Modern British Drama: The Twentieth Century PDF Download

Author: Christopher Innes
Publisher: Cambridge University Press
ISBN: 9780521016759
Category : Drama
Languages : en
Pages : 604

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Author: Dan Rebellato
Publisher: Routledge
ISBN: 113465782X
Category : Performing Arts
Languages : en
Pages : 288

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It is said that British Drama was shockingly lifted out of the doldrums by the 'revolutionary' appearance of John Osborne's Look Back in Anger at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and 'Binkie' Beaumont as repressed and closeted as it seems? In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain's declining Empire and increasing panic over the 'problem' of homosexuality played a crucial role in the construction of an enduring myth of the theatre. By going back to primary sources and rigorously questioning all assumptions, Rebellato has rewritten the history of the Making of Modern British Drama.

Author: R. Barton Palmer
Publisher: Cambridge University Press
ISBN: 1107652405
Category : Literary Criticism
Languages : en
Pages : 307

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This collection of essays offers the first comprehensive treatment of British and American films adapted from modern British plays. Offering insights into the mutually profitable relationship between the newest performance medium and the most ancient. With each chapter written by an expert in the field, Modern British Drama on Screen focuses on key playwrights of the period including George Bernard Shaw, Somerset Maugham, Terence Rattigan, Noel Coward and John Osborne and the most significant British drama of the past century from Pygmalion to The Madness of George III. Most chapters are devoted to single plays and the transformations they underwent in the move from stage to screen. Ideally suited for classroom use, this book offers a semester's worth of introductory material for the study of theater and film in modern Britain, widely acknowledged as a world center of dramatic productions for both the stage and screen.

Author: Mary Luckhurst
Publisher: John Wiley & Sons
ISBN: 0470751479
Category : Literary Criticism
Languages : en
Pages : 608

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This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity. An authoritative guide to modern British and Irish drama. Engages with theoretical discourses challenging a canon that has privileged London as well as white English males and realism. Topics covered include: national, regional and fringe theatres; post-colonial stages and multiculturalism; feminist and queer theatres; sex and consumerism; technology and globalisation; representations of war, terrorism, and trauma.

Author: John Russell Brown
Publisher: Totowa, N.J. : Barnes & Noble Books ; London : Heinemann Educational Books
ISBN:
Category : Drama
Languages : en
Pages : 116

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Author: Roger Cornish
Publisher: Heinemann Educational Books
ISBN:
Category : Drama
Languages : en
Pages : 664

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Author: British drama
Publisher:
ISBN:
Category :
Languages : en
Pages : 624

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Author: David Lane
Publisher: Edinburgh University Press
ISBN: 0748686797
Category : Literary Criticism
Languages : en
Pages : 241

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This book offers an extended analysis of writers and theatre companies in Britain since 1995, and explores them alongside recent cultural, social and political developments. Referencing well-known practitioners from modern theatre, this book is an excelle

Author: D. Keith Peacock
Publisher: Praeger
ISBN:
Category : Drama
Languages : en
Pages : 256

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Harold Pinter is universally described as Britain's leading dramatist. This book evaluates the justification for this appellation. It examines his work in relation to changes taking place in the New British Theatre after the so-called theatrical revolution of 1956, and draws attention to those autobiographical experiences that have been transmuted into his art. Beginning with a look at the nature of British theatre prior to 1956, Peacock then describes Pinter's early life in the East End of London, his career as an actor, and his early writing. The discussion follows Pinter's life and work from ^IThe Room^R in 1957 to his most recent play, Ashes to Ashes in 1996. The author argues that although Pinter has not instigated an aesthetic revolution, he has, more significantly, through his representation of human behavior, provoked a new way of viewing the world.

Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 782

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