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Author: Eileen Hunt Botting Publisher: University of Pennsylvania Press ISBN: 0812252748 Category : Political Science Languages : en Pages : 272
Book Description
Artificial Life After Frankenstein brings the insights born of Mary Shelley's legacy to bear upon the ethics and politics of making artificial life and intelligence in the twenty-first century. What are the obligations of humanity to the artificial creatures we make? And what are the corresponding rights of those creatures, whether they are learning machines or genetically modified organisms? In seeking ways to respond to these questions, so vital for our age of genetic engineering and artificial intelligence, we would do well to turn to the capacious mind and imaginative genius of Mary Wollstonecraft Shelley (1797-1851). Shelley's novels Frankenstein; or, The Modern Prometheus (1818) and The Last Man (1826) precipitated a modern political strain of science fiction concerned with the ethical dilemmas that arise when we make artificial life—and make life artificial—through science, technology, and other forms of cultural change. In Artificial Life After Frankenstein, Eileen Hunt Botting puts Shelley and several classics of modern political science fiction into dialogue with contemporary political science and philosophy, in order to challenge some of the apocalyptic fears at the fore of twenty-first-century political thought on AI and genetic engineering. Focusing on the prevailing myths that artificial forms of life will end the world, destroy nature, and extinguish love, Botting shows how Shelley modeled ways to break down and transform the meanings of apocalypse, nature, and love in the face of widespread and deep-seated fear about the power of technology and artifice to undermine the possibility of humanity, community, and life itself. Through their explorations of these themes, Mary Shelley and authors of modern political science fiction from H. G. Wells to Nnedi Okorafor have paved the way for a techno-political philosophy of living with the artifice of humanity in all of its complexity. In Artificial Life After Frankenstein, Botting brings the insights born of Shelley's legacy to bear upon the ethics and politics of making artificial life and intelligence in the twenty-first century.
Author: Eileen Hunt Botting Publisher: University of Pennsylvania Press ISBN: 0812252748 Category : Political Science Languages : en Pages : 272
Book Description
Artificial Life After Frankenstein brings the insights born of Mary Shelley's legacy to bear upon the ethics and politics of making artificial life and intelligence in the twenty-first century. What are the obligations of humanity to the artificial creatures we make? And what are the corresponding rights of those creatures, whether they are learning machines or genetically modified organisms? In seeking ways to respond to these questions, so vital for our age of genetic engineering and artificial intelligence, we would do well to turn to the capacious mind and imaginative genius of Mary Wollstonecraft Shelley (1797-1851). Shelley's novels Frankenstein; or, The Modern Prometheus (1818) and The Last Man (1826) precipitated a modern political strain of science fiction concerned with the ethical dilemmas that arise when we make artificial life—and make life artificial—through science, technology, and other forms of cultural change. In Artificial Life After Frankenstein, Eileen Hunt Botting puts Shelley and several classics of modern political science fiction into dialogue with contemporary political science and philosophy, in order to challenge some of the apocalyptic fears at the fore of twenty-first-century political thought on AI and genetic engineering. Focusing on the prevailing myths that artificial forms of life will end the world, destroy nature, and extinguish love, Botting shows how Shelley modeled ways to break down and transform the meanings of apocalypse, nature, and love in the face of widespread and deep-seated fear about the power of technology and artifice to undermine the possibility of humanity, community, and life itself. Through their explorations of these themes, Mary Shelley and authors of modern political science fiction from H. G. Wells to Nnedi Okorafor have paved the way for a techno-political philosophy of living with the artifice of humanity in all of its complexity. In Artificial Life After Frankenstein, Botting brings the insights born of Shelley's legacy to bear upon the ethics and politics of making artificial life and intelligence in the twenty-first century.
Author: Kathryn Harkup Publisher: Bloomsbury Publishing ISBN: 1472933753 Category : Literary Criticism Languages : en Pages : 305
Book Description
A thrilling and gruesome look at the science that influenced Mary Shelley's Frankenstein. The year 1818 saw the publication of one of the most influential science-fiction stories of all time. Frankenstein: or, The Modern Prometheus by Mary Shelley had a huge impact on the gothic horror and science-fiction genres, and her creation has become part of our everyday culture, from cartoons to Hallowe'en costumes. Even the name 'Frankenstein' has become a by-word for evil scientists and dangerous experiments. How did a teenager with no formal education come up with the idea for such an extraordinary novel? Clues are dotted throughout Georgian science and popular culture. The years before the book's publication saw huge advances in our understanding of the natural sciences, in areas such as electricity and physiology, for example. Sensational science demonstrations caught the imagination of the general public, while the newspapers were full of lurid tales of murderers and resurrectionists. Making the Monster explores the scientific background behind Mary Shelley's book. Is there any science fact behind the science fiction? And how might a real-life Victor Frankenstein have gone about creating his monster? From tales of volcanic eruptions, artificial life and chemical revolutions, to experimental surgery, 'monsters' and electrical experiments on human cadavers, Kathryn Harkup examines the science and scientists that influenced Shelley, and inspired her most famous creation.
Author: Robert I. Lublin Publisher: Bloomsbury Publishing ISBN: 1350351571 Category : Literary Criticism Languages : en Pages : 249
Book Description
An exploration of the treatment of Mary Shelley's Frankenstein in popular art and culture, this book examines adaptations in film, comics, theatre, art, video-games and more, to illuminate how the novel's myth has evolved in the two centuries since its publication. Divided into four sections, The Afterlives of Frankenstein considers the cultural dialogues Mary Shelley's novel has engaged with in specific historical moments; the extraordinary examples of how Frankenstein has suffused our cultural consciousness; and how the Frankenstein myth has become something to play with, a locus for reinvention and imaginative interpretation. In the final part, artists respond to the Frankenstein legacy today, reintroducing it into cultural circulation in ways that speak creatively to current anxieties and concerns. Bringing together popular interventions that riff off Shelley's major themes, chapters survey such works as Frankenstein in Baghdad, Bob Dylan's recent “My Own Version of You”, the graphic novel series Destroyer with its Black cast of characters, Jane Louden's The Mummy!, the first Japanese translation of Frankenstein, “The New Creator”, the iconic Frankenstein mask and Kenneth Brannagh's Mary Shelley's Frankenstein film. A deep-dive into the crevasses of Frankenstein adaptation and lore, this volume offers compelling new directions for scholarship surrounding the novel through dynamic critical and creative responses to Shelley's original.
Author: Mary Wollstoncraft Shelley Publisher: Lulu.com ISBN: 1387048929 Category : Fiction Languages : en Pages : 195
Book Description
As a young boy, Victor is obsessed with studying outdated theories of science that focus on achieving natural wonders. When he witnesses lightning strike an oak tree, splitting it in two, he is inspired to harness the power of lightning. His mother dies of scarlet fever weeks before he leaves for the University of Ingolstadt in Germany. At university, he excels at chemistry and other sciences, and develops a secret technique to imbue inanimate bodies with life. Piecing together the detritus of butcher shops and dissecting rooms, the doctor fashions an eight-foot-tall creature whose loathsome appearance fills even his creator with repulsion. Abandoned by his maker, rejected with fear and disgust by everyone he encounters, the enraged and embittered monster goes on a murderous rampage, determined to destroy Frankenstein by striking at those closest to him... Get Your Copy Now.
Author: Mary Wollstonecraft Shelley Publisher: ISBN: 9781466247949 Category : Languages : en Pages : 252
Book Description
Frankenstein; or, The Modern Prometheus is a novel about a failed artificial life experiment that has produced a monster, written by Mary Shelley. Shelley started writing the story when she was eighteen, and the novel was published when she was twenty-one. The first edition was published anonymously in London in 1818. Shelley's name appears on the second edition, published in France in 1823.Shelley had travelled the region in which the story takes place, and the topics of galvanism and other similar occult ideas were themes of conversation among her companions, particularly her future husband Percy Bysshe Shelley. The actual storyline was taken from a dream. Shelley was talking with three writer-colleagues, Percy Bysshe Shelley, Lord Byron, and John Polidori, and they decided they would have a competition to see who could write the best horror story. After thinking for weeks about what her possible storyline could be, Shelley dreamt about a scientist who created life and was horrified by what he had made. Then Frankenstein was written.Frankenstein is infused with some elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Brian Aldiss has argued that it should be considered the first true science fiction story, because unlike in previous stories with fantastical elements resembling those of later science fiction, the central character "makes a deliberate decision" and "turns to modern experiments in the laboratory" to achieve fantastic results. The story is partially based on Giovanni Aldini's electrical experiments on dead and (sometimes) living animals and was also a warning against the expansion of modern man in the Industrial Revolution, alluded to in its subtitle, The Modern Prometheus. It has had a considerable influence across literature and popular culture and spawned a complete genre of horror stories and films.
Author: Jesse Weiner Publisher: Bloomsbury Publishing ISBN: 1350054895 Category : Literary Criticism Languages : en Pages : 288
Book Description
Frankenstein and Its Classics is the first collection of scholarship dedicated to how Frankenstein and works inspired by it draw on ancient Greek and Roman literature, history, philosophy, and myth. Presenting twelve new essays intended for students, scholars, and other readers of Mary Shelley's novel, the volume explores classical receptions in some of Frankenstein's most important scenes, sources, and adaptations. Not limited to literature, the chapters discuss a wide range of modern materials-including recent films like Alex Garland's Ex Machina and comics like Matt Fraction's and Christian Ward's Ody-C-in relation to ancient works including Hesiod's Theogony, Aeschylus's Prometheus Bound, Ovid's Metamorphoses, and Apuleius's The Golden Ass. All together, these studies show how Frankenstein, a foundational work of science fiction, brings ancient thought to bear on some of today's most pressing issues, from bioengineering and the creation of artificial intelligence to the struggles of marginalized communities and political revolution. This addition to the comparative study of classics and science fiction reveals deep similarities between ancient and modern ways of imagining the world-and emphasizes the prescience and ongoing importance of Mary Shelley's immortal novel. As Frankenstein turns 200, its complex engagement with classical traditions is more significant than ever.
Author: Daniel A. Olivas Publisher: Forest Avenue Press ISBN: 1942436602 Category : Fiction Languages : en Pages : 118
Book Description
A modern retelling of the Mary Wollstonecraft Shelley classic that addresses issues of belonging and assimilation An unnamed paralegal, brought back to life through a controversial process, maneuvers through a near-future world that both needs and resents him. As the United States president spouts anti-reanimation rhetoric and giant pharmaceutical companies rake in profits, the man falls in love with lawyer Faustina Godínez. His world expands as he meets her network of family and friends, setting him on a course to discover his first-life history, which the reanimation process erased. With elements of science fiction, horror, political satire and romance, Chicano Frankenstein confronts our nation’s bigotries and the question of what it truly means to be human.
Author: Eileen M. Hunt Publisher: University of Pennsylvania Press ISBN: 0812298616 Category : Literary Criticism Languages : en Pages : 225
Book Description
Beyond her most famous creation—the nightmarish vision of Frankenstein’s Creature—Mary Shelley’s most enduring influence on politics, literature, and art perhaps stems from the legacy of her lesser-known novel about the near-extinction of the human species through war, disease, and corruption. This novel, The Last Man (1826), gives us the iconic image of a heroic survivor who narrates the history of an apocalyptic disaster in order to save humanity—if not as a species, then at least as the practice of compassion or humaneness. In visual and musical arts from 1826 to the present, this postapocalyptic figure has transmogrified from the “last man” into the globally familiar filmic images of the “invisible man” and the “final girl.” Reading Shelley’s work against the background of epidemic literature and political thought from ancient Greece to Covid-19, Eileen M. Hunt reveals how Shelley’s postapocalyptic imagination has shaped science fiction and dystopian writing from H. G. Wells, M. P. Shiel, and George Orwell to Octavia Butler, Margaret Atwood, and Emily St. John Mandel. Through archival research into Shelley’s personal journals and other writings, Hunt unearths Shelley’s ruminations on her own personal experiences of loss, including the death of young children in her family to disease and the drowning of her husband, Percy Bysshe Shelley. Shelley’s grief drove her to intensive study of Greek tragedy, through which she developed the thinking about plague, conflict, and collective responsibility that later emerges in her fiction. From her readings of classic works of plague literature to her own translation of Sophocles’s Oedipus Rex, and from her authorship of the first major modern pandemic novel to her continued influence on contemporary popular culture, Shelley gave rise to a tradition of postapocalyptic thought that asks a question that the Covid-19 pandemic has made newly urgent for many: What do humans do after disaster?
Author: KHULOD H. HUSAIN Publisher: KY Publications ISBN: 8194807581 Category : Fiction Languages : en Pages : 109
Book Description
This book attempts to explore the emergence of science fiction as a genre and its development into steampunk as a subgenre of science fiction in selected science fiction novels: Mary Shelley's Frankenstein (1823), Stanislaw Lem's Solaris (1970) and K. W. Jeter's Infernal Devices (1987). This research shows that the scientists in these novels drag themselves into darkness. Victor, the protagonists of Frankenstein, is an ambition scientist who wants to conquer death but tragically loses his family during this endeavor. Kelvin, the hero of Solaris, is psychologically devastated when he struggles to understand how Solaris ocean creates a simulation of people. The hero of the third novel, George Dewar's father, a mad scientist and inventor, creates a double of his own son as a robot tries to destroy the earth. The main argument of this research is that all these novels set in different eras draw on science fiction to criticize and question man's greedy and unrestricted desire for scientific discovery to the extent that they want to conquer the universe and play the role of God. The study will ask the following questions: How do the ambitious scientists in the novels drag themselves into madness? And how does the scientific desire turn into a crave for transcendence bringing about their damnation? What do these scientific explorations and inventions reveal about human nature? Does steampunk bring evolution to the future as a sub-genre of science fiction?
Author: Eileen Hunt Botting
Author: Eileen Hunt Botting
Author: Kathryn Harkup
Author: Robert I. Lublin
Author: Mary Wollstoncraft Shelley
Author: Mary Wollstonecraft Shelley
Author: Mary Wollstonecraft Shelley
Author: Jesse Weiner
Author: Daniel A. Olivas
Author: Eileen M. Hunt
Author: KHULOD H. HUSAIN