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Author: Yann Robert Publisher: University of Pennsylvania Press ISBN: 0812250753 Category : Literary Criticism Languages : en Pages : 344
Book Description
For most of the seventeenth and eighteenth centuries, classical dogma and royal censorship worked together to prevent French plays from commenting on, or even worse, reenacting current political and judicial affairs. Criminal trials, meanwhile, were designed to be as untheatrical as possible, excluding from the courtroom live debates, trained orators, and spectators. According to Yann Robert, circumstances changed between 1750 and 1800 as parallel evolutions in theater and justice brought them closer together, causing lasting transformations in both. Robert contends that the gradual merging of theatrical and legal modes in eighteenth-century France has been largely overlooked because it challenges two widely accepted narratives: first, that French theater drifted toward entertainment and illusionism during this period and, second, that the French justice system abandoned any performative foundation it previously had in favor of a textual one. In Dramatic Justice, he demonstrates that the inverse of each was true. Robert traces the rise of a "judicial theater" in which plays denounced criminals by name, even forcing them, in some cases, to perform their transgressions anew before a jeering public. Likewise, he shows how legal reformers intentionally modeled trial proceedings on dramatic representations and went so far as to recommend that judges mimic the sentimental judgment of spectators and that lawyers seek private lessons from actors. This conflation of theatrical and legal performances provoked debates and anxieties in the eighteenth century that, according to Robert, continue to resonate with present concerns over lawsuit culture and judicial entertainment. Dramatic Justice offers an alternate history of French theater and judicial practice, one that advances new explanations for several pivotal moments in the French Revolution, including the trial of Louis XVI and the Terror, by showing the extent to which they were shaped by the period's conflicted relationship to theatrical justice.
Author: Yann Robert Publisher: University of Pennsylvania Press ISBN: 0812250753 Category : Literary Criticism Languages : en Pages : 344
Book Description
For most of the seventeenth and eighteenth centuries, classical dogma and royal censorship worked together to prevent French plays from commenting on, or even worse, reenacting current political and judicial affairs. Criminal trials, meanwhile, were designed to be as untheatrical as possible, excluding from the courtroom live debates, trained orators, and spectators. According to Yann Robert, circumstances changed between 1750 and 1800 as parallel evolutions in theater and justice brought them closer together, causing lasting transformations in both. Robert contends that the gradual merging of theatrical and legal modes in eighteenth-century France has been largely overlooked because it challenges two widely accepted narratives: first, that French theater drifted toward entertainment and illusionism during this period and, second, that the French justice system abandoned any performative foundation it previously had in favor of a textual one. In Dramatic Justice, he demonstrates that the inverse of each was true. Robert traces the rise of a "judicial theater" in which plays denounced criminals by name, even forcing them, in some cases, to perform their transgressions anew before a jeering public. Likewise, he shows how legal reformers intentionally modeled trial proceedings on dramatic representations and went so far as to recommend that judges mimic the sentimental judgment of spectators and that lawyers seek private lessons from actors. This conflation of theatrical and legal performances provoked debates and anxieties in the eighteenth century that, according to Robert, continue to resonate with present concerns over lawsuit culture and judicial entertainment. Dramatic Justice offers an alternate history of French theater and judicial practice, one that advances new explanations for several pivotal moments in the French Revolution, including the trial of Louis XVI and the Terror, by showing the extent to which they were shaped by the period's conflicted relationship to theatrical justice.
Author: Yann Robert Publisher: University of Pennsylvania Press ISBN: 081229565X Category : Literary Criticism Languages : en Pages : 340
Book Description
For most of the seventeenth and eighteenth centuries, classical dogma and royal censorship worked together to prevent French plays from commenting on, or even worse, reenacting current political and judicial affairs. Criminal trials, meanwhile, were designed to be as untheatrical as possible, excluding from the courtroom live debates, trained orators, and spectators. According to Yann Robert, circumstances changed between 1750 and 1800 as parallel evolutions in theater and justice brought them closer together, causing lasting transformations in both. Robert contends that the gradual merging of theatrical and legal modes in eighteenth-century France has been largely overlooked because it challenges two widely accepted narratives: first, that French theater drifted toward entertainment and illusionism during this period and, second, that the French justice system abandoned any performative foundation it previously had in favor of a textual one. In Dramatic Justice, he demonstrates that the inverse of each was true. Robert traces the rise of a "judicial theater" in which plays denounced criminals by name, even forcing them, in some cases, to perform their transgressions anew before a jeering public. Likewise, he shows how legal reformers intentionally modeled trial proceedings on dramatic representations and went so far as to recommend that judges mimic the sentimental judgment of spectators and that lawyers seek private lessons from actors. This conflation of theatrical and legal performances provoked debates and anxieties in the eighteenth century that, according to Robert, continue to resonate with present concerns over lawsuit culture and judicial entertainment. Dramatic Justice offers an alternate history of French theater and judicial practice, one that advances new explanations for several pivotal moments in the French Revolution, including the trial of Louis XVI and the Terror, by showing the extent to which they were shaped by the period's conflicted relationship to theatrical justice.
Author: C. J. Sisson Publisher: Routledge ISBN: 1315306379 Category : Performing Arts Languages : en Pages : 110
Book Description
The problem of justice seems to have haunted Shakespeare as it haunted Renaissance Christendom. In this book, first published in 1963, four aspects of the problems of justice in action in Shakespeare’s great tragedies are explored. This study is based on the lifetime’s research of Elizabethan habits of mind by one of the most distinguished Shakespearean scholars, and will be of interest to students of English Literature, Drama and Performance.
Author: Andrew J. Majeske Publisher: Fairleigh Dickinson Univ Press ISBN: Category : Literary Criticism Languages : en Pages : 214
Book Description
Justice, Women, and Power in English Reniassance Drama is a collection of essays that explores the relationship of gender and justice as represented in English Renaissance drama. Many of the essays are concerned with interrogating the ways that women relied upon and/or reacted to the legal (and overarching political) systems in early modern England. Other essays examine issues involving the role of narrative, evidence, and gendered expectations about justice in the plays of this time period. An implicit concern of these essays is whether women were empowered or dis-empowered in this interaction with the legal/political system.
Author: Paul Mones Publisher: ISBN: 9780671002015 Category : Law Languages : en Pages : 340
Book Description
Paul Mones is a nationally prominent attorney whose knowledge of DNA evidence brought about appearances on 60 Minutes, 20/20, 48 Hours, Oprah Winfrey and interviews in the New York Times, Newsweek, People and more. Here, Mones tells the riveting story of teh first time DNA was used in a capital case--and how it permanently altered the American justice system.
Author: John Fairfax Publisher: Abacus ISBN: 9780349142500 Category : Fiction Languages : en Pages : 0
Book Description
The last time Tess de Vere saw William Benson she was a law student on work experience. He was a twenty-one year old, led from the dock of the Old Bailey to begin a life sentence for murder. He'd said he was innocent. She'd believed him. Sixteen years later Tess overhears a couple of hacks mocking a newcomer to the London Bar, a no-hoper with a murder conviction, running his own show from an old fishmonger's in Spitalfields. That night she walks back into Benson's life. The price of his rehabilitation - and access to the Bar - is an admission of guilt to the killing of Paul Harbeton, whose family have vowed revenge. He's an outcast. The government wants to shut him down and no solicitor will instruct him. But he's subsidised by a mystery benefactor and a desperate woman has turned to him for help: Sarah Collingstone, mother of a child with special needs, accused of slaying her wealthy lover. It's a hopeless case and the murder trial, Benson's first, starts in four days. The evidence is overwhelming but like Benson long ago, she swears she's innocent. Tess joins the defence team, determined to help Benson survive. But as Benson follows the twists and turns in the courtroom, Tess embarks upon a secret investigation of her own, determined to uncover the truth behind the death of Paul Harbeton on a lonely night in Soho. True to life, fast-paced and absolutely compelling, Summary Justice introduces a new series of courtroom dramas featuring two maverick lawyers driven to fight injustice at any cost.
Author: Steven V. Mazie Publisher: University of Pennsylvania Press ISBN: 0812292278 Category : Law Languages : en Pages : 182
Book Description
American Justice 2015: The Dramatic Tenth Term of the Roberts Court is the indispensable guide to the most controversial and divisive cases decided by the Supreme Court in the 2014-15 term. Steven Mazie, Supreme Court correspondent for The Economist, examines the term's fourteen most important cases, tracing the main threads of contention and analyzing the expected impacts of the decisions on the lives of Americans. Legal experts and law students will be drawn to the lively summaries of the issues and arguments, while scholars and theorists will be engaged and provoked by the book's elegant introduction, in which Mazie invokes John Rawls's theory of "public reason" to defend the institution of the Supreme Court against its many critics. Mazie contends that the Court is less ideologically divided than most observers presume, issuing many more unanimous rulings than 5-4 decisions throughout the term that concluded in June 2015. When ruling on questions ranging from marriage equality to freedom of speech to the Affordable Care Act, the justices often showed a willingness to depart from their ideological fellow travelers—and this was particularly true of the conservative justices. Chief Justice Roberts joined his liberal colleagues in saving Obamacare and upholding restrictions on personal solicitation of campaign funds by judicial candidates. Justice Samuel Alito and the chief voted with the liberals to expand the rights of pregnant women in the workplace. And Justice Clarence Thomas floated to the left wing of the bench in permitting Texas to refuse to print a specialty license plate emblazoned with a Confederate flag. American Justice 2015 conveys, in clear, accessible terms, the arguments, decisions, and drama in these cases, as well as in cases involving Internet threats, unorthodox police stops, death-penalty drugs, racial equality, voting rights, and the separation of powers.
Author: Yann Robert
Author: Yann Robert
Author: Yann Robert
Author: C. J. Sisson
Author: Andrew J. Majeske
Author: Paul Mones
Author: Paul Bergman
Author: Sir Adolphus William Ward
Author: John Fairfax
Author: Steven V. Mazie
Author: Jack Thomas Grein