The Romantic Assertion PDF Download

Author: R. A. Foakes
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 0

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Book Description

Author: R.A.. Foakes
Publisher:
ISBN:
Category :
Languages : en
Pages : 186

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Author: Kenneth Hugh Byron
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111656039
Category : Language Arts & Disciplines
Languages : en
Pages : 176

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Book Description

Author: David Simpson
Publisher: Springer
ISBN: 1349044156
Category : Literary Criticism
Languages : en
Pages : 280

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Book Description

Author: Thattarathodi Raghavan
Publisher: Atlantic Publishers & Dist
ISBN: 9788171564446
Category : English poetry
Languages : en
Pages : 204

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Book Description
The Book Can Be Regarded As A Contribu¬Tion To Knowledge; ... It Results From A Deep Knowledge Of Modern Romanti¬Cism And Its Critics.... The Author ... Has A Balanced, Sensible Attitude To The Poets He Has Selected For Discussion (His In¬Clusion Of Thomas And De La Mare Is Highly Intelligent)... He Displays An Ex¬Cellent Knowledge Of Other Critics Views, Despite The Modest Disclaimer In His Preface....He Displays An Excellent Ca¬Pacity For Incisive Criticism.... Norman A. JeffaresDr. Raghavan S Book Is A Competent And Well-Informed Exploration Of The Problems Of The Romantics And Romantic Elements In Modern English Poetry. He Has Made A Very Analytical Study Of The Field And Has Been Able To Refer To The Hidden Strains Of The Romanticism In The Modern Period. His Chapters On Yeats And Eliot Are Commendable. The Work Is Quite Useful For Post-Graduate And Research Students. C. Subba RaoThe Book Is A Highly Commendable Piece Of Research Work.... The Actual Investiga¬Tion Into The Contributions Of Edward Thomas, Walter De La Mare And W.B. Yeats And Of Course T.S. Eliot Provides Revealing Insights With Commendable Clarity Into The Whole Concept Of English Romanticism.... It Is A Comprehensive Account Of The Romantic Tendencies Of The First Half Of The Twentieth Century English Poetry. N. SubramanianThe Amount Of Perceptive Reading That Has Gone Into These Pages Is Extraordi¬Nary. One Could Hardly Better It. R.A. JayanthaThe Writer Is Well-Read And Very Intelli¬Gent. Jack Stillinger

Author: William H. Galperin
Publisher: University of Pennsylvania Press
ISBN: 1512801984
Category : Literary Criticism
Languages : en
Pages : 268

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Book Description
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

Author: Albert S. Gerard
Publisher: Univ of California Press
ISBN: 0520348796
Category : Literary Criticism
Languages : en
Pages : 298

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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

Author: Angela Esterhammer
Publisher: John Benjamins Publishing
ISBN: 9027297762
Category : Literary Criticism
Languages : en
Pages : 537

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Book Description
Romantic Poetry encompasses twenty-seven new essays by prominent scholars on the influences and interrelations among Romantic movements throughout Europe and the Americas. It provides an expansive overview of eighteenth- and nineteenth-century poetry in the European languages. The essays take account of interrelated currents in American, Argentinian, Brazilian, Bulgarian, Canadian, Caribbean, Chilean, Colombian, Croatian, Czech, Danish, English, Estonian, Finnish, French, German, Greek, Hungarian, Irish, Italian, Mexican, Norwegian, Peruvian, Polish, Romanian, Russian, Serbian, Slovak, Spanish, Swedish, and Uruguayan literature. Contributors adopt different models for comparative study: tracing a theme or motif through several literatures; developing innovative models of transnational influence; studying the role of Romantic poetry in socio-political developments; or focusing on an issue that appears most prominently in one national literature yet is illuminated by the international context. This collaborative volume provides an invaluable resource for students of comparative literature and Romanticism.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series’ total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of “irony” as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism’s own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the “Old” and “New” Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.

Author: Laurence W. Mazzeno
Publisher: Camden House
ISBN: 9781571132628
Category : Literary Collections
Languages : en
Pages : 260

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Book Description
The poet's reputation has weathered even the most vitriolic attempts to discredit both the man and his writings; and as criticism of the late twentieth century demonstrates, Tennyson's claim to pre-eminence among the Victorians is now unchallenged."

Author: Winifred Nowottny
Publisher: A&C Black
ISBN: 0567443264
Category : Literary Criticism
Languages : en
Pages : 238

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Book Description
Mrs Nowottny's chief aim in this 'valuable book which could serve as a useful introduction to practical criticism' is to inquire what it is that makes the language of poetry poetic. The book grows out of the leading trends today in ideas about language and the way is works but to the maters discussed Mrs. Nowottny brings a keen mind of her won and considerable powers as a literary critic. Stressing the continuity of poetry with other uses of language she shows how under the control of the poet's purpose everyday language contributes to the achievement of the most complex and profound effects, and she illustrates these effects with a wealth of examples.