fiction. The editor's introduction and commentary show the historical significance of Gunn's work and its relevance to today's science fiction studies.
Author: James Gunn Publisher: McFarland ISBN: 1476673195 Category : Literary Criticism Languages : en Pages : 214
Book Description
James Gunn--one of the founding figures of science fiction scholarship and teaching--wrote in 1951 what is likely the first master's thesis on modern science fiction. Portions were in the short-lived pulp magazine Dynamic but it has otherwise remained unavailable. Here in its first full publication, the thesis explores many of the classic Golden Age stories of the 1940s and the critical perspective that informed Gunn's essential genre history Alternate Worlds and his anthology series The Road to Science Fiction. The editor's introduction and commentary show the historical significance of Gunn's work and its relevance to today's science fiction studies.
Author: A. Roberts Publisher: Springer ISBN: 0230554652 Category : Fiction Languages : en Pages : 368
Book Description
The History of Science Fiction traces the origin and development of science fiction from Ancient Greece up to the present day. The author is both an academic literary critic and acclaimed creative writer of the genre. Written in lively, accessible prose it is specifically designed to bridge the worlds of academic criticism and SF fandom.
Author: Carl Freedman Publisher: Wesleyan University Press ISBN: 0819574546 Category : Literary Criticism Languages : en Pages : 233
Book Description
Selected by Choice as an Outstanding Academic Book of the Year. This innovative cultural critique offers valuable insights into science fiction, thus enlarging our understanding of critical theory. Carl Freedman traces the fundamental and mostly unexamined relationships between the discourses of science fiction and critical theory, arguing that science fiction is (or ought to be) a privileged genre for critical theory. He asserts that it is no accident that the upsurge of academic interest in science fiction since the 1970s coincides with the heyday of literary theory, and that likewise science fiction is one of the most theoretically informed areas of the literary profession. Extended readings of novels by five of the most important modern science fiction authors illustrate the affinity between science fiction and critical theory, in each case concentrating on one major novel that resonates with concerns proper to critical theory. Freedman's five readings are: Solaris: Stanislaw Lem and the Structure of Cognition; The Dispossessed: Ursula LeGuin and the Ambiguities of Utopia; The Two of Them: Joanna Russ and the Violence of Gender; Stars in My Pocket Like Grains of Sand: Samuel Delany and the Dialectics of Difference; The Man in the High Castle: Philip K. Dick and the Construction of Realities.
Author: Reginald Bretnor Publisher: Chicago : Advent Publishers ISBN: Category : Literary Criticism Languages : en Pages : 352
Book Description
Essays by John W. Campbell, Jr., Anthony Boucher, Don Fabun, Fletcher Pratt, Rosalie Moore, L. Sprague de Camp, Isaac Asimov, Arthur C. Clarke, Philip Wylie, Gerald Heard, and Reginald Bretnor. The original 1953 edition was the first serious discussion of modern science fiction as literature. The San Francisco Chronicle said: "The book is very likely to recruit a whole host of new readers. . . A freely argued, objective, highly individualistic study by ten writers of the origins, advances and future prospects of science fiction as a spontaneous living literature." The essays are grouped in three sections: "Science Fiction Today," "Science Fiction as Literature," and "Science Fiction, Science, and Modern Man." This classic symposium is a fit companion to Mr. Bretnor's later books Science Fiction, Today and Tomorrow and The Craft of Science Fiction. Our new edition adds a preface by the editor, a chapter of notes and corrections, and a complete index.
Author: Thomas D. Clareson Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 320
Book Description
Discusses writers such as Poul Anderson, Brian W. Aldiss, Isaac Asimov, J.G. Ballard, Alfred Bester, James Blish, Anthony Boucher, Ray Bradbury, Algis Budrys, Edgar Rice Burroughs, John W. Campbell, Arthur C. Clarke, Hal Clement, Samuel R. Delany, Lester del Rey, Philip K. Dick, Gordon R. Dickson, Thomas Disch, Harlan Ellison, Philip Jose Farmer, Randall Garrett, Robert A. Heinlein, Zenna Henderson, Frank Herbert, Damon Knight, Cyril Kornbluth, Ursula K. Le Guin, Murray Leinster, Anne McCaffrey, Judith Merril, A. Merritt, Walter M. Miller Jr., Michael Moorcock, Andre Norton, Alexei Panshin, H. Beam Piper, Frederik Pohl, Joanna Russ, Robert Silverberg, Clifford D. Simak, Cordwainer Smith, E.E. "Doc" Smith, Norman Spinrad, Theodore Sturgeon, Jack Vance, A.E. van Vogt, Kurt Vonnegut, Donald Wollheim, RogerZelazny, Jack Williamson, and others.
Author: James Blish Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 168
Book Description
In his incarnation as "William Atheling, Jr." the late James Blish wrote more than this share of the most incisive criticism of contemporary science fiction. Continuing in the vein of The Issue at Hand, this volume concentrates on science-fiction books of 1957 to 1970. Atheling's skillful rapier skewers literary malefactors of many kinds, including some well-known authors whose great popularity is all the more puzzling because there seems to be so little reason for it. He concludes with a long look at the "New Wave" that arose in the Sixties. To be sure, Atheling does not stint praise where it is due--see especially the chapters on Budrys and Sturgeon--but it is in the nature of criticism that the sins and errors be dealt with in greatest detail. As Atheling puts it: "There is no such thing as destructive criticism. That is just a cliche people use to signal that their toes have been stepped on. After all, the whole point of telling a man he is doing something the wrong way is the hope that next time he will do it right. Simply saying that a given book is bad may serve the secondary function of warning the public away from it, if the public trusts the critic. But if you do not go on to say in what way it is bad, your verdict is not destructive criticism, or any other kind of criticism; it is just abuse. A good critic is positively obliged to be harsh toward bad work....[and] should be able to say with some precision not only that something went wrong--if it did--but just how it went wrong."
Author: Anindita Banerjee Publisher: Wesleyan University Press ISBN: 0819573353 Category : Fiction Languages : en Pages : 219
Book Description
How science fiction forged a unique Russian vision of modernity distinct from Western models Science fiction emerged in Russia considerably earlier than its English version and instantly became the hallmark of Russian modernity. We Modern People investigates why science fiction appeared here, on the margins of Europe, before the genre had even been named, and what it meant for people who lived under conditions that Leon Trotsky famously described as "combined and uneven development." Russian science fiction was embraced not only in literary circles and popular culture, but also by scientists, engineers, philosophers, and political visionaries. Anindita Banerjee explores the handful of well-known early practitioners, such as Briusov, Bogdanov, and Zamyatin, within a much larger continuum of new archival material comprised of journalism, scientific papers, popular science texts, advertisements, and independent manifestos on social transformation. In documenting the unusual relationship between Russian science fiction and Russian modernity, this book offers a new critical perspective on the relationship between science, technology, the fictional imagination, and the consciousness of being modern.
Author: Rob Latham Publisher: Bloomsbury Publishing ISBN: 1474248640 Category : Literary Criticism Languages : en Pages : 416
Book Description
Including more than 30 essential works of science fiction criticism in a single volume, this is a comprehensive introduction to the study of this enduringly popular genre. Science Fiction Criticism: An Anthology of Essential Writings covers such topics as: ·Definitions and boundaries of the genre ·The many forms of science fiction, from time travel to 'inner space' ·Ideology and identity: from utopian fantasy to feminist, queer and environmental readings ·The non-human: androids, aliens, cyborgs and animals ·Race and the legacy of colonialism The volume also features annotated guides to further reading on these topics. Includes writings by: Marc Angenot, J.G. Ballard, Damien Broderick, Istvan Csicsery-Ronay, Samuel R. Delany, Philip K. Dick, Grace Dillon, Kodwo Eshun, Carl Freedman, Allison de Fren, Hugo Gernsback, Donna Haraway, N. Katherine Hayles, Robert A. Heinlein, Nalo Hopkinson, Veronica Hollinger, Fredric Jameson, Gwyneth Jones, Rob Latham, Roger Luckhurst, Judith Merril, John B. Michel, Wendy Pearson, John Rieder, Lysa Rivera, Joanna Russ, Mary Shelley, Stephen Hong Sohn, Susan Sontag, Bruce Sterling, Darko Suvin, Vernor Vinge, Sherryl Vint, H.G. Wells, David Wittenberg and Lisa Yaszek
Author: James Gunn
Author: James Gunn
Author: A. Roberts
Author: Frederick Andrew Lerner
Author: Carl Freedman
Author: Reginald Bretnor
Author: Damon Knight
Author: Thomas D. Clareson
Author: James Blish
Author: Anindita Banerjee
Author: Rob Latham