The German Left and Aesthetic Politics PDF Download

Author: Martin I. Gaughan
Publisher: Historical Materialism
ISBN: 9781642597837
Category :
Languages : en
Pages : 0

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Book Description
The definitive exploration of aesthetic philosophy and practice on the German Left.

Author: Martin Gaughan
Publisher:
ISBN: 9789004471566
Category : Communism
Languages : en
Pages : 0

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Book Description
Franz Mehring : literary practice as a socialist form -- Political spontaneism and cultural practice -- Märten and the development of a theoretical position : from reformism to the November Revolution -- The 'German October' and reconfiguration -- Wittfogel's critique of Thalheimer's introduction.

Author: Ernst Bloch
Publisher: Verso
ISBN: 9780860917229
Category : Philosophy
Languages : en
Pages : 228

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Book Description
No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.

Author: Theodor Adorno
Publisher: Verso Books
ISBN: 1788738586
Category : Philosophy
Languages : en
Pages : 257

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Book Description
An intense and lively debate on literature and art between thinkers who became some of the great figures of twentieth-century philosophy and literature. With an afterword by Fredric Jameson No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.

Author: Theodor Adorno
Publisher: Verso Books
ISBN: 184467570X
Category : Philosophy
Languages : en
Pages : 0

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Book Description
No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.

Author: Sabine Von Dirke
Publisher: U of Nebraska Press
ISBN: 0803299850
Category : History
Languages : en
Pages : 270

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Book Description
“All Power to the Imagination!” is a history of the counterculture’s immensely influential role in West German cultural and political life. Sabine von Dirke opens with an examination of nascent countercultural movements in West Germany during the 1950s. She then moves to a nuanced account of the student movement of the 1960s, describing its adaptation of the theories of Marcuse, Adorno, and Benjamin, then recounting its attack on “bourgeois” notions of the autonomy of art and culture. She next examines the subsequent development of a radical aesthetic and the effects of left-wing terrorism on Germany’s political climate. Later chapters focus on die tageszeitung, the ecology movement, and the rise of the Green Party. Von Dirke concludes by asking whether the evolution that this book traces—from Marxist-influenced critiques of culture and society to more diverse, less doctrinaire left-wing positions—represents progress or a betrayal of radical ideals. An ambitious study of the German left, this book is an important contribution to our understanding of postwar European history.

Author: Jonathan Petropoulos
Publisher: UNC Press Books
ISBN: 9780807848098
Category : History
Languages : en
Pages : 468

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Book Description
The political elite of Nazi Germany perceived itself as a cultural elite as well. In Art as Politics in the Third Reich, Jonathan Petropoulos explores the elite's cultural aspirations by examining both the formulation of a national aesthetic policy

Author: Mia Lee
Publisher: Routledge
ISBN: 0429753063
Category : Social Science
Languages : en
Pages : 200

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Book Description
Just as Chancellor Konrad Adenauer was seeking re-election on a campaign of "no experiments," art avant-garde groups in West Germany were reviving the utopian impulse to unite art and society. Utopia and Dissent in West Germany examines these groups and their legacy. Postwar artists built international as well as intergenerational networks such as Fluxus, which was active in Düsseldorf, Wiesbaden, and Cologne, and the Situationist International based in Paris. These groups were committed to undoing the compartmentalization of everyday life and the isolation of the artist in society. And as artists recast politics to address culture and everyday life, they helped forge a path for the West German extraparliamentary left. Utopia and Dissent in West Germany traces these connections and presents a chronological map of the networks that fed into the extraparliamentary left as well as a geographical map of increasing radicalism as the locus of action shifted to West Berlin. These two maps show that in West Germany artists and their interventions in the structures of everyday life were a key starting point for challenging the postwar order.

Author: Bruce Murray
Publisher: University of Texas Press
ISBN: 0292788037
Category : Performing Arts
Languages : en
Pages : 303

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Book Description
The Weimar Republic of Germany, covering the post-World War I period of civil and governmental strife, witnessed a great struggle among a variety of ideologies, a struggle for which the arts provided one important arena. Leftist individuals and organizations critiqued mainstream art production and attempted to counter what they perceived as its conservative-to-reactionary influence on public opinion. In this groundbreaking study, Bruce Murray focuses on the leftist counter-current in Weimar cinema, offering an alternative critical approach to the traditional one of close readings of the classical films. Beginning with a brief review of pre-Weimar cinema (1896-1918), he analyzes the film activity of the Social Democratic Party, the German Communists, and independent leftists in the Weimar era. Leftist filmmakers, journalists, and commentators, who in many cases contributed significantly to marginal leftist as well as mainstream cinema, have, until now, received little scholarly attention. Drawing on exhaustive archival research and personal interviews, Murray shows how the plurality of aesthetic models represented in the work of individuals who participated in leftist experiments with cinema in the 1920S collapsed as Germany underwent the transition from parliamentary democracy to fascist dictatorship. He suggests that leftists shared responsibility for that collapse and asserts the value of such insights for those who contemplate alternatives to institutional forms of cinematic discourse today.

Author: Istvan Deak
Publisher: Univ of California Press
ISBN: 0520305647
Category : History
Languages : en
Pages : 374

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Book Description
The Germany between the two world wars, which produced some of the greatest literary lights of the century, also produced a forum worthy of them: the brilliantly edited, crusading, lef-oriented (but not party-affiliated) Weltbühne. The present book tells the history of this weekly Berlin journal, discusses the men that ran it and wrote it, and outlines the causes for which it fought. The Weltbühne had three editors--the uncompromising style-conscious Siegfried Jacobsohn, the sharp-tongued, satirical Kurt Tucholsky, and the enigmatic, aristocratic Carl von Ossietzky, martyred by the Nazis. The radical, intellectual elite of Germany (and to come extent outside Germany) contributed to the journal -- Heinrich Mann, Alfred Polgar, Erich Kästner, Alfred Doblin, Bertolt Brecht, Leonhard Frank, Theodor Plievier, Rene Schickele, Lion Feuchtwanger, Ernst Toller, Arnold Zweig; also Arthur Koestler, Romain Rolland, Henry Barbusse, and Leon Trotsky. These men stood for the demilitarization of Germany, the purge of the reactionary administration and judiciary, the end of all restraints on human rights (including the restraints on abortion and homosexuality), complete equality of women, pacifist educational policies, the intellectualization of politics and politicization of the intellectuals, unity of the working-class parties, and socialism. When, on May 11, 1933, on Opera Square in Berlin, the stormtroopers burned books of fifteen authors sinning against the German Volk, thirteen of them had made contribution to the Weltbühne; and since many of them were Jews, the auto-da-fé gave special pleasure to the mob. Mr. Deak recreates with unusual empathy the atmosphere of the era, characterized by terrific social and political issues, which eventually lead to the disaster of the Thirties. The campaigns of the Weltbühne failed, and the contributors were killed or went into exile, with the journal itself moving from Berlin to Vienna to Prague to Paris before it died. Mr. Deak makes a lasting contribution to history by opening to a broader public the records preserved in the pages of this important but largely ignored journal, by selecting and interpreting the issues, and by brining to life the personalities that gave the era its intellectual profile. And understanding of the Weltbühne campaigns is indispensable for an appraisal of Central European politics in the first half of our century. Mr. Deak, in this readable book written with the passionate interest of a person who seems to have been a participant rather than a chronicler, makes this understanding possible by a lucid exposition and a searching analysis of the events. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.