The Englishman from Lebedian' PDF Download

Author: Julie A. E. Curtis
Publisher:
ISBN: 9781618116925
Category : BIOGRAPHY & AUTOBIOGRAPHY
Languages : en
Pages :

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Author: Julie A. E. Curtis
Publisher:
ISBN:
Category : Authors, Russian
Languages : en
Pages : 394

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Author: Susan Smith-Peter
Publisher: BRILL
ISBN: 9004353518
Category : History
Languages : en
Pages : 342

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This volume shows how ideas of civil society encouraged the growth of subnational identity in Russia before 1861.

Author: Masha Karp
Publisher: Bloomsbury Publishing
ISBN: 1788317149
Category : History
Languages : en
Pages : 313

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For those living in the Soviet Union, Orwell's masterpieces, Animal Farm and Nineteen Eighty-Four, were not dystopias, but accurate depictions of reality. Here, the Orwell scholar and expert on Russian politics, Masha Karp – Russian Features Editor at the BBC World Service for over a decade – explores how Orwell's work was received in Russia, when it percolated into the country even under censorship. Suggesting a new approach to the controversial 'Orwell's list' of 1949, Karp puts into context the articles and letters written by Orwell at the time. She sheds light on how the ideas of totalitarianism exposed in Orwell's writing took root in Russia and, in doing so, helps us to understand the contemporary political reality. As Vladimir Putin's actions continue to shock the West, it is clear we are witnessing the next transformation of totalitarianism, as predicted and described by Orwell. Now, over 70 years after Orwell's death, his writing, at least as far as Russia is concerned, remains as timely and urgent as it has ever been.

Author: Yasha Klots
Publisher: Cornell University Press
ISBN: 1501768980
Category : History
Languages : en
Pages : 330

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Tamizdat offers a new perspective on the history of the Cold War by exploring the story of the contraband manuscripts sent from the USSR to the West. A word that means publishing "over there," tamizdat manuscripts were rejected, censored, or never submitted for publication in the Soviet Union and were smuggled through various channels and printed outside the country, with or without their authors' knowledge. Yasha Klots demonstrates how tamizdat contributed to the formation of the twentieth-century Russian literary canon: the majority of contemporary Russian classics first appeared abroad long before they saw publication in Russia. Examining narratives of Stalinism and the Gulag, Klots focuses on contraband manuscripts in the 1960s and 70s, from Khrushchev's Thaw to Stagnation under Brezhnev. Klots revisits the traditional notion of late Soviet culture as a binary opposition between the underground and official state publishing. He shows that even as tamizdat represented an alternative field of cultural production in opposition to the Soviet regime and the dogma of Socialist Realism, it was not devoid of its own hierarchy, ideological agenda, and even censorship. Tamizdat is a cultural history of Russian literature outside the Iron Curtain. The Russian literary diaspora was the indispensable ecosystem for these works. Yet in the post-Stalin years, they also served as a powerful weapon on the cultural fronts of the Cold War, laying bare the geographical, stylistic, and ideological rifts between two disparate yet inextricably intertwined fields of Russian literature, one at home, the other abroad.

Author: Yevgeny Zamyatin
Publisher: Broadview Press
ISBN: 1770487220
Category : Fiction
Languages : en
Pages : 250

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Yevgeny Zamyatin’s novel We is one of the great classics of dystopian fiction. Experimental and provocative in both style and content, it was the first major literary work to be banned in the Soviet Union. This critical edition features an entirely new annotated translation, as well as an introduction, contextual materials, and images related to the text.

Author: Vladimir Wozniuk
Publisher: Rowman & Littlefield
ISBN: 1611461790
Category : Literary Criticism
Languages : en
Pages : 254

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This new translation is the first and only fully annotated version of Evgeny Zamiatin’s classic novel We in English. The annotations scrutinize Zamiatin’s use of language, suggest many previously unacknowledged sources for his playfulness, and provide commentary about the broad array of diverse allusions in the novel.

Author: J.A.E. Curtis
Publisher: Academic Studies PRess
ISBN: 1644692953
Category : Literary Criticism
Languages : en
Pages : 168

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Mikhail Bulgakov’s novel The Master and Margarita, set in Stalin’s Moscow, is an intriguing work with a complex structure, wonderful comic episodes and moments of great beauty. Readers are often left tantalized but uncertain how to understand its rich meanings. To what extent is it political? Or religious? And how should we interpret the Satanic Woland? This reader’s companion offers readers a biographical introduction, and analyses of the structure and the main themes of the novel. More curious readers will also enjoy the accounts of the novel’s writing and publication history, alongside analyses of the work’s astonishing linguistic complexity and a review of available English translations.

Author: Adam Stock
Publisher: Routledge
ISBN: 131732692X
Category : Political Science
Languages : en
Pages : 224

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Over the past few years, ‘dystopia’ has become a word with increasing cultural currency. This volume argues that we live in dystopian times, and more specifically that a genre of fiction called "dystopia" has, above others, achieved symbolic cultural value in representing fears and anxieties about the future. As such, dystopian fictions do not merely mirror what is happening in the world: in becoming such a ready referent for discussions about such varied topics as governance, popular culture, security, structural discrimination, environmental disasters and beyond, the narrative conventions and generic tropes of dystopian fiction affect the ways in which we grapple with contemporary political problems, economic anxieties and social fears. The volume addresses the development of the narrative methods and generic conventions of dystopian fiction as a mode of socio-political critique across the first half of the twentieth century. It examines how a series of texts from an age of political extremes contributed to political discourse and rhetoric both in its contemporary setting and in the terms in which we increasingly cast our cultural anxieties. Focusing on interactions between temporality, spatiality and narrative, the analysis unpicks how the dystopian interacts with social and political events, debates and ideas, Stock evaluates modern dystopian fiction as a historically responsive mode of political literature. He argues that amid the terrors and upheavals of the first half of the twentieth century, dystopian fiction provided a unique space for writers to engage with historical and contemporary political thought in a mode that had popular cultural appeal. Combining literary analysis informed by critical theory and the history of political thought with archival-based historical research, this volume works to shed new light on the intersection of popular culture and world politics. It will be of interest to students and scholars in literary studies, cultural and intellectual history, politics and international relations.

Author: Galya Diment
Publisher: Anthem Press
ISBN: 178308992X
Category : Literary Criticism
Languages : en
Pages : 256

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H. G. Wells and All Things Russian is a fertile terrain for research and this volume will be the first to devote itself entirely to the theme. Wells was an astute student of Russian literature, culture and history, and the Russians, in turn, became eager students of Wells’s views and works. During the Soviet years, in fact, no significant foreign author was safer for Soviet critics to praise than H. G. Wells. The reason was obvious. He had met – and largely approved of – Lenin, was a close friend of the Soviet literary giant Maxim Gorky and, in general, expressed much respect for Russia’s evolving Communist experiment, even after it fell into Stalin’s hands. While Wells’s attitude towards the Soviet Union was, nevertheless, often ambivalent, there is definitely nothing ambiguous about the tremendous influence his works had on Russian literary and cultural life.