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Author: Christoph Menke Publisher: Studies in Contemporary German ISBN: 9780262631952 Category : Philosophy Languages : en Pages : 310
Book Description
Recent discussions of aesthetics, whether in the hermeneutic or the analytic tradition, understand the place of art and aesthetic experience according to a model of "autonomy"--as just one among the many modes of experience that make up the realm of reason, situated beside the other "spheres of value." In contrast, Theodor Adorno and Jacques Derrida view art and aesthetic experience as a medium for the dissolution of nonaesthetic reason, an experientially enacted critique of reason. Art is not only autonomous, following its own law, different from nonaesthetic reason, but sovereign: it subverts the rule of reason.In this book Christoph Menke attempts to explain art's sovereign power to subvert reason without falling into an error common to Adorno's negative dialectics and Derrida's deconstruction. The error, which already appeared in romanticism, is to conceive of the sovereignty of art as reflecting the superiority of its knowledge. For art entails no knowledge and its negativity toward reason cannot be articulated as an insight into the nature of reason: art is sovereign not despite, but because of, its autonomy. Menke brings to his arguments a firm grounding in both philosophy and literary studies, as well as familiarity with German, French, and American sources.
Author: Christoph Menke Publisher: Studies in Contemporary German ISBN: 9780262631952 Category : Philosophy Languages : en Pages : 310
Book Description
Recent discussions of aesthetics, whether in the hermeneutic or the analytic tradition, understand the place of art and aesthetic experience according to a model of "autonomy"--as just one among the many modes of experience that make up the realm of reason, situated beside the other "spheres of value." In contrast, Theodor Adorno and Jacques Derrida view art and aesthetic experience as a medium for the dissolution of nonaesthetic reason, an experientially enacted critique of reason. Art is not only autonomous, following its own law, different from nonaesthetic reason, but sovereign: it subverts the rule of reason.In this book Christoph Menke attempts to explain art's sovereign power to subvert reason without falling into an error common to Adorno's negative dialectics and Derrida's deconstruction. The error, which already appeared in romanticism, is to conceive of the sovereignty of art as reflecting the superiority of its knowledge. For art entails no knowledge and its negativity toward reason cannot be articulated as an insight into the nature of reason: art is sovereign not despite, but because of, its autonomy. Menke brings to his arguments a firm grounding in both philosophy and literary studies, as well as familiarity with German, French, and American sources.
Author: Christoph Menke Publisher: ISBN: 9780262133401 Category : Philosophy Languages : en Pages : 330
Book Description
In this book Christoph Menke attempts to explain art's sovereign power to subvert reason without falling into an error common to Adorno's negative dialectics and Derrida's deconstruction.
Author: Christoph Menke Publisher: MIT Press ISBN: 0262631954 Category : Philosophy Languages : en Pages : 327
Book Description
In this book Christoph Menke attempts to explain art's sovereign power to subvert reason without falling into an error common to Adorno's negative dialectics and Derrida's deconstruction. Recent discussions of aesthetics, whether in the hermeneutic or the analytic tradition, understand the place of art and aesthetic experience according to a model of autonomy--as just one among the many modes of experience that make up the realm of reason, situated beside the other spheres of value. In contrast, Theodor Adorno and Jacques Derrida view art and aesthetic experience as a medium for the dissolution of nonaesthetic reason, an experientially enacted critique of reason. Art is not only autonomous, following its own law, different from nonaesthetic reason, but sovereign: it subverts the rule of reason.In this book Christoph Menke attempts to explain art's sovereign power to subvert reason without falling into an error common to Adorno's negative dialectics and Derrida's deconstruction. The error, which already appeared in romanticism, is to conceive of the sovereignty of art as reflecting the superiority of its knowledge. For art entails no knowledge and its negativity toward reason cannot be articulated as an insight into the nature of reason: art is sovereign not despite, but because of, its autonomy. Menke brings to his arguments a firm grounding in both philosophy and literary studies, as well as familiarity with German, French, and American sources.
Author: Douglas Howland Publisher: Springer ISBN: 1349950165 Category : Political Science Languages : en Pages : 320
Book Description
This volume aims to question, challenge, supplement, and revise current understandings of the relationship between aesthetic and political operations. The authors transcend disciplinary boundaries and nurture a wide-ranging sensibility about art and sovereignty, two highly complex and interwoven dimensions of human experience that have rarely been explored by scholars in one conceptual space. Several chapters consider the intertwining of modern philosophical currents and modernist artistic forms, in particular those revealing formal abstraction, stylistic experimentation, self-conscious expression, and resistance to traditional definitions of “Art.” Other chapters deal with currents that emerged as facets of art became increasingly commercialized, merging with industrial design and popular entertainment industries. Some contributors address Post-Modernist art and theory, highlighting power relations and providing sceptical, critical commentary on repercussions of colonialism and notions of universal truths rooted in Western ideals. By interfering with established dichotomies and unsettling stable debates related to art and sovereignty, all contributors frame new perspectives on the co-constitution of artworks and practices of sovereignty.
Author: Dylan Miner Publisher: University of Arizona Press ISBN: 0816530033 Category : Social Science Languages : en Pages : 302
Book Description
"Creating Aztlâan interrogates the important role of Aztlâan in Chicano and Indigenous art and culture. Using the idea that lowriding is an Indigenous way of being, author Dylan A. T. Miner (Mâetis) discusses the multiple roles that Aztlâan has played atvarious moments in time, engaging pre-colonial indigeneities, alongside colonial, modern, and contemporary Xicano responses to colonization"--
Author: Robin Wagner-Pacifici Publisher: University of Chicago Press ISBN: 9780226869780 Category : History Languages : en Pages : 244
Book Description
Explores the ritual concessions as acts of warfare, performances of submission, demonstrations of power, and representations of shifting, unstable worlds. The author considers the limits of sovereignty at conflict's end, showing how the ways we concede loss can be as important as the ways we claim victory.
Author: Jacques Derrida Publisher: University of Chicago Press ISBN: 0226144399 Category : Philosophy Languages : en Pages : 369
Book Description
When he died in 2004, Jacques Derrida left behind a vast legacy of unpublished material, much of it in the form of written lectures. With The Beast and the Sovereign, Volume 1, the University of Chicago Press inaugurates an ambitious series, edited by Geoffrey Bennington and Peggy Kamuf, translating these important works into English. The Beast and the Sovereign, Volume 1 launches the series with Derrida’s exploration of the persistent association of bestiality or animality with sovereignty. In this seminar from 2001–2002, Derrida continues his deconstruction of the traditional determinations of the human. The beast and the sovereign are connected, he contends, because neither animals nor kings are subject to the law—the sovereign stands above it, while the beast falls outside the law from below. He then traces this association through an astonishing array of texts, including La Fontaine’s fable “The Wolf and the Lamb,” Hobbes’s biblical sea monster in Leviathan, D. H. Lawrence’s poem “Snake,” Machiavelli’s Prince with its elaborate comparison of princes and foxes, a historical account of Louis XIV attending an elephant autopsy, and Rousseau’s evocation of werewolves in The Social Contract. Deleuze, Lacan, and Agamben also come into critical play as Derrida focuses in on questions of force, right, justice, and philosophical interpretations of the limits between man and animal.
Author: Frederick Robert Karl Publisher: Scribner ISBN: 9780689707384 Category : Art Languages : en Pages : 456
Book Description
Looks at modernism in art, literature, and music, examines the opposition it attracted, and discusses the intellectual movements associated with the avant-garde
Author: Christoph Menke
Author: Christoph Menke
Author: Christoph Menke
Author: Christoph Menke
Author: Charles Sharp
Author: Douglas Howland
Author: Frederick Robert Karl
Author: Dylan Miner
Author: Robin Wagner-Pacifici
Author: Jacques Derrida
Author: Frederick Robert Karl