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Author: Hossein Nazari Publisher: Bloomsbury Publishing ISBN: 075561738X Category : Literary Criticism Languages : en Pages : 233
Book Description
Memoirs of diasporic Iranian-American authors are a unique and culturally powerful way in which Iran, its politics, and people are understood in the USA and the rest of the world. This book offers an analysis of the processes of production, promotion, and reception of the representations of post-revolutionary Iran. The book provides new perspectives on some of the most famous examples of the genre such as Betty Mahmoody's Not Without My Daughter, Azar Nafisi's Reading Lolita in Tehran: A Memoir in Books, and Fatemeh Keshavarz's Jasmine and Stars: Reading More Than Lolita in Tehran. Hossein Nazari places these texts in their social, historical, and political contexts, tracing their origins within the trope of the American captivity narrative, teasing out and critiquing neo-Orientalist tendencies within, and finally focusing on modes of discursive resistance to neo-Orientalist narratives. The book analyzes the structural means by which stereotypes about Islam and women in the Islamic Republic in these narratives are privileged by news media and the creative industries, while also charting a growing number of 'counterhegemonic' memoirs which challenge these narratives by representing more nuanced accounts of life in Iran after 1979.
Author: Hossein Nazari Publisher: Bloomsbury Publishing ISBN: 075561738X Category : Literary Criticism Languages : en Pages : 233
Book Description
Memoirs of diasporic Iranian-American authors are a unique and culturally powerful way in which Iran, its politics, and people are understood in the USA and the rest of the world. This book offers an analysis of the processes of production, promotion, and reception of the representations of post-revolutionary Iran. The book provides new perspectives on some of the most famous examples of the genre such as Betty Mahmoody's Not Without My Daughter, Azar Nafisi's Reading Lolita in Tehran: A Memoir in Books, and Fatemeh Keshavarz's Jasmine and Stars: Reading More Than Lolita in Tehran. Hossein Nazari places these texts in their social, historical, and political contexts, tracing their origins within the trope of the American captivity narrative, teasing out and critiquing neo-Orientalist tendencies within, and finally focusing on modes of discursive resistance to neo-Orientalist narratives. The book analyzes the structural means by which stereotypes about Islam and women in the Islamic Republic in these narratives are privileged by news media and the creative industries, while also charting a growing number of 'counterhegemonic' memoirs which challenge these narratives by representing more nuanced accounts of life in Iran after 1979.
Author: Hossein Nazari Publisher: Bloomsbury Publishing ISBN: 0755617371 Category : Literary Criticism Languages : en Pages : 232
Book Description
Memoirs of diasporic Iranian-American authors are a unique and culturally powerful way in which Iran, its politics and people are understood in the USA and the rest of the world. This book offers an analysis of the processes of production, promotion, and reception of these representations of post-revolutionary Iran. The book provides new perspectives on famous examples of the genre such as Betty Mahmoody's Not Without My Daughter, Azar Nafisi's Reading Lolita in Tehran: A Memoir in Books and Persepolis by Marjane Satrapi. Hossein Nazari places these texts in their social and political contexts, tracing their origins within the trope of the America captivity narrative as well as teasing out and critiquing neo-Orientalist tendencies within. The book analyzes the structural means by which stereotypes about Islam and women in the Islamic Republic in these narratives are privileged by news media and the creative industries, while also charting a growing number of 'counterhegemonic' memoirs which challenge these narratives by representing more nuanced accounts of life in Iran after 1979.
Author: Hossein Nazari (Ph. D. in English) Publisher: ISBN: 9780755617395 Category : Captivity narratives Languages : en Pages : 256
Book Description
"Memoirs of diasporic Iranian-American authors are a unique and culturally powerful way in which Iran, its politics and people are understood in the USA and the rest of the world. This book offers an analysis of the processes of production, promotion, and reception of these representations of post-revolutionary Iran. The book provides new perspectives on famous examples of the genre such as Betty Mahmoody's Not Without My Daughter , Azar Nafisi's Reading Lolita in Tehran: A Memoir in Books and Persepolis by Marjane Satrapi. Hossein Nazari places these texts in their social and political contexts, tracing their origins within the trope of the America captivity narrative as well as teasing out and critiquing neo-Orientalist tendencies within. The book analyzes the structural means by which stereotypes about Islam and women in the Islamic Republic in these narratives are privileged by news media and the creative industries, while also charting a growing number of 'counterhegemonic' memoirs which challenge these narratives by representing more nuanced accounts of life in Iran after 1979"--
Author: Maryam Borjian Publisher: Multilingual Matters ISBN: 1847699081 Category : Language Arts & Disciplines Languages : en Pages : 204
Book Description
This book unravels the story of English, the language of "the enemies", in post-revolutionary Iran. Situating English within the nation's broader social, political, economic and historical contexts, the book explores the politics, causes, and agents of the two diverging trends of indigenization/localization and internationalization/Anglo-Americanization in English education in Iran over the past three decades.
Author: David Menashri Publisher: Routledge ISBN: 1136333649 Category : Political Science Languages : en Pages : 365
Book Description
After the Islamic revolution in Iran, revolutionary leaders had to compromise their ideology. The Iranian ship of state continues to drift in search of an equilibrium between revolutionary convictions and the demands of governance, between religion and state, and Islam and the West.
Author: Michael Axworthy Publisher: Oxford University Press ISBN: 0190468963 Category : History Languages : en Pages : 535
Book Description
In Revolutionary Iran, Michael Axworthy guides us through recent Iranian history from shortly before the 1979 Islamic revolution through the summer of 2009, when Iranians poured into the streets of Tehran by the hundreds of thousands, demanding free, democratic government. Axworthy explains how that outpouring of support for an end to tyranny in Iran paused and then moved on to other areas in the region like Egypt and Libya, leaving Iran's leadership unchanged. The Iranian Revolution of 1979 was a defining moment of the modern era. Its success unleashed a wave of Islamist fervor across the Middle East and signaled a sharp decline in the appeal of Western ideologies in the Islamic world. Axworthy takes readers through the major periods in Iranian history over the last thirty years: the overthrow of the old regime and the creation of the new one; the Iran-Iraq war; the reconstruction era following the war; the reformist wave led by Mohammed Khatami; and the present day, in which reactionaries have re-established control. Throughout, he emphasizes that the Iranian revolution was centrally important in modern history because it provided the world with a clear model of development that was not rooted in Western ideologies. Whereas the world's major revolutions of the previous two centuries had been fuelled by Western, secular ideologies, the Iranian Revolution drew its inspiration from Islam. Revolutionary Iran is both richly textured and from one of the leading authorities on the region; combining an expansive scope with the most accessible and definitive account of this epoch in all its humanity.
Author: Hooshang Amirahmadi Publisher: Routledge ISBN: 1000307816 Category : Political Science Languages : en Pages : 261
Book Description
Originally published in 1998. More than half of the chapters were originally presented at the 1985 conference of the Center for Iranian Research and Analysis (CIRA) held at Rutgers, The State University of New Jersey, as well as additional content. The primary purpose of this book is to analyze transformations in the ideological, political, and soc
Author: Negar Mottahedeh Publisher: Duke University Press ISBN: 0822381192 Category : Performing Arts Languages : en Pages : 217
Book Description
Following the 1979 Iranian Revolution, Iran’s film industry, in conforming to the Islamic Republic’s system of modesty, had to ensure that women on-screen were veiled from the view of men. This prevented Iranian filmmakers from making use of the desiring gaze, a staple cinematic system of looking. In Displaced Allegories Negar Mottahedeh shows that post-Revolutionary Iranian filmmakers were forced to create a new visual language for conveying meaning to audiences. She argues that the Iranian film industry found creative ground not in the negation of government regulations but in the camera’s adoption of the modest, averted gaze. In the process, the filmic techniques and cinematic technologies were gendered as feminine and the national cinema was produced as a woman’s cinema. Mottahedeh asserts that, in response to the prohibitions against the desiring look, a new narrative cinema emerged as the displaced allegory of the constraints on the post-Revolutionary Iranian film industry. Allegorical commentary was not developed in the explicit content of cinematic narratives but through formal innovations. Offering close readings of the work of the nationally popular and internationally renowned Iranian auteurs Bahram Bayza’i, Abbas Kiarostami, and Mohsen Makhmalbaf, Mottahedeh illuminates the formal codes and conventions of post-Revolutionary Iranian films. She insists that such analyses of cinema’s visual codes and conventions are crucial to the study of international film. As Mottahedeh points out, the discipline of film studies has traditionally seen film as a medium that communicates globally because of its dependence on a (Hollywood) visual language assumed to be universal and legible across national boundaries. Displaced Allegories demonstrates that visual language is not necessarily universal; it is sometimes deeply informed by national culture and politics.
Author: Hossein Nazari
Author: Hossein Nazari
Author: Hossein Nazari
Author: Mahnaz Afkhami
Author: Lubna Abid Ali
Author: Hossein Nazari (Ph. D. in English)
Author: Maryam Borjian
Author: David Menashri
Author: Michael Axworthy
Author: Hooshang Amirahmadi
Author: Negar Mottahedeh