Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Theatre of the Weimar Republic PDF full book. Access full book title The Theatre of the Weimar Republic by John Willett. Download full books in PDF and EPUB format.
Author: John Willett Publisher: Holmes & Meier Publishers ISBN: Category : Theater Languages : en Pages : 368
Book Description
The most definitive, comprehensive study of the origins, development, achievements and ultimate destruction of the performing arts in Germany from World War I through the rise of Hitler, "The Theatre of the Weimar Republic" is an invaluable record of creativity born out of conflict. John Willett focuses on the intellec-tual and sociocultural factors that brought Weimar theatre to its peak and analyses the theatrical theories and movements of the era. In addition, he includes a unique section of appen-dices, spanning 1916 to 1945, supple-menting the text and providing detailed information on theatres, actors, perfor-mances, films, and radio and gramo-phone recordings. The theatre during this period was marked by bold, innovative playwright-ing and directing as well as by impor-tant advances in theatrical architecture, lighting, and stage design. Renowned talents such as Brecht, Piscator, Toller, and Weill were nurtured, and influen-tial movements and credos -- including Expressionism, agitprop, and Bauhaus theatre projects -- developed. A rigorous, fascinating assessment of the world-wide influences of Weimar theatre during its lifetime and in later years, the book will appeal to all readers interested in the art and politics of this turbulent period.
Author: John Willett Publisher: Holmes & Meier Publishers ISBN: Category : Theater Languages : en Pages : 368
Book Description
The most definitive, comprehensive study of the origins, development, achievements and ultimate destruction of the performing arts in Germany from World War I through the rise of Hitler, "The Theatre of the Weimar Republic" is an invaluable record of creativity born out of conflict. John Willett focuses on the intellec-tual and sociocultural factors that brought Weimar theatre to its peak and analyses the theatrical theories and movements of the era. In addition, he includes a unique section of appen-dices, spanning 1916 to 1945, supple-menting the text and providing detailed information on theatres, actors, perfor-mances, films, and radio and gramo-phone recordings. The theatre during this period was marked by bold, innovative playwright-ing and directing as well as by impor-tant advances in theatrical architecture, lighting, and stage design. Renowned talents such as Brecht, Piscator, Toller, and Weill were nurtured, and influen-tial movements and credos -- including Expressionism, agitprop, and Bauhaus theatre projects -- developed. A rigorous, fascinating assessment of the world-wide influences of Weimar theatre during its lifetime and in later years, the book will appeal to all readers interested in the art and politics of this turbulent period.
Author: William Grange Publisher: Scarecrow Press ISBN: 9780810859678 Category : History Languages : en Pages : 428
Book Description
The Weimar Republic began at 2:00 PM on November 9, 1918 when Philip Scheidemann declared from a second-story window in the Reich Chancellery to his hearers below that the German Reich was now a republic. It ended at 11:00 AM on January 30, 1933 when President Paul von Hindenburg named Adolf Hitler Chancellor. The Cultural Chronicle of the Weimar Republic is an account of significant cultural events in Germany during the time of the Weimar Republic. Weimar, already a German cultural mecca because Goethe and Schiller had lived and worked there 120 years earlier, emerged as a unique and experimental culture. Weimar culture was responsible for producing such icons as actress Marlene Dietrich, novels like All Quiet on the Western Front, musicals like The Threepenny Opera, the political cabaret, the Bauhaus School, and films like The Cabinet of Dr. Caligari and Metropolis. There were hundreds of premieres, performance debuts, exhibitions, works of fiction, and other cultural events that marked the Republic as Western Civilization's first modernist society. Modernism took many forms: the Einstein Tower in Berlin, the symphonies of Paul Hindemith, the paintings of Max Beckmann, the drawings of K the Kollwitz, the novels of Alfred D blin, the industrial designs of Ferdinand Porsche, the choreography of Mary Wigman, the acting of Ernst Deutsch, the plays of Expressionism. The Cultural Chronicle of the Weimar Republic presents these and scores of other modernist inscriptions worthy of note, while providing notations that inform readers of connections among individuals, art works, related cultural activities, and significant political and economic developments.
Author: William Grange Publisher: Praeger ISBN: Category : Drama Languages : en Pages : 192
Book Description
Theatre was one of many German institutions experiencing profound change in the aftermath of World War I. Grange contends that had comedy not prevailed throughout the turbulent years of the ill-fated Weimar experiment in democracy, much of theatre would have died along with the republic itself. Audiences attended performances of comedies in numbers far surpassing those of any other form of theatre. Theatre was one of many German institutions experiencing profound change in the aftermath of World War I. Grange contends that had comedy not prevailed throughout the turbulent years of the ill-fated Weimar experiment in democracy, much of theatre would have died along with the republic itself. Audiences attended performances of comedies in numbers far surpassing those of any other form of theatre. Industrial comedy describes the most important and most predominant form of comedy on German stages from 1919 to 1933. Discoveries, reversals, mistaken identities, and abrupt plot twists were its stock-in-trade. Scholars and students of theatre as well as modern German history will find this a fascinating look at why Germans were laughing, and what they were laughing at, as their society crumbled around them.
Author: Stephen Brockmann Publisher: Cambridge University Press ISBN: 1108634141 Category : Drama Languages : en Pages : 676
Book Description
Bertolt Brecht in Context examines Brecht's significance and contributions as a writer and the most influential playwright of the twentieth century. It explores the specific context from which he emerged in imperial Germany during the late nineteenth and early twentieth centuries, as well as Brecht's response to the turbulent German history of the twentieth century: World Wars One and Two, the Weimar Republic, the Nazi dictatorship, the experience of exile, and ultimately the division of Germany into two competing political blocs divided by the postwar Iron Curtain. Throughout this turbulence, and in spite of it, Brecht managed to remain extraordinarily productive, revolutionizing the theater of the twentieth century and developing a new approach to language and performance. Because of his unparalleled radicalism and influence, Brecht remains controversial to this day. This book – with a Foreword by Mark Ravenhill – lays out in clear and accessible language the shape of Brecht's contribution and the reasons for his ongoing influence.
Author: Lesley Sharpe Publisher: Cambridge University Press ISBN: 9780521665605 Category : Literary Criticism Languages : en Pages : 298
Book Description
The Cambridge Companion to Goethe provides a stimulating and accessible survey of this many-sided figure. The volume places Goethe in the context of the Germany and Europe of his lifetime. His literary work is covered in individual chapters on poetry, drama (with a separate chapter on Faust), prose fiction and autobiography. A wide-ranging survey of reception inside and outside Germany and an extensive guide to further reading round off this volume, which will appeal to students and specialists alike.
Author: Colin Storer Publisher: Bloomsbury Publishing ISBN: 1350172383 Category : History Languages : en Pages : 265
Book Description
It is impossible to understand the history of modern Europe without some knowledge of the Weimar Republic. The brief fourteen-year period of democracy between the Treaty of Versailles and the advent of the Third Reich was marked by unstable government, economic crisis and hyperinflation and the rise of extremist political movements. At the same time, however, a vibrant cultural scene flourished, which continues to influence the international art world through the aesthetics of Expressionism and the Bauhaus movement. In the fields of art, literature, theatre, cinema, music and architecture not to mention science Germany became a world leader during the 1920s, while her perilous political and economic position ensured that no US or European statesman could afford to ignore her. Incorporating original research and a synthesis of the existing historiography, this revised edition will provide students and a general readership with a clear and concise introduction to the history of the first German Republic.
Author: Nadine Rossol Publisher: Oxford University Press ISBN: 0198845774 Category : History Languages : en Pages : 849
Book Description
The Weimar Republic was a turbulent and pivotal period of German and European history and a laboratory of modernity. The Oxford Handbook of the Weimar Republic provides an unsurpassed panorama of German history from 1918 to 1933, offering an indispensable guide for anyone interested in the fascinating history of the Weimar Republic.
Author: Anselm Heinrich Publisher: Univ of Hertfordshire Press ISBN: 9781902806754 Category : Theater Languages : en Pages : 294
Book Description
Published in association with the Society for Theatre Research, this is a comparative study of regional theatre in Britain and Germany during the key period of 1918 to 1945.
Author: Erik Levi Publisher: Springer ISBN: 1349245828 Category : History Languages : en Pages : 316
Book Description
In this authoritative study, one of the first to appear in English, Erik Levi explores the ambiguous relationship between music and politics during one of the darkest periods of recent cultural history. Utilising material drawn from contemporary documents, journals and newspapers, he traces the evolution of reactionary musical attitudes which were exploited by the Nazis in the final years of the Weimar Republic, chronicles the mechanisms that were established after 1933 to regiment musical life throughout Germany and the occupied territories, and examines the degree to which the climate of xenophobia, racism and anti-modernism affected the dissemination of music either in the opera house and concert hall, or on the radio and in the media.
Author: John Willett
Author: John Willett
Author: John Willett
Author: William Grange
Author: William Grange
Author: Stephen Brockmann
Author: Lesley Sharpe
Author: Colin Storer
Author: Nadine Rossol
Author: Anselm Heinrich
Author: Erik Levi