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Author: Harold Best Publisher: Harper Collins ISBN: 0062337394 Category : Religion Languages : en Pages : 240
Book Description
"Christian musicians know of the obligation to make music as agents of God's grace. They make music graciously, whatever its kind or style, as ambassadors of Christ, showing love, humility, servanthood, meekness, victory, and good example . . . Music is freely made, by faith, as an act of worship, in direct response to the overflowing grace of God in Christ Jesus." Co-sponsored by the Christian College Coalition, this thought-provoking study of music-as-worship leads both students and experienced musicians to a better understanding of the connections between music making and Christian faith. "Christian music makers have to risk new ways of praising God. Their faith must convince them that however strange a new offering may be, it cannot out-reach, out-imagine, or overwhelm God. God remains God, ready to swoop down in the most wonderful way, amidst all of the flurry and mystery of newness and repetition, to touch souls and hearts, all because faith has been exercised and Christ's ways have been imitated. Meanwhile, a thousand tongues will never be enough." Best relates musical practice to a larger theology of creation and creativity, and explores new concepts of musical quality and excellence, musical unity, and the incorporation of music from other cultures into today's music.
Author: Harold Best Publisher: Harper Collins ISBN: 0062337394 Category : Religion Languages : en Pages : 240
Book Description
"Christian musicians know of the obligation to make music as agents of God's grace. They make music graciously, whatever its kind or style, as ambassadors of Christ, showing love, humility, servanthood, meekness, victory, and good example . . . Music is freely made, by faith, as an act of worship, in direct response to the overflowing grace of God in Christ Jesus." Co-sponsored by the Christian College Coalition, this thought-provoking study of music-as-worship leads both students and experienced musicians to a better understanding of the connections between music making and Christian faith. "Christian music makers have to risk new ways of praising God. Their faith must convince them that however strange a new offering may be, it cannot out-reach, out-imagine, or overwhelm God. God remains God, ready to swoop down in the most wonderful way, amidst all of the flurry and mystery of newness and repetition, to touch souls and hearts, all because faith has been exercised and Christ's ways have been imitated. Meanwhile, a thousand tongues will never be enough." Best relates musical practice to a larger theology of creation and creativity, and explores new concepts of musical quality and excellence, musical unity, and the incorporation of music from other cultures into today's music.
Author: Mark Joseph Publisher: ISBN: 9781944229184 Category : Music Languages : en Pages : 336
Book Description
Rock music, once largely the domain of hedonism and debauchery of every kind, is now populated by a surprising case of upstanding and in many cases devout citizens who create all different kinds of music and oftentimes are animated by religious ideas that would have been completely alien to rock stars of yesteryear. The religious and religiously influenced are now commonplace in rock 'n' roll (Kendrick Lamar, Chance the Rapper, Katy Perry, 21 Pilots). But is that good for either rock or the faith? In Rock Gets Religion producer and author Mark Joseph explores the tensions caused when religious youth are thrown into the world of rock 'n' roll. He weaves thoughtful commentary amidst the stories of devout and not-so-devout rockers--along with a warning about the inherent dangers of sanctifying rock. Four major trends caused this big-tent takeover: (1) Dozens of rookie artists are bypassing the Contemporary Christian Music (CCM) scene altogether going directly to mainstream labels; (2) established CCM artists are switching to mainstream recording companies; (3) Those artists who experience religious conversions are staying in mainstream music instead of leaving for the church circuit; and (4) the American Idol phenomenon resulted in pop stars being picked by the American people instead of music industry gatekeepers who selected the stars of yesteryear. As a result, while CCM sales of Christian music as a genre may have been in a steady decline, the religious influence on rock has never been greater. Rock Gets Religion lays out the case for people of faith to continue to make their music in the middle of popular culture, and updates the scene with dozens of success (and not so successful) stories of Christians who have done just that. "Mark Joseph has been a key voice in the transformation of American popular music," says former Van Halen singer Gary Cherone. "In this book, his final in a three-part series, he shows us how the transformation happened and outlines a vision for the future of the unlikely alliance of rock music and serious faith."
Author: Marzanna Poplawska Publisher: Routledge ISBN: 0429996292 Category : Music Languages : en Pages : 320
Book Description
This book is a study of music inculturation in Indonesia. It shows how religious expression can be made relevant in an indigenous context and how grassroots Christianity is being realized by means of music. Through the discussion of indigenous expressions of Christianity, the book presents multiple ways in which Indonesians reiterate their identity through music by creatively forging Christian and indigenous elements. This study moves beyond the discussion (and charge) of syncretism, showing that the inclusion of local cultural manifestations is an answer to creating a truly indigenous Christian expression. Marzanna Poplawska, while telling the story of Indonesian Christians and the multiple ways in which they live Christianity through music, emphasizes the creative energy and agency of local people. In their practices she finds optimism for the continuing existence of many traditional genres and styles. Indonesian Christians perform their Christian faith through music, dance, and theater, generating innovative cultural products that enrich the global Christian heritage. The book is addressed to a broad spectrum of readers: scholars from a variety of disciplines – music, religion, anthropology, especially those interested in interactions between Christianity and indigenous cultures; general music lovers and World Music enthusiasts eager to discover musics outside of European realm; as well as Christian believers, church musicians, and choir directors curious to learn about Christian music beyond Euro-American context. Students of religion, sacred music, (ethno)musicology, theater, and dance will also benefit from learning about a variety of indigenous arts employed in Christian churches in Indonesia.
Author: The Methodist Church Publisher: Canterbury Press Norwich ISBN: 9781848250703 Category : Religion Languages : en Pages : 0
Book Description
Seven years in development, Singing the Faith is authorised by the Methodist Conference and replaces Hymns and Psalms, published almost 30 years ago. Containing the classic, best loved hymns of the Christian tradition it also incorporates many bold and exciting elements including hymns, songs and liturgical chants from the world church.
Author: Patrick Kavanaugh Publisher: Zondervan ISBN: 0310208068 Category : Biography & Autobiography Languages : en Pages : 260
Book Description
This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.
Author: Alexis Anja Kallio Publisher: Indiana University Press ISBN: 0253043743 Category : Music Languages : en Pages : 299
Book Description
Music, Education, and Religion: Intersections and Entanglements explores the critical role that religion can play in formal and informal music education. As in broader educational studies, research in music education has tended to sidestep the religious dimensions of teaching and learning, often reflecting common assumptions of secularity in contemporary schooling in many parts of the world. This book considers the ways in which the forces of religion and belief construct and complicate the values and practices of music education—including teacher education, curriculum texts, and teaching repertoires. The contributors to this volume embrace a range of perspectives from a variety of disciplines, examining religious, agnostic, skeptical, and atheistic points of view. Music, Education, and Religion is a valuable resource for all music teachers and scholars in related fields, interrogating the sociocultural and epistemological underpinnings of music repertoires and global educational practices.
Author: Andrew Wilson-Dickson Publisher: Fortress Press ISBN: 9780800634742 Category : Music Languages : en Pages : 268
Book Description
Music has been at the heart of Christian worship since the beginning, and this lavishly illustrated and wonderfully written volume fully surveys the many centuries of creative Christian musical experimentation. From its roots in Jewish and Hellenistic music, through the rich tapestry of medieval chant to the full flowering of Christian music in the centuries after the Reformation and the many musical expressions of a now-global Christianity, Wilson-Dickson conveys 'a glimpse of the fecundity of imagination with which humanity has responded to the creator God.' Book jacket.
Author: Randall J. Stephens Publisher: Harvard University Press ISBN: 0674919726 Category : Music Languages : en Pages : 330
Book Description
When rock ’n’ roll emerged in the 1950s, ministers denounced it from their pulpits and Sunday school teachers warned of the music’s demonic origins. The big beat, said Billy Graham, was “ever working in the world for evil.” Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil’s Music tells the story of this transformation. Rock’s origins lie in part with the energetic Southern Pentecostal churches where Elvis, Little Richard, James Brown, and other pioneers of the genre worshipped as children. Randall J. Stephens shows that the music, styles, and ideas of tongue-speaking churches powerfully influenced these early performers. As rock ’n’ roll’s popularity grew, white preachers tried to distance their flock from this “blasphemous jungle music,” with little success. By the 1960s, Christian leaders feared the Beatles really were more popular than Jesus, as John Lennon claimed. Stephens argues that in the early days of rock ’n’ roll, faith served as a vehicle for whites’ racial fears. A decade later, evangelical Christians were at odds with the counterculture and the antiwar movement. By associating the music of blacks and hippies with godlessness, believers used their faith to justify racism and conservative politics. But in a reversal of strategy in the early 1970s, the same evangelicals embraced Christian rock as a way to express Jesus’s message within their own religious community and project it into a secular world. In Stephens’s compelling narrative, the result was a powerful fusion of conservatism and popular culture whose effects are still felt today.
Author: Philip V. Bohlman Publisher: ISBN: 9780195173048 Category : Music Languages : en Pages : 372
Book Description
For students and scholars in American music and religious studies, as well as for church musicians, this book is the first to study the ways in which music shapes the distinctive presence of religion in the United States. The sixteen essayists' contributions to this book address the fullness of music's presence in American religion and religious history.
Author: Harold Best
Author: Harold Best
Author: Jonathan Arnold
Author: Mark Joseph
Author: Marzanna Poplawska
Author: The Methodist Church
Author: Patrick Kavanaugh
Author: Alexis Anja Kallio
Author: Andrew Wilson-Dickson
Author: Randall J. Stephens
Author: Philip V. Bohlman