Author: Leland de la Durantaye
Publisher: Harvard University Press
ISBN: 0674504852
Category : Drama
Languages : en
Pages : 209
Book Description
Leland de la Durantaye helps us understand Beckett’s strangeness and notorious difficulty by arguing that Beckett’s lifelong campaign was to mismake on purpose—not to denigrate himself, or his audience, or reconnect with the child or savage within, but because he believed that such mismaking is in the interest of art and will shape its future.
Beckett’s Art of Mismaking
Author: Leland de la Durantaye
Publisher: Harvard University Press
ISBN: 0674504852
Category : Drama
Languages : en
Pages : 209
Book Description
Leland de la Durantaye helps us understand Beckett’s strangeness and notorious difficulty by arguing that Beckett’s lifelong campaign was to mismake on purpose—not to denigrate himself, or his audience, or reconnect with the child or savage within, but because he believed that such mismaking is in the interest of art and will shape its future.
Publisher: Harvard University Press
ISBN: 0674504852
Category : Drama
Languages : en
Pages : 209
Book Description
Leland de la Durantaye helps us understand Beckett’s strangeness and notorious difficulty by arguing that Beckett’s lifelong campaign was to mismake on purpose—not to denigrate himself, or his audience, or reconnect with the child or savage within, but because he believed that such mismaking is in the interest of art and will shape its future.
Beckett’s Art of Mismaking
Author: Leland de la Durantaye
Publisher: Harvard University Press
ISBN: 0674504852
Category : Drama
Languages : en
Pages : 209
Book Description
Leland de la Durantaye helps us understand Beckett’s strangeness and notorious difficulty by arguing that Beckett’s lifelong campaign was to mismake on purpose—not to denigrate himself, or his audience, or reconnect with the child or savage within, but because he believed that such mismaking is in the interest of art and will shape its future.
Publisher: Harvard University Press
ISBN: 0674504852
Category : Drama
Languages : en
Pages : 209
Book Description
Leland de la Durantaye helps us understand Beckett’s strangeness and notorious difficulty by arguing that Beckett’s lifelong campaign was to mismake on purpose—not to denigrate himself, or his audience, or reconnect with the child or savage within, but because he believed that such mismaking is in the interest of art and will shape its future.
Samuel Beckett's Art
Beckett's Art of Salvage
Author: Julie Bates
Publisher: Cambridge University Press
ISBN: 1107167043
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
Introduction: Miscellaneous Rubbish -- Relics -- Heirlooms -- Props -- Treasure -- Conclusion
Publisher: Cambridge University Press
ISBN: 1107167043
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
Introduction: Miscellaneous Rubbish -- Relics -- Heirlooms -- Props -- Treasure -- Conclusion
Art and the Artist in the Works of Samuel Beckett
Author: Hannah Case Copeland
Publisher: De Gruyter Mouton
ISBN:
Category : Art and literature
Languages : en
Pages : 248
Book Description
Publisher: De Gruyter Mouton
ISBN:
Category : Art and literature
Languages : en
Pages : 248
Book Description
Beckett, Deleuze and Performance
Author: Daniel Koczy
Publisher: Springer
ISBN: 3319956183
Category : Performing Arts
Languages : en
Pages : 238
Book Description
This book draws on the theatrical thinking of Samuel Beckett and the philosophy of Gilles Deleuze to propose a method for research undertaken at the borders of performance and philosophy. Exploring how Beckett fabricates encounters with the impossible and the unthinkable in performance, it asks how philosophy can approach what cannot be thought while honouring and preserving its alterity. Employing its method, it creates a series of encounters between aspects of Beckett’s theatrical practice and a range of concepts drawn from Deleuze’s philosophy. Through the force of these encounters, a new range of concepts is invented. These provide novel ways of thinking affect and the body in performance; the possibility of theatrical automation; and the importance of failure and invention in our attempts to respond to performance encounters. Further, this book includes new approaches to Beckett’s later theatrical work and provides an overview of Deleuze’s conception of philosophical practice as an ongoing struggle to think with immanence.
Publisher: Springer
ISBN: 3319956183
Category : Performing Arts
Languages : en
Pages : 238
Book Description
This book draws on the theatrical thinking of Samuel Beckett and the philosophy of Gilles Deleuze to propose a method for research undertaken at the borders of performance and philosophy. Exploring how Beckett fabricates encounters with the impossible and the unthinkable in performance, it asks how philosophy can approach what cannot be thought while honouring and preserving its alterity. Employing its method, it creates a series of encounters between aspects of Beckett’s theatrical practice and a range of concepts drawn from Deleuze’s philosophy. Through the force of these encounters, a new range of concepts is invented. These provide novel ways of thinking affect and the body in performance; the possibility of theatrical automation; and the importance of failure and invention in our attempts to respond to performance encounters. Further, this book includes new approaches to Beckett’s later theatrical work and provides an overview of Deleuze’s conception of philosophical practice as an ongoing struggle to think with immanence.
Shakespeare and Beckett
Author: Claudia Olk
Publisher: Cambridge University Press
ISBN: 1009084844
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
'The danger is in the neatness of identifications', Samuel Beckett famously stated, and, at first glance, no two authors could be further distant from one another than William Shakespeare and Samuel Beckett. This book addresses the vast intertextual network between the works of both writers and explores the resonant correspondences between them. It analyses where and how these resonances manifest themselves in their aesthetics, theatre, language and form. It traces convergences and inversions across both œuvres that resound beyond their conditions of production and possibility. Uncovering hitherto unexplored relations between the texts of an early modern and a late modern author, this study seeks to offer fresh readings of single passages and entire works, but it will also describe productive tensions and creative incongruences between them.
Publisher: Cambridge University Press
ISBN: 1009084844
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
'The danger is in the neatness of identifications', Samuel Beckett famously stated, and, at first glance, no two authors could be further distant from one another than William Shakespeare and Samuel Beckett. This book addresses the vast intertextual network between the works of both writers and explores the resonant correspondences between them. It analyses where and how these resonances manifest themselves in their aesthetics, theatre, language and form. It traces convergences and inversions across both œuvres that resound beyond their conditions of production and possibility. Uncovering hitherto unexplored relations between the texts of an early modern and a late modern author, this study seeks to offer fresh readings of single passages and entire works, but it will also describe productive tensions and creative incongruences between them.
Language and Negativity in European Modernism
Author: Shane Weller
Publisher: Cambridge University Press
ISBN: 1108475027
Category : Fiction
Languages : en
Pages : 293
Book Description
Proposes that a distinct strain of literary modernism emerged in Europe in response to historical catastrophe.
Publisher: Cambridge University Press
ISBN: 1108475027
Category : Fiction
Languages : en
Pages : 293
Book Description
Proposes that a distinct strain of literary modernism emerged in Europe in response to historical catastrophe.
Twilight of the Literary
Author: Terry Cochran
Publisher: Harvard University Press
ISBN: 9780674029613
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
In Western thought, the modern period signals a break with stagnant social formations, the advent of a new rationalism, and the emergence of a truly secular order, all in the context of an overarching globalization. In The Twilight of the Literary, Terry Cochran links these developments with the rise of the book as the dominant medium for recording, preserving, and disseminating thought. Consequently, his book explores the role that language plays in elaborating modern self-understanding. It delves into what Cochran calls the "figures of thought" that have been an essential component of modern consciousness in the age of print technology--and questions the relevance of this "print-bound" thinking in a world where print no longer dominates. Cochran begins by examining major efforts of the eighteenth century that proved decisive for modern conceptions of history, knowledge, and print. After tracing late medieval formulations of vernacular language that proved crucial to print, he analyzes the figures of thought in print culture as they proceed from the idea of the collective spirit (the "people"), an elaboration of modern history. Cochran reconsiders basic texts that, in his analysis, reveal the underpinnings of modernity's formation--from Dante and Machiavelli to Antonio Gramsci and Walter Benjamin. Moving from premodern models for collective language to competing theories of history, his work offers unprecedented insight into the means by which modern consciousness has come to know itself.
Publisher: Harvard University Press
ISBN: 9780674029613
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
In Western thought, the modern period signals a break with stagnant social formations, the advent of a new rationalism, and the emergence of a truly secular order, all in the context of an overarching globalization. In The Twilight of the Literary, Terry Cochran links these developments with the rise of the book as the dominant medium for recording, preserving, and disseminating thought. Consequently, his book explores the role that language plays in elaborating modern self-understanding. It delves into what Cochran calls the "figures of thought" that have been an essential component of modern consciousness in the age of print technology--and questions the relevance of this "print-bound" thinking in a world where print no longer dominates. Cochran begins by examining major efforts of the eighteenth century that proved decisive for modern conceptions of history, knowledge, and print. After tracing late medieval formulations of vernacular language that proved crucial to print, he analyzes the figures of thought in print culture as they proceed from the idea of the collective spirit (the "people"), an elaboration of modern history. Cochran reconsiders basic texts that, in his analysis, reveal the underpinnings of modernity's formation--from Dante and Machiavelli to Antonio Gramsci and Walter Benjamin. Moving from premodern models for collective language to competing theories of history, his work offers unprecedented insight into the means by which modern consciousness has come to know itself.
Accommodating the Chaos
Author: J. E. Dearlove
Publisher: Durham, N.C. : Duke University Press
ISBN:
Category :
Languages : en
Pages : 184
Book Description
Publisher: Durham, N.C. : Duke University Press
ISBN:
Category :
Languages : en
Pages : 184
Book Description