Principles of Dramaturgy

Principles of Dramaturgy PDF Author: Robert Scanlan
Publisher: Routledge
ISBN: 1351628712
Category : Performing Arts
Languages : en
Pages : 215

Book Description
In Principles of Dramaturgy, Robert Scanlan explains the invariant principles behind the construction of stage and performance events of any style or modality. This book contains all that is essential for training a professional stage director and/or dramaturg, including the "plot-bead" technique for analyzing play scripts developed by Scanlan. It details all the steps for the full implementation of "Production Dramaturgy" as it is practiced in professional theatres, and treats form and action as foundational cornerstones of all performance, rather than "story" elements – a frequent and debilitating misprision in theatre practice. Scanlan’s unique approach offers practical training that is supported by detailed diagrams and contextualized instructions, making this the missing text for classes in dramaturgy. Serving stage directors, dramaturgs, actors, designers, and playwrights, Principles of Dramaturgy is a comprehensive guide that puts the training of capable practitioners above all else.

Toward a Dramaturgical Sensibility

Toward a Dramaturgical Sensibility PDF Author: Geoffrey S. Proehl
Publisher: Associated University Presse
ISBN: 9780838641125
Category : Drama
Languages : en
Pages : 256

Book Description
"Toward a Dramaturgical Sensibility begins with a moment in Shakespeare's Antony and Cleopatra in which Cleopatra says to Antony, "Not know me yet?" With these four words Cleopatra poses a simple but fundamental human problem: What can we know? She and Antony have known each other for years, at times gloriously - emotionally, mentally, and in the archaic sense of the word, physically - but still the challenge of knowing hangs in the air. Cleopatra's question reminds us that knowledge is not simple: that it is as likely to create yearning as satisfaction; that it is not confined to any one part of the self; that it is far from intellect alone. It reminds us as do most great plays - that life is part wonder, part terror." "What we can know? This study - aimed at students, teachers, and theater artists - suggests that he attempt to know the dramaturgy of a play is little different from the attempt to know another person for whom we care."--BOOK JACKET.

Dramaturgy

Dramaturgy PDF Author: Cock Dieleman
Publisher: Amsterdam University Press
ISBN: 9048554640
Category : Art
Languages : en
Pages : 197

Book Description
The image of the dramaturg resembling a stuffy librarian, as opposed to the largely intuitive process of theatre making, belongs to the past. Contemporary theatre performances not only tell a story, but constantly reflect on the world in which that story takes place and is shown. As a result, dramaturgy has become part of the artistic process. Thus everybody involved in a theatre production is concerned with dramaturgical thinking, i.e. how to relate to material, process, audience and society. The dramaturg crosses borders between theory and practice, between theatre makers, performance and audience. 'Dramaturgy. An Introduction' provides a broad overview of the concept of dramaturgy and the profession of the dramaturg. It is intended for students and teachers of theatre and performance studies, but also for directors, scenographers, actors and for all lovers of theatre.

Essential Dramaturgy

Essential Dramaturgy PDF Author: Theresa Lang
Publisher: Taylor & Francis
ISBN: 1317450345
Category : Performing Arts
Languages : en
Pages : 294

Book Description
Essential Dramaturgy: The Mindset and Skillset provides a concrete way to approach the work of a dramaturg. It explores ways to refine the process of defining, evaluating, and communicating that is essential to effective dramaturgical work. It then looks at how this outlook enhances the practical skills of production and new play dramaturgy. The book explains what a dramaturg does, what the role can be, and how best to refine and teach the skillset and mindset.

The Drama of Space

The Drama of Space PDF Author: Holger Kleine
Publisher: Birkhäuser
ISBN: 3035604355
Category : Architecture
Languages : en
Pages : 296

Book Description
The experience of architectural spaces is formed by the way they are staged. The Drama of Space examines the composition and articulation of architectural spaces in terms of spatial dramaturgy, as a repertoire of means and strategies for shaping spatial experience. This fundamental approach to architectural design is presented in four parts: Archetypal principles of spatial composition are traced from the study of three assembly buildings of the early modern period in Venice. Theatre, film, music, and theory provide background knowledge on dramaturgy. Detailed analyses of 18 international case studies offer new perspectives on contemporary architecture. The book ends with a systematic presentation of the dramaturgy of space, its parameters and tools, in architectural design.

The Presentation of Self in Everyday Life

The Presentation of Self in Everyday Life PDF Author: Erving Goffman
Publisher: Anchor
ISBN: 0593468295
Category : Social Science
Languages : en
Pages : 272

Book Description
A notable contribution to our understanding of ourselves. This book explores the realm of human behavior in social situations and the way that we appear to others. Dr. Goffman uses the metaphor of theatrical performance as a framework. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and cotnrol the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. The discussions of these social techniques offered here are based upon detailed research and observation of social customs in many regions.

The Practice of Dramaturgy

The Practice of Dramaturgy PDF Author: Konstantina Georgelou
Publisher:
ISBN: 9789492095183
Category : Art
Languages : en
Pages : 303

Book Description
La 4e de couverture indique : "There is a growing interest in the notion and practice of dramaturgy, which is often discussed either as the work of the dramaturg, or as the compositional, cohesive or sense-making aspects of a performance. Drawing on such views, 'The Practice of Dramaturgy' addresses dramaturgy as a shared, politicized and catalytic practice that sets actions into motion in a more speculative rather than an instructive way. In the first part, 'Dramaturgy as Working on Actions', the editors and main authors of the book discuss three working principles that lie at the heart of their proposition, and return to the etymology of the term 'dramaturgy' ('drama'=action and 'ergon'=work) in order to scrutinize this further by relating it to debates on action, work and post-Fordist labour. The second part, 'Working on Actions and Beyond', opens up to different artistic, social and political perspectives that such understanding of dramaturgy may give rise to."

The Routledge International Handbook of Interactionism

The Routledge International Handbook of Interactionism PDF Author: Dirk vom Lehn
Publisher: Routledge
ISBN: 1000392759
Category : Political Science
Languages : en
Pages : 564

Book Description
The Routledge International Handbook of Interactionism demonstrates the promise and diversity of the interactionist perspective in social science today, providing students and practitioners with an overview of the impressive developments in interactionist theory, methods and research. Thematically organized, it explores the history of interactionism and the contemporary state of the field, considering the ways in which scholars approach topics that are central to interactionism. As such, it presents discussions of self, identity, gender and sexuality, race, emotions, social organization, media and the internet, and social problems. With attention to new developments in methods and methodologies, including digital ethnography, visual methods and research ethics, the authors also engage with new areas of investigation that have emerged in light of current societal developments, such as policing and police violence, interactionism beyond binaries and social media. Providing a comprehensive overview of the current state and possible future of interactionist research, it will appeal to interactionist scholars, as well as to established sociologists and students of sociology who have an interest in latest developments in interactionism.

What is Scenography?

What is Scenography? PDF Author: Pamela Howard
Publisher: Routledge
ISBN: 1351380338
Category : Performing Arts
Languages : en
Pages : 363

Book Description
The third edition of Pamela Howard’s What is Scenography? expands on the author’s holistic analysis of scenography as comprising space, text, research, art, performers, directors and spectators, to examine the changing nature of scenography in the twenty-first century. The book includes new investigations of recent production projects from Howard’s celebrated career, including Carmen and Charlotte: A Tri-Coloured Play with Music, full-colour illustrations of her recent work and updated commentary from a wide spectrum of contemporary theatre makers. This book is suitable for students in Scenography and Theatre Design courses, along with theatre professionals.

Chinese Film Theory

Chinese Film Theory PDF Author: Xia Hong
Publisher: Bloomsbury Publishing USA
ISBN: 0313367337
Category : Performing Arts
Languages : en
Pages : 245

Book Description
This is the first collection of translations of Chinese film theory to be published in English. By using translations rather than summaries, as other works have done, Chinese Film Theory provides readers with an introduction to the issues current in China's film circles. It includes eighteen chapters written by a broad range of writers--from well established scholars to young people at the beginning of their involvement in film in China. This collection indicates a trend away from the study of external qualities of film and toward a study of the film itself. The volume has been carefully organized so that major issues are interrelated; thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. The book concludes that for the time being, debate has virtually ended because of the political situation in China. This book is an important new source to anyone interested in film studies, film theory, or Chinese studies.