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Author: Lisa Goldfarb Publisher: Routledge ISBN: 1136330453 Category : Literary Criticism Languages : en Pages : 202
Book Description
This unique essay collection considers the impact of New York on the life and works of Wallace Stevens. Stevens lived in New York from 1900 to 1916, working briefly as a journalist, going to law school, laboriously starting up a career as a lawyer, getting engaged and married, gradually mixing with local avant-garde circles, and eventually emerging as one of the most exciting and surprising voices in modern poetry. Although he then left the city for a job in Hartford, Stevens never saw himself as a Hartford poet and kept gravitating toward New York for nearly all things that mattered to him privately and poetically: visits to galleries and museums, theatrical and musical performances, intellectual and artistic gatherings, shopping sprees and gastronomical indulgences. Recent criticism of the poet has sought to understand how Stevens interacted with the literary, artistic, and cultural forces of his time to forge his inimitable aesthetic, with its peculiar mix of post-romantic responses to nature and a metropolitan cosmopolitanism. This volume deepens our understanding of the multiple ways in which New York and its various aesthetic attractions figured in Stevens’ life, both at a biographical and poetic level.
Author: Albert Gelpi Publisher: Cambridge University Press ISBN: 9780521386999 Category : Literary Criticism Languages : en Pages : 176
Book Description
In this volume, seven renowned critics present different views of Wallace Stevens' place in the evolution of Modernist poetry. The essays offer a fresh scrutiny of the poet's work and influence, re-examining the critical consensus that has developed since Stevens first gained the attention of critics in the fifties. The collection traces both the development of Modernist poetics and Stevens' place in it, from the poet's relation to such contemporaries as Ezra Pound, William Carlos Williams and Marianne Moore to his influence on current writers such as John Ashbery and Robert Duncan. The contributions examine the cultural influences, or 'context', from which Stevens emerges: the Symbolist and Imagist traditions, the social and political context of the war years, and contemporary movements in the visual arts. Finally, two essays investigate the influence of Stevens on later poets.
Author: Bart Eeckhout Publisher: Bloomsbury Publishing USA ISBN: 1501313487 Category : Literary Criticism Languages : en Pages : 289
Book Description
"This collection of essays examines the different lines that may be drawn between the work of Wallace Stevens and a wide range of poetry from the second half of the twentieth century up to the present moment"--
Author: Charles Altieri Publisher: ISBN: 9780801451676 Category : Phenomenology in literature Languages : en Pages : 0
Book Description
Altieri focuses his attention on the poetry of Wallace Stevens, arguing that critics have failed to appreciate the degree to which modernist poetry, like modernist art, breaks from the epistemology that arose from cultures of empiricism.
Author: George S. Lensing Publisher: LSU Press ISBN: 0807168955 Category : Literary Criticism Languages : en Pages : 263
Book Description
Over sixty years after his death, Wallace Stevens remains one of the major figures of American modernist poetry, celebrated for his masterful style, formal rigor, and aesthetic investigations of the natural, political, and metaphysical worlds. In Making the Poem, noted Stevens scholar George S. Lensing explores the poet’s progress in the creation of his body of work, considering its development, composition, and reception. Drawing on little-known sources and nuanced readings of Stevens’ texts, Lensing expands the customary view of the poet’s creative approaches. This wide-ranging study extends from the origins and overlapping themes of well-known poems through the social and political backgrounds that marked Stevens’ work to the prosodic and musical elements central to his style. Making the Poem features a dynamic new reading of the important early poem “Sea Surface Full of Clouds”—viewing it alongside his wife Elsie’s journal describing the sea voyage that inspired the poem—and an extensive, multiperspective treatment of the widely anthologized “The Idea of Order at Key West,” as well as a careful excavation of the poem “Mozart, 1935” in the context of the U.S. Great Depression. Lensing concludes with a discussion of the gradual (and sometimes reluctant) recognition Stevens’ work received from poets and critics in Great Britain and Ireland. Stemming from decades of research and writing, Making the Poem: Stevens’ Approaches presents a holistic view of his creative achievements and a wealth of new material for readers to draw upon in their future encounters with the poetry of Wallace Stevens.
Author: Stefan Holander Publisher: Routledge ISBN: 1135914001 Category : Literary Criticism Languages : en Pages : 251
Book Description
This study examines Wallace Stevens' ideas and practice of poetic language with a focus on the 1930s, an era in which Stevens persistently thematized a keenly felt pressure for the possible social involvement and political utility of poetic language. The argument suggests how mutually implicated elements of his poetry such as diction, prosody and metaphor are relied on to signify or enact aesthetic closure; both in the negative terms of expressive impotence and unethical isolation and the positive ones of imaginative and linguistic change. In this respect, the study deals closely with the epistemologically and ethically fraught issue of the ambiguous and volatile role of non-semantic elements and linguistic difficulty in Stevens' language. Assuming that these facets are not exclusive to this period but receive a very clear, and therefore instructive, formulation in it, the discussion outlines some of Stevens' most central tropes for poetic creativity at this stage of his career, suggesting ways in which they came to form part of his later discourse on poetic functionality, when polemical concepts for the imagination, such as "evasion" and "escapism," became central. Stevens' prosody is discussed from within an eclectic analytical framework in which cumulative rhythmics is complemented by traditional metrics as a way of doing justice to his rich, varied and cognitively volatile use of verse language. The expressive potency of prosodic patterning is understood both as an effect of its resistance to semantic interpretation and by assuming a formal drive to interpret them in relation to the semantic and metaphoric staging of individual poems. A poem, in turn, is understood both as a strategic, stylistically deviant response to the challenges of a particular historical moment, and as an attempt to communicate through creating a sense of linguistic resistance and otherness.
Author: Ian Tan Publisher: Springer Nature ISBN: 3030992497 Category : Literary Criticism Languages : en Pages : 199
Book Description
This book is a unique contribution to scholarship of the poetics of Wallace Stevens, offering an analysis of the entire oeuvre of Stevens’s poetry using the philosophical framework of Martin Heidegger. Marking the first book-length engagement with a philosophical reading of Stevens, it uses Heidegger’s theories as a framework through which Stevens’s poetry can be read and shows how philosophy and literature can enter into a productive dialogue. It also makes a case for a Heideggerian reading of poetry, exploring his later philosophy with respect to his writing on art, language, and poetry. Taking Stevens’s repeated emphasis on the terms “being”, “consciousness”, “reality” and “truth” as its starting point, the book provides a new reading of Stevens with a philosopher who aligns poetic insight with a reconceptualization of the metaphysical significance of these concepts. It pursues the link between philosophy, American poetry as reflected through Stevens, and modernist poetics, looking from Stevens’s modernist techniques to broader European philosophical movements of the twentieth century.
Author: Gül Bilge Han
Author: Gül Bilge Han
Author: Bart Eeckhout
Author: Lisa Goldfarb
Author: Albert Gelpi
Author: Bart Eeckhout
Author: Alan Filreis
Author: Charles Altieri
Author: George S. Lensing
Author: Stefan Holander
Author: Ian Tan