The Music and the Mirror PDF Download

Author: LOLA. KEELEY
Publisher:
ISBN: 9783963240140
Category :
Languages : en
Pages : 330

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Book Description
Anna is the member of an elite ballet company. She must face down jealousy, sabotage and injury, not to mention navigate the circus of friends and lovers within the company. Anna discovers that she and the daring, beautiful Victoria have a lot more than a talent for ballet in common, and that not every thrilling dance can be found on stage.

Author: Andreas Giger
Publisher: U of Nebraska Press
ISBN: 9780803232198
Category : Music
Languages : en
Pages : 354

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Book Description
In Music in the Mirror, thirteen distinguished scholars explore the concept of music, music theory, and music literature as mirror images of one another?whether real or distorted. Encompassing the history of music and music theory and literature from the Middle Ages to the present, these essays, in their reconsideration of the relationships among music, theory, and literature, offer new approaches and articulate compelling visions for future research.

Author: Spencer Tweedy
Publisher: National Geographic Books
ISBN: 3791386530
Category : Music
Languages : en
Pages : 0

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Book Description
A visual portrait that delves into the people and processes behind self-recorded music, featuring some of the biggest names in music today. Everywhere you look, musicians are creating, recording, and selling their music without the help of big-name studios, producers, or labels. This book offers tangible--and visually stunning--proof that self-recording is a path to artistic freedom. Each chapter takes on a specific aspect of self-recording through original interviews with musicians and all new photography, revealing the joys and complications of recording music on one's own terms. You'll learn how some of your favorite musicians charted their path to self-recording and how they use emerging technologies to make exceptional music. The book features intimate shots of artists recording in living rooms, backyards, and garages--such as Eleanor Friedberger, Mac DeMarco, Vagabon, Tune-Yards, Yuka Honda, and more. The first book devoted entirely to the practice of self-recording, Mirror Sound charts a way forward for any musician who aspires to make their own music and those who just love to listen.

Author: Jacobus De Ispania
Publisher:
ISBN: 9780692909171
Category : Music theory
Languages : en
Pages : 84

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Book Description
The Speculum musicae of Magister Jacobus de Ispania from Li�ge is the ultimate Medieval Summa of music. Compiled probably during the 1330s, it comprises no fewer than seven books, altogether totaling more than 375,000 words. Princeton musicologist Rob C. Wegman offers a translation of the seventh and final book, which deals with contemporary polyphony. This part of the Speculum is the notorious-and uncommonly impassioned-diatribe against new musical and notational practices that had gained currency in France in the second quarter of the fourteenth century. Jacobus proves himself thoroughly schooled in Scholastic philosophy and prosecutes the case with relentless determination, using his consummate rhetorical skills and his fierce critical intelligence to full advantage. What drove him to launch the attack was his sense of personal loyalty to the music and musicians he had loved during his years as a university student at Paris, probably in the 1290s, as well as his faith in the decisive power of rigorous and methodical reasoning. Yet to his infinite sadness, his demonstrations proved of little avail against the more powerful contemporary forces of changing musical taste and practical expediency. Magister Jacobus concludes his treatise with a moving prayer of thanksgiving, in which he looks forward to the life to come, and appears ready to part from this world, which had so bitterly disappointed him in his final years.

Author: David C Paul
Publisher: University of Illinois Press
ISBN: 0252094697
Category : Music
Languages : en
Pages : 315

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Book Description
American composer Charles Ives (1874–1954) has gone from being a virtual unknown to become one of the most respected and lauded composers in American music. In this sweeping survey of intellectual and musical history, David C. Paul tells the new story of how Ives's music was shaped by shifting conceptions of American identity within and outside of musical culture, charting the changes in the reception of Ives across the twentieth century and into the twenty-first century. Paul focuses on the critics, composers, performers, and scholars whose contributions were most influential in shaping the critical discourse on Ives, many of them marquee names of American musical culture themselves, including Henry Cowell, Aaron Copland, Elliott Carter, and Leonard Bernstein. Paul explores both how Ives positioned his music amid changing philosophical and aesthetic currents and how others interpreted his contributions to American music. Although Ives's initial efforts to find a public in the early twenties attracted a few devotees, the resurgence of interest in the American literary past during the thirties made a concert staple of his "Concord" Sonata, a work dedicated to nineteenth-century transcendentalist writers. Paul shows how Ives was subsequently deployed as an icon of American freedom during the early Cold War period and how he came to be instigated at the head of a line of "American maverick" composers. Paul also examines why a recent cadre of scholars has beset the composer with Gilded Age social anxieties. By embedding Ives' reception within the changing developments of a wide range of fields including intellectual history, American studies, literature, musicology, and American politics and society in general, Charles Ives in the Mirror: American Histories of an Iconic Composer greatly advances our understanding of Ives and his influence on nearly a century of American culture.

Author: Thomas Stumpf
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 174

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Book Description
Illuminating the author's unshakeable faith in the power of music in people's lives, this text draws upon the fields of literature, philosophy, psychology, and religious thought to highlight the importance of music in an increasingly chaotic and techno-centric world. Issues such as the folly of the work/play mindset and the relationship of music to time's inexorable passage are discussed, as are many ways in which music can lead to a deeper understanding of the human condition. The superficiality of the market-driven world of professional pop music and the ineffectual approach of traditional music education are also explored.

Author: Kirsten Krauth
Publisher: Transit Lounge
ISBN: 1925760561
Category : Fiction
Languages : en
Pages : 240

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Book Description
Shortlisted for the Penguin Literary Prize Like fireflies to the light, Mona, Benny and Jimmy are drawn into the elegantly wasted orbit of the Crystal Ballroom and the post-punk scene of 80s Melbourne, a world that includes Nick Cave and Dodge, a photographer pushing his art to the edge. With precision and richness Kirsten Krauth hauntingly evokes the power of music to infuse our lives, while diving deep into loss, beauty, innocence and agency. Filled with unforgettable characters, the novel is above all about the shapes that love can take and the many ways we express tenderness throughout a lifetime. As it moves between the Blue Mountains and Melbourne, Sydney and Castlemaine, Almost a Mirror reflects on the healing power of creativity and the everyday sacredness of family and friendship in the face of unexpected tragedy.

Author: Edward Kleban, James Kirkwood, Michael Bennett, Nicholas Dante, Marvin Hamlisch, Frank Rich, Samuel G. Freedman
Publisher: Hal Leonard Corporation
ISBN: 1617746185
Category : Performing Arts
Languages : en
Pages : 171

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Book Description
(Applause Books). It is hard to believe that over 25 years have passed since A Chorus Line first electrified a New York audience. The memories of the show's birth in 1975, not to mention those of its 15-year-life and poignant death, remain incandescent and not just because nothing so exciting has happened to the American musical since. For a generation of theater people and theatergoers, A Chorus Line was and is the touchstone that defines the glittering promise, more often realized in lengend than in reality, of the Broadway way. This impressive book contains the complete book and lyrics of one of the longest running shows in Broadway history with a preface by Samuel Freedman, an introduction by Frank Rich and lots of photos from the stage production.

Author: W. H. Auden
Publisher: Princeton University Press
ISBN: 0691123845
Category : Literary Criticism
Languages : en
Pages : 148

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Book Description
Written in the midst of World War II after its author emigrated to America, "The Sea and the Mirror" is not merely a great poem but ranks as one of the most profound interpretations of Shakespeare's final play in the twentieth century. As W. H. Auden told friends, it is "really about the Christian conception of art" and it is "my Ars Poetica, in the same way I believe The Tempest to be Shakespeare's." This is the first critical edition. Arthur Kirsch's introduction and notes make the poem newly accessible to readers of Auden, readers of Shakespeare, and all those interested in the relation of life and literature--those two classic themes alluded to in its title. The poem begins in a theater after a performance of The Tempest has ended. It includes a moving speech in verse by Prospero bidding farewell to Ariel, a section in which the supporting characters speak in a dazzling variety of verse forms about their experiences on the island, and an extravagantly inventive section in prose that sees the uncivilized Caliban address the audience on art--an unalloyed example of what Auden's friend Oliver Sachs has called his "wild, extraordinary and demonic imagination." Besides annotating Auden's allusions and sources (in notes after the text), Kirsch provides extensive quotations from his manuscript drafts, permitting the reader to follow the poem's genesis in Auden's imagination. This book, which incorporates for the first time previously ignored corrections that Auden made on the galleys of the first edition, also provides an unusual opportunity to see the effect of one literary genius upon another.

Author: Robert Pattison
Publisher: Oxford University Press
ISBN: 0195365038
Category : Music
Languages : en
Pages : 303

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Book Description
The Triumph of Vulgarity in a thinker's guide to rock 'n' roll. Rock music mirrors the tradition of nineteenth-century Romaniticsm, Robert Patison says. Whitman's "barbaric yawp" can still be heard in the punk rock of the Ramones, and the spirit that inspired Poe's Eureka lives on in the lyrics of Talking Heads. Rock is vulgar, Pattison notes, and vulgarity is something that high culture has long despised but rarely bothered to define. This book is the first effort since John Ruskin and Aldous Huxley to describe in depth what vulgarity is, and how, with the help of ideas inherent in Romaniticism, it has slipped the constraints imposed on it by refined culture and established its own loud arts. The book disassembles the various myths of rock: its roots in black and folk music; the primacy it accords to feeling and self; the sexual omnipotence of rock stars; the satanic predilictions of rock fans; and rock's high-voltage image of the modern Prometheus wielding an electric guitar. Pattison treats these myths as vulgar counterparts of their originals in refined Romantic art and offers a description and justification of rock's central place in the social and aesthetic structure of modern culture. At a time when rock lyrics have provoked parental outrage and senatorial hearings, The Triumph of Vulgarity is required reading for anyone interested in where rock comes from and how it works.