The Subject of Tragedy (Routledge Revivals) PDF Download

Author: Catherine Belsey
Publisher: Routledge
ISBN: 1317744438
Category : Literary Criticism
Languages : en
Pages : 198

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Book Description
First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related.

Author: Catherine Belsey
Publisher: Routledge
ISBN: 1317744446
Category : Literary Criticism
Languages : en
Pages : 254

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Book Description
First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related.

Author: Catherine Belsey
Publisher: London ; New York : Methuen
ISBN: 9780416327106
Category : Difference (Psychology) in literature
Languages : en
Pages : 253

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Book Description
... Although (Belsey) uses the specialised vocabulary of modern critical theory, she writes with a clarity and zest which can carry along even an uninitiated reader.' - THES.

Author: Thomas Rice Henn
Publisher: Routledge
ISBN: 1136472207
Category : Literary Criticism
Languages : en
Pages : 329

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Book Description
Upon initial publication in 1956, this book was an attempt to re-state certain problems concerning the aesthetics and ethics of the tragic form; to examine these in relation to contemporary work in psychology and anthropology; to enquire into the significance of ‘the fact or experience called tragedy’ in the modern world; and to suggest a synthesis in terms of the Christian tradition. This is a reissue of the corrected second edition of the work, first published in 1966.

Author: W. B. Stanford
Publisher: Routledge
ISBN: 1317698762
Category : Drama
Languages : en
Pages : 154

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Book Description
According to Aristotle the main purpose of tragedy is the manipulation of emotions, and yet there are relatively few accessible studies of the precise dynamics of emotion in the Athenian theatre. In Greek Tragedy and the Emotions, first published in 1993, W.B. Stanford reviews the evidence for ‘emotionalism’ – as the great Attic playwrights presented it, as the actors and choruses expressed it, and as their audiences reacted to it. Sociological aspects of the issue are considered, and the whole range of emotions, not just ‘pity and fear’, is discussed. The aural, visual and stylistic methods of inciting emotion are analysed, and Aeschylus’ Oresteia is examined exclusively in terms of the emotions that it exploits. Finally, Stanford’s conclusions are contrasted with the accepted theories of tragic ‘catharsis’. Greek terms are transliterated and all quotations are in translation, so Greek Tragedy and the Emotions will appeal particularly to those unfamiliar with Classical Greek.

Author: D.D. Raphael
Publisher: Routledge
ISBN: 1000543765
Category : Philosophy
Languages : en
Pages : 94

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Book Description
First published in 1960, The Paradox of Tragedy raises the fundamental question, why do we enjoy tragic drama with its themes of death and disaster? Aristotle’s theory of catharsis is still widely accepted as a satisfactory explanation of this paradox. In the first of its two connected essays, D.D. Raphael argues that Aristotle’s account of tragic emotions is distorted by a faulty psychology and fails to solve the problem. Raphael offers instead a new theory of Tragedy, as a conflict between two forms of the sublime, in which the sublimity of human heroism is exalted above the sublimity of overwhelming power. The spirit of the Tragedy is liable to conflict with doctrines of Biblical theology, and the difficulties of fusing the two are explored with illustrations from Greek, Biblical, English, and French literature. The second essay discusses the wider topic of philosophical drama, considering in what sense tragic and other forms of serious drama may be called philosophical, and also pointing out the dramatic shape of much of Plato’s philosophy. In this discussion, the question of religious Tragedy reappears in a different perspective. This book will be an essential read for scholars and researchers of philosophy in general and political philosophy in particular.

Author: Richard A. Bauman
Publisher: Routledge
ISBN: 1000082938
Category : History
Languages : en
Pages : 180

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Book Description
During the inspired years of the Athenian empire, through the tragedy of its collapse, to the more prosaic era that followed, most of the great names in Athenian history were involved in the procedures of criminal law. Political Trials in Ancient Greece, first published in 1990, explores the relationships between historical process, constitution, law, political machinations and foreign policy, concentrating on fifth and fourth century Athens and on Macedonia. These trials contribute significant details to our knowledge of such towering figures as Aeschylus, Pericles, Thucydides, Alcibiades, Socrates, Demosthenes and Aristotle, as well as a diverse collection of Macedonian defendants. The jurisdiction of the Areopagus, trials of communities, and the personal jurisdiction of the Macedonian king are also examined. Richard Bauman’s original account broadens our understanding of Greek legal institutions and of the ancient Greek approach to the law, as well as the general ethos of Athenian and Macedonian society.

Author: Alan Sinfield
Publisher: Routledge
ISBN: 1135228507
Category : History
Languages : en
Pages : 154

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Book Description
The hardline, uncompromising theology preached by the English Church in the 16th and 17th Centuries had disturbing effects on the literature of the period. This study, originally published in 1983, assesses the importance of the prevailing religious climate to the work of several major writers, both in and out of sympathy with the contemporary protestantism. It is argued that the accepted view of the period as essentially 'Christian-Humanist' obscures the harsher aspects of a Calvinism which throws into relief the agonies of a writer like Donne, the acceptances of one like George Herbert. Many writers rejected more or less explicitly the Christian dogma, through the heroic assertion of human potential in Shakespearean and other dramatic characters, the nihilism of Marlowe, or the secular rationalism of Bacon and Hobbes. Milton is central to this complex weft of belief and rejection, piety and atheism, acceptance of predestination and determination to accept fate, that characterises the period. Finally, Sinfield shows how this protestantism disintegrated under the strain of internal contradictions and external pressures, and in the process helped to stimulate secularism. In this original and clearly written book, scholarship is deployed unobstrusively to place many major works in an unaccustomed and stimulating perspective.

Author: Oliver Taplin
Publisher: Routledge
ISBN: 1134414935
Category : History
Languages : en
Pages : 232

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Book Description
Oliver Taplin's seminal study was revolutionary in drawing out the significance of stage action in Greek tragedy at a time when plays were often read purely as texts, rather than understood as performances. Professor Taplin explores nine plays, including Aeschylus' agamemnon and Sophocles' Oedipus the King. The details of theatrical techniques and stage directions, used by playwrights to highlight key moments, are drawn out and related to the meaning of each play as a whole. With extensive translated quotations, the essential unity of action and speech in Greek tragedy is demonstrated. Now firmly established as a classic text, Greek Tragedy in Action is even more relevant today, when performances of Greek tragedies and plays inspired by them have had such an extraordinary revival around the world.

Author: Wolfgang Clemen
Publisher: Routledge
ISBN: 1136811095
Category : Drama
Languages : en
Pages : 305

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Book Description
First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre.