Author: Simeon Pease CheneyPublisher:
ISBN:
Category : Birdsongs
Languages : en
Pages : 286
Book Description
Wood Notes Wild
Author: Simeon Pease CheneyPublisher:
ISBN:
Category : Birdsongs
Languages : en
Pages : 286
Book Description
Wood Notes Wild
Author: Simeon Pease CheneyPublisher: Nabu Press
ISBN: 9781295617562
Category :
Languages : en
Pages : 290
Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Wood Notes Wild: Notations Of Bird Music Simeon Pease Cheney John Vance Cheney Lee and Shepard, 1892 Birdsongs
WOOD NOTES WILD, NOTATIONS OF BIRD MUSIC
Author: SIMEON PEASE. CHENEYPublisher:
ISBN: 9781033722138
Category :
Languages : en
Pages : 0
Book Description
Wood Notes Wild
Author: Simeon Pease CheneyPublisher: Andesite Press
ISBN: 9781296862756
Category :
Languages : en
Pages : 290
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Wood Notes Wild
Author: John Vance CheneyPublisher:
ISBN: 9783337859862
Category :
Languages : en
Pages : 284
Book Description
WOOD NOTES WILD NOTATIONS OF B
Author: Simeon Pease 1818-1890 CheneyPublisher: Wentworth Press
ISBN: 9781374420670
Category : History
Languages : en
Pages : 294
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Wood Notes Wild, Notations of Bird Music (Classic Reprint)
Author: Simeon Pease CheneyPublisher: Forgotten Books
ISBN: 9780331740578
Category : Poetry
Languages : en
Pages : 278
Book Description
Excerpt from Wood Notes Wild, Notations of Bird Music The editor, no more of an ornithologist and much less Of a musician than the author, cannot hope that he has steered clear of error; he hopes only for the general judgment that the work were better done crudely than not at all. A most grateful acknowledgment is made to the many authors, editors, publishers, and proprietors whose names appear, in connection with their several contributions, in the index and in the list at the end of the volume. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Wood Notes Wild
Author: Simeon Pease CheneyPublisher:
ISBN:
Category : Birdsongs
Languages : en
Pages : 292
Book Description
Is Birdsong Music?
Author: Hollis TaylorPublisher: Indiana University Press
ISBN: 0253026482
Category : Nature
Languages : en
Pages : 364
Book Description
“A ground-breaking study of the songs of the pied butcherbird . . . intellectually engaging and also very entertaining as a fieldwork memoir.” —The Music Trust How and when does music become possible? Is it a matter of biology, or culture, or an interaction between the two? Revolutionizing the way we think about the core values of music and human exceptionalism, Hollis Taylor takes us on an outback road trip to meet the Australian pied butcherbird. Recognized for their distinct timbre, calls, and songs, both sexes of this songbird sing in duos, trios, and even larger choirs, transforming their flute-like songs annually. While birdsong has long inspired artists, writers, musicians, and philosophers, and enthralled listeners from all walks of life, researchers from the sciences have dominated its study. As a field musicologist, Taylor spends months each year in the Australian outback recording the songs of the pied butcherbird and chronicling their musical activities. She argues persuasively in these pages that their inventiveness in song surpasses biological necessity, compelling us to question the foundations of music and confront the remarkably entangled relationship between human and animal worlds. Equal parts nature essay, memoir, and scholarship, Is Birdsong Music? offers vivid portraits of the extreme locations where these avian choristers are found, quirky stories from the field, and an in-depth exploration of the vocalizations of the pied butcherbird. “Hollis Taylor has given us one of the most serious books ever written on animal music. Is Birdsong Music? is so engaging that all who care about humanity’s place on Earth should read it. We are certainly not the only musicians on this planet.” —David Rothenberg, author of Why Birds Sing
Listening in the Field
Author: Joeri BruyninckxPublisher: MIT Press
ISBN: 0262345412
Category : Science
Languages : en
Pages : 256
Book Description
The transformation of sound recording into a scientific technique in the study of birdsong, as biologists turned wildlife sounds into scientific objects. Scientific observation and representation tend to be seen as exclusively visual affairs. But scientists have often drawn on sensory experiences other than the visual. Since the end of the nineteenth century, biologists have used a variety of techniques to register wildlife sounds. In this book, Joeri Bruyninckx describes the evolution of sound recording into a scientific technique for studying the songs and calls of wild birds and asks, what it means to listen to animal voices as a scientist. The practice of recording birdsong took shape at the intersection of popular entertainment and field ornithology, turning recordings into objects of investigation and popular fascination. Shaped by the technologies and interests of amateur naturalism and music teaching, radio broadcasting and gramophone production, hobby electronics and communication engineering, birdsong recordings traveled back and forth between scientific and popular domains, to appear on gramophone recordings, radio broadcasts, and movie soundtracks. Bruyninckx follows four technologies—the musical score, the electric microphone, the portable magnetic tape recorder, and the sound spectrograph—through a cultural history of field recording and scientific listening. He chronicles a period when verbal descriptions, musical notations, and onomatopoeic syllables represented birdsong and shaped a community of listeners; later electric recordings struggled with notions of fidelity, realism, objectivity, and authenticity; scientists, early citizen scientists, and the recording industry negotiated recording exchange; and trained listeners complemented the visual authority of spectrographic laboratory analyses. This book reveals a scientific process fraught with conversions, between field and laboratory, sound and image, science and its various audiences.