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Author: Torsten Kolind Publisher: Aarhus Universitetsforlag ISBN: 877124672X Category : History Languages : en Pages : 393
Book Description
Stolac, the town of departure for this book and the site where the author conducted fieldwork, is located in the south-western corner of Bosnia Herzegovina. The war in Bosnia Herzegovina (1992-95) was initially an act of aggression and territorial conquest instigated by Serbian political leaders. However, as the war progressed, it increasingly came to consist of several minor wars, one of them fought in Western Bosnia Herzegovina between Croatian and Muslim forces. This was the one that affected the inhabitants of Stolac the most. Before the war, ethnic identity in Bosnia Herzegovina was only one identity among others, and ethnic differences were embedded in everyday practices. Today, ethnic difference is all there is. The Muslims of Stolac are fully aware that as Muslims, they constitute a totally separate group - and that ethnic identity is by far the most important form of identity in present-day Bosnia Herzegovina. In that regard the nationalist project has succeeded. Such a crystallisation and explication of identity fits in well with the structurally inspired anthropology of war and violence, which theorises that the function of violence is to create unambiguous identities. However, Post-War Identities shows that for the Muslims of Stolac, the creation of unambiguous ethnic identities is only half the story.
Author: Torsten Kolind Publisher: Aarhus Universitetsforlag ISBN: 877124672X Category : History Languages : en Pages : 393
Book Description
Stolac, the town of departure for this book and the site where the author conducted fieldwork, is located in the south-western corner of Bosnia Herzegovina. The war in Bosnia Herzegovina (1992-95) was initially an act of aggression and territorial conquest instigated by Serbian political leaders. However, as the war progressed, it increasingly came to consist of several minor wars, one of them fought in Western Bosnia Herzegovina between Croatian and Muslim forces. This was the one that affected the inhabitants of Stolac the most. Before the war, ethnic identity in Bosnia Herzegovina was only one identity among others, and ethnic differences were embedded in everyday practices. Today, ethnic difference is all there is. The Muslims of Stolac are fully aware that as Muslims, they constitute a totally separate group - and that ethnic identity is by far the most important form of identity in present-day Bosnia Herzegovina. In that regard the nationalist project has succeeded. Such a crystallisation and explication of identity fits in well with the structurally inspired anthropology of war and violence, which theorises that the function of violence is to create unambiguous identities. However, Post-War Identities shows that for the Muslims of Stolac, the creation of unambiguous ethnic identities is only half the story.
Author: Bi-yu Chang Publisher: Routledge ISBN: 1317658116 Category : Social Science Languages : en Pages : 260
Book Description
In the struggles for political and cultural hegemony that Taiwan has witnessed since the 1980s, the focal point in contesting narratives and the key battlefield in the political debates are primarily spatial and place-based. The major fault line appears to be a split between an imposed identity emphasizing cultural origin (China) and an emphasis on the recovery of place identity of ‘the local’ (Taiwan). Place, Identity and National Imagination in Postwar Taiwan explores the ever-present issue of identity in Taiwan from a spatial perspective, and focuses on the importance of, and the relationship between, state spatiality and identity formation. Taking postwar Taiwan as a case study, the book examines the ways in which the Kuomintang regime naturalized its political control, territorialized the island and created a nationalist geography. In so doing, it examines how, why and to what extent power is exercised through the place-making process and considers the relationship between official versions of ‘ROC geography’ and the islanders’ shifting perceptions of the ‘nation’. In turn, by addressing the relationship between the state and the imagined community, Bi-yu Chang establishes a dialogue between place and cultural identity to analyse the constant changing and shaping of Chinese and Taiwanese identity. With a diverse selection of case studies including cartographical development, geography education, territorial declaration and urban planning, this interdisciplinary book will have a broad appeal across Taiwan studies, geography, cultural studies, history and politics.
Author: Martyn David Smith Publisher: Bloomsbury Publishing ISBN: 1350030775 Category : History Languages : en Pages : 192
Book Description
Mass Media, Consumerism and National Identity in Postwar Japan addresses Japan's evolving nationalism and national identity in relation to its newly rising consumerism during the two decades from 1952 to 1972, through a study of the transformation of the print media and the market for weekly and monthly magazines. Martyn Smith argues that the transformation of the print media in the 1950s and 1960s expanded the possibilities for social, individual and national identities in Japan. From the late 1950s, the growth in the market for weekly magazines was fuelled by the huge potential for advertising revenue, the rapid development of the Japanese economy, and the necessity for the growth of a consumer society. This resulted in the merging of national identity with individual subjectivity – which this book describes as 'national subjectivity' – as the Japanese media promoted individual consumption to aid the recovery of the Japanese nation as a whole. Examining housewife magazines such as Fujin Koron, Fujin no Tomo and Fujin Gaho, as well as news magazines such as Mainichi Graph and Asahi Graph, and publications aimed at young people – Shukan Heibon and Heibon Punch – Smith shows how the relationship of nationalism to everyday life is best understood by taking into account the changing nature of consumption in the period. By presenting an alternative to the traditional 'top-down' narrative of state-driven economic nationalism, this book therefore makes a unique contribution to the study of postwar Japanese history and Japanese nationalism.
Author: Marko Lehti Publisher: Routledge ISBN: 1135760500 Category : Political Science Languages : en Pages : 333
Book Description
During the past decade northern Europe has started to assume an identity of its own. Categories of East and West have become blurred, challenging as well the idea of what it means to be Nordic. Post-Cold War Identity Politics maps this process in Scandinavia. Looking at projects designed to help regional development in the Nordic countires, it assesses whether a new way of defining 'Northern-ness' is emerging. The book highlights the existence of co-existing and - to some extent - competing region-building projects in northern Europe. It demonstrates how they are all efforts by existing nations to redefine their role in Europe at a time of change, and points to how they might develop in the future.
Author: Elizabeth Vihlen McGregor Publisher: Lexington Books ISBN: 1498528775 Category : Music Languages : en Pages : 328
Book Description
In the decades following World War II, French jazz audiences engaged in a process that both challenged and reinforced ideas about their own nation and culture. By negotiating subjects such as youth culture, gender expectations, American consumer society, citizenship, racism, civil rights, and decolonization, the French jazz public expressed important beliefs about France’s place in a fast-changing world and a desire to maintain a strong national identity in the face of globalization.
Author: Wojciech Browarny Publisher: Projekt Nauka. Fundacja na rzecz promocji nauki polskiej ISBN: 8363270172 Category : Languages : en Pages : 626
Book Description
As Andrzej Mencwel observed, “as a result of fundamental historical changes” the need arises for “restructuring of the whole present memory and tradition system” (Rodzinna Europa po raz pierwszy). Changes of such significance took place in Poland during the Second World War and several following decades. Collective experience of that time was made up of – apart from political antagonisms – social and cultural phenomena such as change of elites, reinterpretation of their grand narratives (or symbolic world), the ultimate inclusion of the masses into the national project based on the post-gentry tradition and national history, the intensive development of urban lifestyle and the expansion of popular culture, industrialization and the process of forming a single-nationality state that diverted from the politics of domination over eastern neighbors and, instead, focused on developing the so-called Polish Western and Northern Lands. Tadeusz Różewicz’s work referred to these experiences on both the intellectual and biographical level. Comparing Juliusz Mieroszewski’s political journalism with Tadeusz Różewicz’s works, Andrzej Mencwel stressed its unique relationship of the author of Niepokój. According to him, both writers were writing as though “they had truly experienced the end of the world” (Przedwiośnie czy potop. Studium postaw polskich w XX wieku). In the afterword to the German anthology of Różewicz’s works, Karl Dedecius mentioned “Stunde Null” (“hour zero”) as the founding experience of his writing. It was this experience that induced him to undertake the challenge of attempting a new collective and national as well as individual self-identification, searching for a radically new way of thinking and writing about man, and verifying the essential components of his identity. Andrzej Walicki called this urge “the catastrophism after a catastrophe”, explaining that “once the catastrophe took place, a ca- tastrophist acknowledging its inevitability must think about ‘a new beginning’, about determining his own place in a new world” (Zniewolony umysł po latach). Hanna Gosk specifies that “it gave rise to situations when the necessity of discovering one’s place in new geographical, social, axiological and world-view-related environment urged self-identification” (Bohater swoich czasów. Postać literacka w powojennej prozie polskiej o tematyce współczesnej). It must be stressed that the need for re-establishing the sense of identity, resulting from a major crisis, was by no means limited to the postwar artistic and political elites. On the contrary, due to social changes and democratization of the access to national culture, it concerned more than ever in the past the “everyman” who did not belong to one class solely: the intelligentsia, bourgeoisie, peasantry, or proletariat but, most often, represented multiple social rooting. Tadeusz Różewicz, alongside with writers such as Tadeusz Borowski, Marek Hłasko or Miron Białoszewski, made the “Polish everyman” (Tadeusz Drewnowski) the central figure of his work. This study discusses the modern identity of an individual in Poland in two variants: a cultured man with traditions and an ordinary, transitional, temporal, or “new”, man. By adopting the narrativist approach, identity can be described through its articulations in culture, for example in literary texts. Analyzing methods of modern identification and self-awareness throughout this book, I try to prove that prose works of the author of Śmierć w starych dekoracjach present an extensive, interesting and diverse material in the matter. When necessary, I refer also to his dramatic works and poetry, especially to some longer poems published after 1989. The author’s most important prose works have so far been written in the first 30-year period starting from his debut volume of partisan novellas, notes and humorous sketches Echa leśne mimeographed in 1944. While focusing on this period, I also analyze later works published in collections Nasz starszy brat and Matka odchodzi published in the last decade of the 20th century, although written at an earlier date. Różewicz’s prose works analyzed here were published predominantly in the threevolume edition of Utwory zebrane in 2003/2004, in the reportage collection entitled Kartki z Węgier (1953) as well as in the collection of newspapers features, letters and notes – written in the 60s. and 70s. in most cases – entitled Margines, ale… (2010). I also make use of the earlier editions of his works, containing prose works not included in Utwory zebrane, for example, from the volume Opadły liście z drzew, as well as of some narratives published in journals and anthologies. Conversations with the writer published in Wbrew sobie. Rozmowy z Tadeuszem Różewiczem (2011) and his letters to Jerzy and Zofia Nowosielscy included in Korespondencja comprise an auxiliary material. What specifically draws my attention in Tadeusz Różewicz’s prose? I read his works in the context of identity narratives manifest in culture and historical-biographical stories. The questions then arise about their formative influence on an individual: what within them presents a reference for the “self ” seeking identification? When and how does individual experience take on an intersubjective meaning? Under what circumstances is it expressed in the public sphere? Have new identification patterns emerged in the Polish modernity, and if so, then what fields and phenomena of the 20th century culture or history have taken on such model significance? How and where were boundaries drawn be tween what is individual in an identity of a person speaking and thinking in Polish on the one hand, and, on the other, what is collective? What has been considered native in this identity, and what alien – for example Western, bourgeois, communist, German, Jewish, non-normative in terms of religion or sexuality – and in what way has cultural “otherness” been constructed at that time? Trying to answer these questions, I refer to categories of cultural anthropology such as symbolic universe, collective memory, autobiographical identity, body and space in culture, as well as to notions from the social sciences – interpersonal relationship, public discourse and communicative community. To put it simply, using these categories I try to describe the most important narrative forms and topics of Różewicz’s prose that allow the writer to address and express in a literary form identity problems faced by an individual and the community. I also attempt to analyze the very proces through which Różewicz develops his own unique identity narratives as well as the evolution of narrative conventions of his literary work. Reading Różewicz’s works in this manner and organizing chapters of this book from the ones presenting public identity (displayed publicly and codified in ideology or aesthetic) to the ones presenting private identity, I put an especial emphasis on some issues related to cultural studies and social communication. According to the reconstruction model, I assume that even private experiences shape one’s identity through culture and language. In Różewicz’s narratives I describe and compare both more collective and more individual premises for constructing identity. The criterion for differentiating between these premises is determined by the narrativist approach adopted in this book. An individual’s identity (even autobiographical one) is created and expressed within the existing culture and public sphere, and for this reason I am interested in history of ideas, in social relationships, symbols and role models, changes of customs and everyday life which left a distinct impression on literary, political or historical narratives. Reading these narratives, I make use of the following authors: Jan Assmann, Jean Baudrillard, Zygmunt Bauman, Ernst Cassirer, Michel Foucault, Marc Fumaroli, Hans-Georg Gadamer, Jerzy Jedlicki, Anthony Giddens, Izabela Kowalczyk, Philippe Lejeune, Maurice Merleau-Ponty, Stanisław Ossowski, Ewa Rewers, Paul Ricoeur, Richard Rorty, Elżbieta Rybicka, Richard Shusterman, Georg Simmel, Jerzy Szacki, Magdalena Środa, Charles Taylor, Nikodem Bończa Tomaszewski, Christian Vandendorpe, Anna Wieczorkiewicz. I rely on their reconstruction of social-historical background of modern identity presented by these authors as well as on language used by them. The book structure results from the overlapping, or even conflict, of two research objectives. My task is to analyze the most important premises and forms of identity in Różewicz’s prose, and I describe them in separate chapters as problems of culture, literature and history of ideas as well as models and social projects. It is my wish that all these perspectives make up a coherent identity narrative of man of the second half of the 20th century – a “biographical” case study. The study covers the process of political empowerment of an individual; his/her participation in democratized mass culture; his/her attitude towards collective memory, towards Polish and European cultural community; experiencing of body, sexuality and everyday existence; emotional and social relationship with space; and, finally, an autobiographical identity which I reconstruct as a transitional and provisional “whole”. One of the most significant issues covered in the book is the western orientation of Polish collective identity in the 20th century, related to the modernization of Central Europe and the postwar division of the continent by the Iron Curtain, which created in Poland a phantom idea of the West, as well as to the shifted borders of the Polish state to the territories by the Odra river and the Baltic Sea, to polonization of former German lands, and, finally, to historical and political discourse legitimizing this transfer of territories. Tadeusz Różewicz as a travelling writer and journalist has relentlessly problematized the relationship between Europe and its Polish idea; as a resident in Gliwice and Wrocław, not only has he described – since the trip down the Odra river on a fishing boat from Koźle to Szczecin in 1947 – symbolic colonization of the post- German Nadodrze, but also artistically diagnosed the birth of the new individual and social identity of the inhabitants of this border area, with its clashing narratives of history, biography and national literature alongside the overlapping traces of different cultures and traditions. Writing about Różewicz’s man in this book, I clearly do not mean the writer himself. It is obvious that among many convictions and attitudes that the author of Sobowtór manifests, there are some of which he is fond, and there are others of which he is not. I do not disregard his views voiced in non-fiction narratives and public speeches, yet I am mostly interested in experience, world view and self-comprehension of his literary persona and literary hero presented or partially derived from an idea of man and of community in his texts. Analyzing Różewicz’s works, I therefore distinguish between his self-evident journalistic approach and his humanistic reflection which is a result of a philosophical or literary presentation of identity problems an individual faces. I read his prose as an element of a public discourse and at the same time as an indirect – formulated in fictional, intimate or notebook narratives – criticism of social reality and European culture in the 20th century. In most cases, I leave open questions such as whether or not Różewicz was or is committed to a specific political project; whether or not he is a modern man in different meanings of this notion; whether or not his personal identity coincides with identity narratives in his books. Finding an answer to these questions is not a purpose of this book. It is, distinctively, the problem of Tadeusz Różewicz’s intellectual commitment to modern culture, literature and history and a problem of the writer’s role in creative and critical understanding of them that I find more interesting and important.
Author: Adeline Cordier Publisher: Routledge ISBN: 1317077148 Category : Music Languages : en Pages : 184
Book Description
Jacques Brel, Georges Brassens and Léo Ferré are three emblematic figures of post-war French popular music who have been constantly associated with each other by the public and the media. They have been described as the epitome of chanson, and of 'Frenchness'. But there is more to the trio than a musical trinity: this new study examines the factors of cultural and national identity that have held together the myth of the trio since its creation. This book identifies the combination of cultural and historical circumstances from which the works of these three singers emerged. It presents an innovative analysis of the correlation between this iconic trio and the evolution of national myths that nurtured the cultural aspirations of post-war French society. It explores the ways in which Brel, Brassens and Ferré embody the myth of the left-wing intellectual and of the authentic 'Gaul' spirit, and it discusses the ambiguous attitude of post-war French society towards gender relations. The book takes an original look at the trio by demonstrating how it illustrates the popular representation of a key issue of French national identity: the paradoxical aspiration to both revolution and the maintenance of the status quo.
Author: Dilwyn Porter Publisher: Routledge ISBN: 113445693X Category : Sports & Recreation Languages : en Pages : 208
Book Description
This book provides a broad range of international case-studies to examine how sport has helped to shape national identities, and how national cultures have shaped contemporary sport.
Author: United States. Congress. Senate. Committee on Energy and Natural Resources. Subcommittee on National Parks Publisher: ISBN: Category : History Languages : en Pages : 32
Author: Michael E. Haskew Publisher: Essential Weapons Identification Guide ISBN: 9781907446603 Category : Artillery Languages : en Pages : 0
Book Description
A highly-illustrated guide to the world's artillery units and their weapons and equipment from the end of World War II, Postwar Artillery 1945-Present: The Essential Weapons Identification Guide includes sample unit structures and orders of battle from divisional to corps and army level, providing an organizational context for key wars fought since 1945. Organized chronologically, the book is a comprehensive survey of units and their artillery weapons by war, including Korea, Vietnam, the Arab-Israeli conflicts, Indo-Pakistan wars, the cold war in Europe, the Yugoslav civil war, the Iraq wars and Afghanistan. All the major guns, missiles and mortar types are featured, with both towed and self-propelled artillery, for example, as well as anti-tank, anti-aircraft and other infantry support weapons. Less conventional forms of artillery are also included, including tactical and strategic missile systems, all combining to make this a rounded compendium of modern artillery weapons as used by the world's armed forces. Packed with more than 200 full-color artworks and photographs with exhaustive specifications, Postwar Artillery 1945-Present is a key reference guide for military modellers and artillery enthusiasts.
Author: Torsten Kolind
Author: Torsten Kolind
Author: Bi-yu Chang
Author: Martyn David Smith
Author: Marko Lehti
Author: Elizabeth Vihlen McGregor
Author: Wojciech Browarny
Author: Adeline Cordier
Author: Dilwyn Porter
Author: United States. Congress. Senate. Committee on Energy and Natural Resources. Subcommittee on National Parks
Author: Michael E. Haskew