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Author: Mark Schroeder Publisher: Oxford University Press ISBN: 0199299501 Category : Philosophy Languages : en Pages : 237
Book Description
Mark Schroeder presents an original theory of reasons for action. This theory is broadly Humean, in holding that reasons for action are instrumental, or explained by desires. Slaves of the Passions will be essential reading for anyone interested in metaethics, practical reason, or explanatory moral theory.
Author: Mark Schroeder Publisher: Oxford University Press ISBN: 0199299501 Category : Philosophy Languages : en Pages : 237
Book Description
Mark Schroeder presents an original theory of reasons for action. This theory is broadly Humean, in holding that reasons for action are instrumental, or explained by desires. Slaves of the Passions will be essential reading for anyone interested in metaethics, practical reason, or explanatory moral theory.
Author: René Descartes Publisher: Hackett Publishing ISBN: 162466198X Category : Philosophy Languages : en Pages : 194
Book Description
TABLE OF CONTENTS: Translator's Introduction Introduction by Genevieve Rodis-Lewis The Passions of the Soul: Preface PART I: About the Passions in General, and Incidentally about the Entire Nature of Man PART II: About the Number and Order of the Passions, and the Explanation of the Six Primitives PART III: About the Particular Passions Lexicon: Index to Lexicon Bibliography Index Index Locorum
Author: Bill Viola Publisher: Oxford University Press, USA ISBN: Category : Art vidéo Languages : en Pages : 328
Book Description
Renowned video artist Viola participates in a conversation that provides new insight into his current interests, his creative process, and the images and texts that serve as sources for his work. Color photos.
Author: Albert O. Hirschman Publisher: Princeton University Press ISBN: 1400848512 Category : Business & Economics Languages : en Pages : 189
Book Description
In this volume, Albert Hirschman reconstructs the intellectual climate of the seventeenth and eighteenth centuries to illuminate the intricate ideological transformation that occurred, wherein the pursuit of material interests--so long condemned as the deadly sin of avarice--was assigned the role of containing the unruly and destructive passions of man. Hirschman here offers a new interpretation for the rise of capitalism, one that emphasizes the continuities between old and new, in contrast to the assumption of a sharp break that is a common feature of both Marxian and Weberian thinking. Among the insights presented here is the ironical finding that capitalism was originally supposed to accomplish exactly what was soon denounced as its worst feature: the repression of the passions in favor of the "harmless," if one-dimensional, interests of commercial life. To portray this lengthy ideological change as an endogenous process, Hirschman draws on the writings of a large number of thinkers, including Montesquieu, Sir James Steuart, and Adam Smith. Featuring a new afterword by Jeremy Adelman and a foreword by Amartya Sen, this Princeton Classics edition of The Passions and the Interests sheds light on the intricate ideological transformation from which capitalism emerged triumphant, and reaffirms Hirschman's stature as one of our most influential and provocative thinkers. Some images inside the book are unavailable due to digital copyright restrictions.
Author: P. M. S. Hacker Publisher: John Wiley & Sons ISBN: 1118951875 Category : Philosophy Languages : en Pages : 483
Book Description
A survey of astonishing breadth and penetration. No cognitive neuroscientist should ever conduct an experiment in the domain of the emotions without reading this book, twice. Parashkev Nachev, Institute of Neurology, UCL There is not a slack moment in the whole of this impressive work. With his remarkable facility for making fine distinctions, and his commitment to lucidity, Peter Hacker has subtly characterized those emotions such as pride, shame, envy, jealousy, love or sympathy which make up our all too human nature. This is an important book for philosophers but since most of its illustrative material comes from an astonishing range of British and European literature, it is required reading also for literary scholars, or indeed for anyone with an interest in understanding who and what we are. David Ellis, University of Kent Human beings are all subject to boundless flights of joy and delight, to flashes of anger and fear, to pangs of sadness and grief. We express our emotions in what we do, how we act, and what we say, and we can share our emotions with others and respond sympathetically to their feelings. Emotions are an intrinsic part of the human condition, and any study of human nature must investigate them. In this third volume of a major study in philosophical anthropology which has spanned nearly a decade, one of the most preeminent living philosophers examines and reflects upon the nature of the emotions, advancing the view that novelists, playwrights, and poets – rather than psychologists and cognitive neuroscientists – elaborate the most refined descriptions of their role in human life. In the book’s early chapters, the author analyses the emotions by situating them in relation to other human passions such as affections, appetites, attitudes, and agitations. While presenting a detailed connective analysis of the emotions, Hacker challenges traditional ideas about them and criticizes misconceptions held by philosophers, psychologists, and cognitive neuroscientists. With the help of abundant examples and illustrative quotations from the Western literary canon, later sections investigate, describe, and disentangle the individual emotions – pride, arrogance, and humility; shame, embarrassment, and guilt; envy and jealousy; and anger. The book concludes with an analysis of love, sympathy, and empathy as sources of absolute value and the roots of morality. A masterful contribution, this study of the passions is essential reading for philosophers of mind, psychologists, cognitive neuroscientists, students of Western literature, and general readers interested in understanding the nature of the emotions and their place in our lives.
Author: Susan McClary Publisher: University of Michigan Press ISBN: 047212479X Category : Music Languages : en Pages : 224
Book Description
Recognized as one of the most innovative and influential directors of our time, Peter Sellars has produced acclaimed—and often controversial—versions of many beloved operas and oratorios. He has also collaborated with several composers, including John C. Adams and Kaija Saariaho, to create challenging new operas. The Passions of Peter Sellars follows the development of his style, beginning with his interpretations of the Mozart-Da Ponte operas, proceeding to works for which he assembled the libretti and even the music, and concluding with his celebrated stagings of Bach’s passions with the Berlin Philharmonic. Many directors leave the musical aspects of opera entirely to the singers and conductor. Sellars, however, immerses himself in the score, and has created a distinctive visual vocabulary to embody musical gesture on stage, drawing on the energies of the music as he shapes characters, ensemble interaction, and large-scale dramatic trajectories. As a leading scholar of gender and music, and the history of opera, Susan McClary is ideally positioned to illuminate Sellars’s goal to address both the social tensions embodied in these operas as well as the spiritual dimensions of operatic performance. McClary considers Sellars’s productions of Mozart’s Le nozze di Figaro, Don Giovanni, and Così fan tutte; Handel’s Theodora; Messiaen’s Saint François d’Assise; John C. Adams’s Nixon in China, The Death of Klinghoffer, El Niño, and Doctor Atomic; Kaija Saariaho’s L’amour de loin, La Passion de Simone, and Only the Sound Remains; Purcell’s The Indian Queen; and Bach’s passions of Saint Matthew and Saint John. Approaching Sellars’s theatrical strategies from a musicological perspective, McClary blends insights from theater, film, and literary scholarship to explore the work of one of the most brilliant living interpreters of opera.
Author: Ceciel Meiborg (Ed.) Publisher: punctum books ISBN: 099823754X Category : Philosophy Languages : en Pages : 184
Book Description
In recent years the humanities, social sciences and neuroscience have witnessed an 'affective turn, ' especially in discourses around post-Fordist labor, economic and ecological crises, populism and identity politics, mental health, and political struggle. This new awareness would be unthinkable without the pioneering work of Gilles Deleuze, who replaced judgment with affect as the very material movement of thought: every concept is an affective experience, a becoming. Besides entirely active affects, the highest practice of thought, there is no thought without passive affects or passions. Instead of a calm and rational philosophy of passions, Deleuzian thought is therefore inseparable from "isolated and passionate cries" that deny what everybody knows and what nobody can deny: "every true thought is an aggression." This inseparability of reason and passion is by no means an anti-intellectualist or irrationalist stance. Rather, it is critical, since it protects reason from its self-imposed stupidity (bêtise) by relating it to the unthought forces that condition it. And it is clinical, because thought becomes possessed by a power of selection. The purely active, i.e. free-floating, unrecorded desire, is never enough to produce a consistent relation to the future, which is why we need the passions to give us an initial orientation, to force and enable us to think. Passions are the beliefs, perceptions, representations, and opinions that attach us to the world; they make up the very material of which our lives and thoughts are composed. Instead of truth as the ultimate criterion of judgment, the only principle according to which affective becomings can be selected and evaluated is the extent to which they proliferate joy. Spinoza and Marx show how the recruitment of desire traditionally takes place through the tyrants and priests who inspire sad passions in us. Similarly, the work of Deleuze and Guattari on capitalism and schizophrenia can be read as an encyclopedia of the passions that constitute the affective infrastructure of the socius of contemporary capitalism. If it takes a lot of inventiveness or imagination to be able to diagnose our present becomings, this is because becomings are always composites of joyful and sad passions. Capitalism could not exist if it did not also inspire happiness, love, courage, and perhaps even beatitude. That is why, today, we witness "the spectacle of the happily dominated" (Frédéric Lordon) of the self-entrepreneur, the managerial class, the flex worker, the citizen-consumer, the bean-roasting hipster, and the self-managed team. It is within this field of contradictory and heterogeneous passions that the authors of this volume pursue the diagnosis of our past and present becomings. Their contributions add up to a systematic taxonomy of the passions and indicate their importance for a thinking that reaches beyond itself. TABLE OF CONTENTS // IntroductionCeciel Meiborg & Sjoerd van Tuinen "Everywhere There Are Sad Passions" Gilles Deleuze and the Unhappy ConsciousnessMoritz Gansen To Have Done with the Judgment of 'Reason': Deleuze's Aesthetic OntologySamantha Bankston Closed Vessels and Signs: Jealousy as a Passion for RealityArjen Kleinherenbrink The Drama of Ressentiment: the Philosopher versus the PriestSjoerd van Tuinen The Affective Economy: Producing and Consuming Affects in Deleuze and GuattariJason Read Deleuze's Transformation of the Ideology-Critique Project: Noology CritiqueBenoît Dillet Passion, Cinema and the Old MaterialismLouis-Georges Schwartz Death of Deleuze, Birth of PassionDavid U.B. Liu
Author: Terry Moore Publisher: Stoddart ISBN: 9781881649885 Category : Biography & Autobiography Languages : en Pages : 288
Book Description
Terry Moore, film star and Hughes' former wife, brings to life the lusty, steamy, romantic side of this enigmatic figure, revealing a gentler side of the man remembered by most people solely for his eccentricites and personal excesses. From the gutter to the glitter of Hollywood on opening night, their time together was the stuff of which dreams were made. Photos.
Author: Mark Schroeder
Author: Mark Schroeder
Author: René Descartes
Author: Bill Viola
Author: Albert O. Hirschman
Author: Robert C. Solomon
Author: Charlotte Dacre
Author: P. M. S. Hacker
Author: Susan McClary
Author: Ceciel Meiborg (Ed.)
Author: Terry Moore